Film Reviews

Sausage Party

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Sausage Party (2016) – Comedy 

Directed by: Greg Tiernan and Conrad Vernon

Starring: A Grocery Store’s Perishables, Non-Perishables and a Douche

How I Watched: Theaters

Best Line: “I’ll tell you who eats shit. Gods do, bro! I’M A FUCKING GOD!”

This is an incredibly difficult movie to review. While the content of the film is not exactly heavy or too cumbersome to tackle thematically, Sausage Party is full of unexpectedly creative ways of presenting religious and existentially deep concepts. Now before you run away from this review, just hang on a second. Sausage Party has enough topical humor to keep the average stoner (and non-stoner) familiar with Rogen and Goldberg’s body of work entertained for its quick, 89-minute running time. The one-liners are great, the animation is hysterical, and the voice actors are just as funny animated as they are acting in movies. This film goes deeper than that, though. I think this is why the review is so hard to write. There is so much buried in this story, that it’s difficult to discuss without spoiling the plot.

So here goes. Those familiar with The LEGO Movie might best understand where I am going with this review. My girlfriend’s Film professor at the time of its release, was giving out extra credit to his students that went and saw it in the theater, so I very hesitantly went along with her. To my surprise, the arcing theme of The LEGO Movie was rife with deep philosophical metaphors meant for the parents of the children they were attending the movie with. What I walked away with was a semi-permanent grin that did not dissipate for about a week. I walked away from Sausage Party with that same grin.

I suppose if you let it hit you that way, Sausage Party could be a very stupid movie; the same way that Toy Story could be. Yeah, they’re seemingly inanimate objects talking amongst themselves when the humans are not looking and that’s absolutely ridiculous, right? Yeah, it is, but only if you let it be you unimaginative dickbag. If you have any sense of wonder, Toy Story caught and tugged at your heart as you watched those toys fight for their place in the universe. Sausage Party is no different.

Actually, it’s way different. I think the animated characters said “Fuck” more times than any movie that’s come out so far this year: 160+ according to pluggedin.com (who also mentions that “God’s name is misused at least 20 times…” *insert eye roll here*). If you’ve seen the Red Band trailer, you’ll know there’s also some vicious mutilations and enough sexual innuendo to make Paul Reubens happy in an empty theater. So yeah, I guess it’s different from Toy Story and The LEGO Movie. Vulgarity for vulgarity’s sake aside, this is a smart and viciously hilarious movie. A lot of the jokes will go over Millennials’ heads, including a very Jewish bagel that sounds like an Annie Hall-era Woody Allen on Freud’s couch, or perhaps even the scientifically philosophical musings of a Stephen Hawking-inspired piece of chewed gum.

If you don’t like Goldberg and Rogen films (SuperbadThe InterviewNeighbors, etc.), chances are you won’t like this one either. It features Rogen’s character, Frank, pretty heavily throughout and yes, he’s guilty of the same style of comedy that he always is (which I find hilarious). There are cheap laughs, but a lot of people might be pleasantly surprised by the voices coming out of these character’s mouths. I think my favorite was that of Nick Kroll’s, as a walking douche. Those familiar with his Comedy Central show (Kroll Show)will immediately recognize one of the voices he uses, and it made me laugh any time he said anything in Sausage Party.

Sausage Party isn’t perfect. It probably isn’t even the funniest movie that I’ve seen this year. It is however, unexpectedly smart and it will probably even make you feel guilty for eating popcorn while watching. It is a great way to spend an hour and a half on a hot summer night, so get your friends, have a few beers and go to this summer’s funniest movie. And for The Gods’ sake, leave your damn kids at home!

Final Score: 3.5/4

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Similar Films: Toy Story, The LEGO Movie, South Park: Bigger, Longer and Uncut

‘Burning Books’ Now Available! 

One of our contributors has written a novel and you can buy it now from Amazon for the Kindle app!

James Spleen spent about five years writing Burning Books and guess what? You can get it now for $2.99 or Free if you have Kindle Unlimited! Here’s some more about the novel, a Horror/Dystopian/Bizarro piece set in a desolate western horrorscape:

Adam Russell, gossip blogger, just received a lucrative job offer from the highly-touted Warsaw Building. But just like in every great family film, the world just ended, and now Adam is forced to survive in a surreal landscape resembling nothing he has ever known. Why has this happened, and more importantly, what does it have to do with the Warsaw Building?

Get Burning Books today at the following link: Burning Books on Amazon

Exclusive Chapter from ‘Burning Books’

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Chapter Four – Adam and the Big Black Dick

The raw ache of my throbbing head is my only sense as I awaken. Everything is blurry as I’m trying to open my eyes but the right one feels like it’s glued shut. I can hear the wind rustling through the trees above me. I’m pulling down the bottom of my eyelid so I can see but it’s caked so thick that I have to scrape away what seems like inches of squishy goo. Blood. I finally regain some semblance of strength and manage to sit up. My head feels like it is swimming through a sludgy lake of shit.

As I finger away the last of the coagulated puddle from my eye, I look into the forest enveloping me. It’s almost dark, the moon ducking behind and jumping out of the clouds passing by. The path I’m lying on is wet with rain, my suit now covered in mud. For some reason this is a major concern. Somehow, I had just managed to get from a job interview in Munchkin Land to a forest in Who-The-Fuck-Knows, and my biggest worry is the well-being of the donated suit I bought from a thrift store. Fucking idiot. I try to stand up, but the blood rushing through my body seems thick and unwilling to travel to my extremities. I fall, woozy, landing on my ass.  There is a fiery red panic that perches upon my ragged head. This is an unknown land on the other side of some pyrotechnic show called the end of the world, and here I am, an invalid in all its myriad meanings. I settle down, telling myself not to break down. That guy would not resolve to a ball on the floor. I have never had a concussion, but I imagine that unlike countless action flicks, the reality of any post concussive action on my part is not going to happen. For all I know, my brain sustained a trauma so heinous, it decided to peace out for a period. How long, who knows?  Upon regaining my outer motor functions, I stand successfully. I’d assume civilization, including a police station and hospital are somewhere in some general direction, so I decide to walk forward, soon finding myself on a path.

This path is not well traveled. In fact, calling it a path would be an egregious exaggeration. It’s more of a somewhat continuous series of trampled grass and occasional collection of puddles. I stick with it as I conclude that’s the most sensible thing I’ve done all day. I’m reaching into my pockets, feeling around for my cell phone. It’s not there and it makes me wonder if I even brought it to the interview. Nope. Left it plugged in at the hotel. Awesome. The smell of rain is fresh on the air, birds just now coming out of hiding and revealing themselves to each other in what remains of the weirdest fucking day of my life.

I’ve been walking for about twenty minutes, gingerly fingering the small gash on my head responsible for the eye-cake. That tiny son of a bitch did this. Musey. What kind of name is that? Little bastard just dropped me off here in the middle of nowhere. Reeled me into his retarded, sex-fiend scheme. I keep feeling around my asshole to make sure I didn’t get roofied and buttfucked by a midg…sorry, little person. I think I’m ok. Of course, I’ve never been buttfucked or roofied so I don’t really know the residual side effects.

The path is slowly converging into a road and with each step is becoming more and more defined. This gives me comfort, as it is a clear sign of civilization. I see something through the trees around the bend. It is clearly man-made and my heart wells with both panic and excitement. Either my nightmare will be over, or it is simply just starting. Two sides of the spectrum, that is all on which I ever focus. Ahead, I recognize what seems to be a…

Wagon?! Like some horse and buggy shit. Colonial Williamsburg shit. So, this is it? That’s the conclusion. Some midget, as some elaborate prank, has dropped me in the middle of some attraction, or maybe I am the unwilling participant in some Truman Show reality program. “Watch what happens when we drop shitty blogger, Adam Russell, into some Amish community where all the men have beards and bull testicles are used as currency! How will he deal in a strongly patriarchic society having never had a father of his own? How will he connect with other humans without a computer in front of him?”  Yeah, that is what I was thinking too, Mr. Announcer. I can barely comprehend what I am seeing in the waning daylight. In fact, I wouldn’t have even considered it a wagon except for the two horses neighing at the sight of me. I’m stopped cold, fearing yet again a buttfucking. If this isn’t some TV show, there is nothing to stop a burly bear from turning my insides into ramen. I weigh whether or not this thought is homophobic. I conclude it is and the shame rolls in. Fuck. I’m walking now.

There is a sudden flash of blue from the side of the wagon. I jump out of the path, falling into the grass hoping whoever it is doesn’t see me. He totally does. I can see his feet coming toward me in the grass now. I’m on my stomach, frantically scuffling backwards through the wet grass. I probably look like an undisguised, mentally-challenged Spiderman, crawling on a random forest floor. His foot is now right in front of my face and my crotch is soaked through. Hopefully it’s the rain.

“Who are you? What are you doing?”

Goddammit, Adam. That’s a woman’s voice.

I’m looking up and smiling, feeling like the world’s biggest asshole. I flip over onto my back and hold out my hand. She takes it and pulls me up, my disgustingly wet crotch on full display.

“Uh, hey, yeah I don’t know. I just woke up down the road there and then I saw your wagon and yeah. I don’t know.”

She’s staring at me quizzically, a coarse round piece of what looks like a crowbar in her hand. I notice her blonde hair bound tightly against her scalp, giving her a natural, intimidating scowl. She his wearing a blue dress in a style I’ve never seen any woman wear. I’m guessing she’s about my age, which initially excites me. I imagine how close these tourist attraction actors stay to their part. If this lady is method, I am afraid of what the hygiene situation may be. Surprisingly, my penis does not share this concern.

“Don’t look at me like that, you son of a bitch.”

Never mind, boner.

“Listen, I’ve had a really long day. Could you tell me how to get back downtown? I can call a cab from your house or something, or if you could drive me somewhere, that’d be killer.”

She’s staring at me and takes a step back. She’s grasping the crowbar with both hands now, lifting it slowly into the air. There is really nothing left of the sun at this point.

“Whoa, whoa, listen! Hey, I’m sorry, I promise I’m not a creepy rapist or anything. I have a girlfriend. Listen, c’mon!”

She’s still backing up and trips on a rock falling onto her ass. Hard.

“Jesus, lady, you ok?”

I’m leaning down to pick her up and she’s pointing her shaking finger past my head. She’s trying to say something but is just gasping warm air onto my battered face. Finally, I can make out a single word.

Run

She rises frantically and runs toward the trees opposite of me. I’m just watching her run, screaming past the wagon. The horses are going insane. I turn around to see what she was pointing at and there’s nothing but the waving trees in the moonlight. I cautiously follow her, wondering if she may have hit her head. The horses are jumping like baboons in the zoo, so I go around them as best I can. I notice the broken axle on the wagon and discover why she was stranded out here in the first place. I look in her direction and see her run past a tree and decide to catch up to her. The wind is whipping everything into a frenzy, and the frenzy is whipping up a high school sized anxiety attack inside my chest.

I start walking toward the trees, attempting to prove to her I am not a time traveling rapist/murderer. She peers out and motions for me to get down so I go to one knee and look in every direction. Oh shit, it is not me she is scared of. I see nothing. Looking back to her, she motions at the abandoned wagon. The squealing of the horses has been replaced by a looming silence. The sunlight has almost completely vanished from the sky but I can see that the horses are lying on the ground, convulsing violently. Some kind of glossy, black mass is jumping back and forth between them. Imagine five guys in a line taking turns biting an apple and a microphone is up really close to capture the sound. That’s what this thing is doing to those horses. It’s horrifying. I can’t move and I can’t fully make out what is happening. My best idea is to lie down in the grass again. Therefore, I do as if any drastic movement may force the world to turn against me, well, more than it seemingly already has.

For a few seconds, I consider reasoning with the big black thing. I’m not a horse. I’m in a shitty suit. I can’t look too appetizing. Then I realize it’s eating horses and nothing I know of that eats horses raw is reasonable. Besides, even reasonable upstanding humans are a difficulty for me. So, I continue to lie in that wet grass, silent and submissive to whatever may come next. Death? Fuck it, stranger shit has happened today.

It’s walking toward me now. I can’t see it, but I can hear it. It sounds like it’s dragging a shovel with it. With every step it makes a disgusting sound, a lot like someone snoring when they have a really bad cold; that open-mouthed death rattle, where liquid is begging escape from the swollen lungs. Somehow it doesn’t see me. Perhaps it finds no fun in killing a man that openly accepts death. As it walks past, I decide I’m safe to get a look at it. As I’m flipping over to my hands and knees, I observe:

It’s an inky-black monster. No other way to put it. There is no human way to reference what I’m looking at. Other than it’s big fucking cock and balls dragging through the grass. It’s got to be more than seven feet tall. Not its cock, but the monster itself. Its cock is probably four feet long, digging a trench through the violated grass. It’s going right for her.

She jumps out from behind the tree and falls to the ground screaming. It’s like watching one of those black and white monster movies from the 50’s. She’s so damsel-in-distress and acts as though holding her arm out over her face will somehow defend her.  It is a natural reaction, I have heard. Many gunshot murder victims show bullet holes through their hands. I guess the end of your run is considered a good time to test out that superhuman strength you always suspected. Undeterred, it grabs her hand and bites down. I see a soft spray of blood glisten in the moonlight. Two of her fingers fall sloppily out of the thing’s disgusting mouth. Her screams are absolutely deafening.

Without even realizing it, I’m on my feet. Between the dick demon and me is the crowbar, sitting and waiting patiently for a chivalrous action. In one swift motion I’m running through the grass, grabbing the crowbar and crushing the uncircumcised hood of the Big Black Cock Monster’s big black cock into the soft ground. Black ooze sprays in all directions. My face and the woman’s are covered in what’s sure to be monster dick blood. Or cum. The thoughts and possibilities are limitless. Its ungodly shrieks send me sprawling back onto my ass.

I sit up and watch the creature struggle to lift the crowbar out of his pinned dick, his four arms with two elbows each working violently. He jerks the crowbar up and it flies out of his craggy, black hands right at me. A sudden jolt of pain. The seemingly hundred mile per hour crowbar cuts through my forearm and sends me to the ground screaming. I hear the creature shriek and then numerous pulses as it brushes past the trees above me, into the moonlight. The eight fingered blonde woman comes running up to my side, the blood from her hand dripping onto my face.

“What have you done?!”

Damn, she is angry. What have I done?

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Eric Scot Lemons and Sheldon Spanjer have been working on ‘Burning Books’ for centuries. Keep your eyes out for the complete novel sometime in the 2100’s. You can find them on Twitter: @ericscotlemons | @sheldonspanjer

Kids in the Hall: Brain Candy

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Kids in the Hall: Brain Candy (1996) – Comedy | Absolute Insanity

Directed by: Kelly Makin

Starring: The Kids in the Hall

How I Watched: Laserdisc

Best Line: “Sorry we’re a few hours late, there, Ma, but you know how the kids…uh…hate old people.”

It’s not too often that a movie comes along and makes you feel like you got hit by a bus full of certifiably insane people. Brain Candy from the Lorne Michaels-produced Canadian comedy troupe, The Kids in the Hall does just that. This movie has enough craziness in it to make you question reality, and that’s not even taking the film’s plot into account. The five men in The Kids in the Hall play possibly more women in this film than men, and very often convincingly. This may be cliche, but this movie really has to be seen to be believed.

If you’ve ever seen The Kids in the Hall’s sketch show, you may know what to expect when you watch Brain Candy. It’s crass, ridiculous, out of control and so strange at times, that you may have to pause just to process what happened. The plot concerns a pharmaceutical company that has developed a drug that cures depression by clutching on to your happiest memory and replaying it over and over again. The doctor that developed this drug called ‘GLeeMONEX’ is pressured into releasing it to the general public before properly testing it and chaos ensues. The plot though, really plays second fiddle to the random shit that happens in the movie.

Just some of the characters that The Kids play in the movie include a clinically depressed grandmother, a gay father in homophobic denial, Mark McKinney doing a spot-on impression of Lorne Michaels himself, a character modeled exactly after Glenn Danzig, Brendan Fraser (what?!), a good number of characters that were developed in the show itself, and of course, the infamous Cancer Boy. The film actually met a lot of protest due to this character, a young boy with terminal cancer that just recites incredibly depressing facts. He actually only has a tiny bit of screen time, but I honestly find it to be one of Bruce McCulloch’s best characters, even if it is horribly insensitive.

Now, there is no way I would consider this a great film, or even include it in the list of the best comedies that I’ve ever seen. What Brain Candy is however, is a refreshing hour and a half of a very funny group of people unleashed in the world of R-rated comedy. The laugh-tracked show was first broadcast on the Canadian CBC and later picked up in the US by HBO. It ran for five seasons in the late 80’s and early 90’s and in my opinion, is the pinnacle of sketch comedy. It defied many of the rules laid down by SNL and others, and it almost seems as if it was Lorne Michaels’ outlet for weirdness that he could not broadcast on NBC.

Brain Candy does have its share of problems, though. I’ve read before that they wanted to include more to make the film substantially longer, but I think that would have made it even more chaotic than it is. Even the trailer is packed full of scenes that didn’t make the cut (including an appearance by Janeane Garofalo). Like their sketch show, a lot of the storylines in the film have nothing to do with each other, except for when the characters are affected by GLeeMONEX. The movie just feels a bit too out of control, but I hope someday there is some kind of “Ultimate Edition” that The Kids originally wanted us to see.

You can’t let these minor problems get in the way though. Brain Candy is absolutely strange and stands on its own as a great feat in the world of Cult Classics. It is unfortunately hard to find these days and as you can see above, the only copy I own is on Laserdisc. You can get the DVD online pretty easily, but it’s not exactly cheap if you want a new version. If you do find yourself lucky enough to happen upon it though, do yourself a favor and pick it up. I guarantee you won’t regret it.

Final Score: 3/4

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Similar Films: Monty Python’s The Meaning of Life, Tim and Eric’s Billion Dollar Movie, Strange Brew

Crimson Peak

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Crimson Peak (2015) – Horror | Drama

Directed by: Guillermo Del Toro

Starring: Mia Wasikowska and Tom Hiddleston

How I Watched: Amazon Instant Video

Best Line: “A house as old as this one becomes, in time, a living thing. It starts holding onto things. Keeping them alive when they shouldn’t be.”

Let me begin by warning you that this movie is not scary in the way that you’d expect an R-rated haunted house flick directed by Guillermo Del Toro to be. Crimson Peak is at times, uncomfortably frightening but it just manages to avoid terrifying you into oblivion. Its story instead grows increasingly insidious as it progresses and is almost surgical in its mental burrowing of the viewer. What it will not do however, is cripple you into fear like some scenes in The Conjuring or The ExorcistCrimson Peak is a classically well-told ghost story built upon the back of a Victorian era love affair.

Those of you that are now planning to avoid this one due to the words, “Victorian era love affair,” hey, I don’t blame you. From the trailers, I could tell that this one was possibly more Jane Eyre than Del Toro’s exceedingly brutal Pan’s Labyrinth or The Devil’s Backbone. When all is said and done though, trust me, it works. Fear not, thy testosterone. There’s enough tense moments in Crimson Peak to get at least a couple nods out of even the most jaded Horror film aficionado.

If you’re familiar with Del Toro’s track record, you know he’s made some pretty solid films. Including the two mentioned above, he’s credited with the insane Cronos, the Hellboy series and Pacific Rim. Sure, Mimic and Blade II weren’t exactly Citizen Kane, but c’mon. Everybody is allowed to slip up once in a while. While The Devil’s Backbone is his only other true ghost story, there were plenty of horrifying scenes in Pan’s Labyrinth, as well as movies he helped produce like The Orphanage and Mama, so I was not worried that he could handle the task of scaring us again.

For a little background on the film itself, the story features a young American writer that is swept off her feet by a mysterious entrepreneur that lives in a haunted British estate. For a bit, I felt the movie was going to be like 2012’s The Woman in Black. English accents swept over the lines and it started to seem as it was going to be a costume-themed period piece, until it really began to pick up once the story moved to this British estate. Those that have picked up on it might have already realized that the estate is called ‘Crimson Peak.’ I won’t tell you why but really, the more I think about it, the stranger this story gets.

The cast in Crimson Peak is pretty good, but it’s not exactly something to write home about. I was a bit disappointed that Del Toro didn’t manage to slip stalwart Ron Perlman anywhere in the movie, but hey, Doug Jones made it in so I guess I can forgive the man. Leads Wasikowska and Hiddleston do enough the keep the story going, but I really think this one belongs to Jessica Chastain. Del Toro is famous for his absolutely stone cold, evil villains and Chastain does not break this chain. It’s pretty refreshing to see her play a character that is not emotionally or morally confounded in a muddled thriller and she definitely steals the show from the rest of the cast.

As I mentioned above, this movie isn’t going to turn your blood cold. A few scenes will have you gripping the arms of the couch (if you’re in the right mood), but honestly, Crimson Peak is just more of a really cool movie. The cinematography is absolutely stunning and though I felt Guillermo was a bit liberal with some of the CGI effects, it was not enough to take away from the tale itself. Del Toro weaves his story intricately with those scares and avoids the easy jump-frights that a good number of recent horror films are guilty of. He instead takes the opportunity to build the terror like a layered cake, until those final few moments when he knows he has you roped in and invested in the storyline.

Final Score: 3.5/4

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Similar Films: The Others, The Devil’s Backbone, The Shining

Prisoners

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Prisoners (2013) – Thriller | Drama

Directed by: Denis Villenueve

Starring: Jake Gyllenhaal and Hugh Jackman

How I Watched: DVD

Best Line: “They didn’t cry until I left them.”

I don’t know what it is, but Jake Gyllenhaal does a wonderful job slipping himself into fantastically creepy films. From Donnie Darko, to Nightcrawler, to Villenueve’s own Enemy, he always seems to be somewhere on the bill in these type of films. Now, if you saw Enemy, you might be expecting Prisoners to be REALLY weird. It’s not, but it’s got enough of that Lynchian, otherwordly line-walking to make you want to turn on the lights.

Prisoners is not a feel good movie. I will tell you that now. It’s dark as hell, mostly brown and grey throughout and the characters are permanently scared and/or yelling the whole movie. But holy shit, is it vicious. From the onset, Hugh Jackman quietly utters the lord’s prayer as a deer takes its last breaths and it does not let up from there. Every scene seems to be bathed in a perpetual dusk that the entire cast seems trapped in. It’s a very claustrophobic film that is precise in its efforts of making you feel like shit. I can really see a lot of people not being able to handle some scenes in this one.

If you watch the trailer for Prisoners, you can tell what this story is about, so no worries about this spoiler. Two families lose their daughters in the middle of the day and Gyllenhaal investigates their disappearance. Hugh Jackman is Hugh Jackman in this one, and you get about what you expect from an ‘unsettled Jackman’ performance. However, Gyllenhaal and Paul Dano are magnificent and really carry the film. Dano does his best “creepy guy in a van” at the beginning, but as time passes, he becomes so much more than that. His soft-spoken demeanor is terribly discomforting beneath those wire glasses that are so typical in child-kidnapping films.

Gyllenhaal, though is really the barometer of the film’s emotion. From the beginning, the viewer is challenged to make a choice between Jackman’s outbursts as a frantic father and the situation that Dano finds himself in after the girls disappear. Gyllenhaal is always there, dividing the two parties, testing your limits as a viewer. It’s not a simple choice to make and the movie does everything in its power to throw your emotions into a blender.

The rest of the cast is just kind of there, though. This is perhaps the film’s greatest flaw. Both Jackman’s wife (played by Maria Bello) and the other mother in the film (Viola Davis) are understandably grieving the whole film, but that’s really all they do. Terrence Howard attempts to show emotion, but it’s not very convincing. Melissa Leo is pretty good as Dano’s aunt, but again, Dano and Gyllenhaal really steal this one away from everyone else.

At times, Prisoners really rides the line of the supernatural. Not ghosts and witches, but more like the end of the first season of True Detective; that awful feeling that I know you got when the detectives entered Carcosa in the finale is present in a few scenes in this film. It does not really stick to that, but still, Villenueve definitely has some skill in discomfort.

I feel bad about this, but I did not see Villenueve’s 2015 Sicario. Trust me, I really want to, I just have not gotten around to it yet. Seeing that he is taking the helm for Blade Runner 2 (due out 2017) makes me really excited, though. Enemy was an awfully creepy little story full of doppelgangers and Kafka-esque suggestions that will fit into the Blade Runner universe perfectly.

While I definitely would not suggest Prisoners if the kiddies are around or you had a rough day at the office, it’s perfect for those nights where you want to watch a scary movie that’s not that kind of scary movie. The performances from Gyllenhaal and Dano are excellent and while the story was a few hairs away from being epic, it’s a moral brain-twister that will have you talking when the credits roll.

Final Score: 3.5/4

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Similar Films: Mystic River, The Lovely Bones, Zodiac