Month: May 2017

CinemAbysmal: The Podcast – Episode 10: All the Harry Potter Movies

CinemAbysmal: The Podcast – Episode 10

‘All the Harry Potter Movies’ 

Episode 10 is here! This week, we go in depth with all the Harry Potter films, which Holly loves way more than her skeptical contributors! Check it out on all your favorite apps below! As always, please SHARE, RATE, AND SUBSCRIBE!

iTunes – https://itunes.apple.com/us/podcast/cinemabysmal/id1153464020?mt=2

Google Play Music –https://play.google.com/music/m/Irjld24rxpsi22hdnugilmxh57u?t=CinemAbysmal

SoundCloud https://soundcloud.com/cinemabysmal/10-all-the-harry-potter-movies

Stitcher – https://www.stitcher.com/s?fid=128435&refid=asa

Spreaker – http://www.spreaker.com/show/cinemabysmals-show

You can also find us on BeyondPod! Just search for CinemAbysmal.

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The Void

voidThe Void (2016) – Horror 

Directed by: Steven Kostanski and Jeremy Gillespie

Starring: Aaron Poole and Kenneth Welsh

How I Watched: Amazon Instant Video

Review by Eric Scot Lemons

Everyone has their ideal movie in their head. The one they always wished they could make or at least see. Characters that speak on themes that are important to you. The addition of plot twists and full frontal male nudity. Everyone has something they want their favorite movie to be. I want to see an 80;s style cosmic horror film that feels equal part Lovecraft and Cronenberg. I want practical effects and an ending that feels completely batshittingly disconnected from the first act. And folks, I have seemingly found this film. Or so I thought.

The Void is a film that was produced in 2016 and feels very much like a full-length film cousin of Stranger Things. It doesn’t initially try anything too daring, starting with a small town sheriff’s deputy finding a man who has run away from some seemingly bad men. He brings this man to the nearest hospital, which unfortunately is under reconstruction after a recent fire and thus, suffers from a limited staff. And the deputy’s ex-wife works there also, which is the kind of coincidence that happens in films all the fucking time to give emotional depth, but tends to just break down fourth walls.

But forgiving that, shit goes full fucking insanity pretty fast when a whole host of white cloaked figures descend and surround the building, killing anyone who wishes to enter or exit. Their perfectly starched and ironed cloaks look very KKK outside of the black triangle over the face, presumably so they can see. Also, one of the nurses has killed one of the patients and therefore has also decided to cut her own face from her skull. So that’s cool. She is killed, but pretty immediately comes back as a giant bloody tentacle monster which has to be re-killed. It is pretty fucking sweet to watch. And this all happens in the first act. Are you pumped, cause I am fucking pumped.

Then the second act hits and shit slows way the fuck down. It becomes the same dynamic that plays out in every single location horror film. Mistrust, survival runs, and hashing out personal issues that really don’t matter but again, add depth. I really don’t want to ruin the rest of the film for you, because the third act is a masterclass on mind-blowing and face shredding.

So this is the film I wanted to see. It kinda feels like one of those wishes where you wish for something, but some asscracked genie or monkey paw kills everyone on Earth because you asked to be the richest man alive. Turns out, I like a lot of things in films besides which other artists it stole from. Like good acting. The acting in this film was fairly disgusting in many scenes. Also, casting. This is some backwoods community and half the characters look like patrons of some french named coffee bar in Williamsburg. I know actors tend to look like actors, but come on. Does the sheriff’s deputy really need an undercut and skinny jeans? Dialogue was also just kinda boring. We are talking about entering a new plane of existence and reanimating the dead and monsters and shit, and I am just fucking yawning. You have to try so hard to make dialogue with that subject matter boring.

Overall, the film’s strengths can really carry the film. And I am definitely buying it on Blu-Ray or a future as-yet-named format and recommending everyone with the same tastes as me go out and see it. All the weaknesses do is frustrate you with how great it could have been. I love the blood and gore and tentacle porn, but when the characters’ emotions don’t match the tension of the scene, it pulls you out of all that horrible shit. I like that horrible shit. I want to sleep in it. Don’t do that.

The O.C. Sundays – Volume 6: S01:E06 – The Girlfriend

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The O.C. Sundays – Volume Six – Season One: Episode Six – The Girlfriend

Recap by Holly Hill

 

Why Rewatch The O.C.?

The O.C. premiered on August 5, 2003 and ended on February 22, 2007. Or May 18, 2006 if you like to pretend that the fourth season never happened (a lot of people do, it’s okay). The O.C. not only introduced a lot of people to some fantastic music through its heavily bought mix tapes (this is before YouTube, Spotify, & Apple Music), it also created Chrismukkah, and inspired a decades worth of ‘THE REAL’ reality shows.

Not sure what I mean by that? Well The O.C. prompted the reality show Laguna Beach: The Real O.C., and a thousand other spinoffs to it. The catch phrase ‘The Real O.C.’ morphed into The Real Housewives of fill in the blank rich people cities.

Needless to say, despite its shortcomings, The O.C. had some great writing, a fantastic soundtrack, and truly inspired a generation worth of TV, for better or worse. The O.C. is the only TV show I own on box set. I haven’t watched it in awhile, so why don’t we watch it together? Whether you’re new to The O.C. (you can stream it on Hulu) or a long time fan, it’s a show anyone with a love for the dramatic can enjoy.

Recap:

We open on some witty banter from the Cohen’s who have just returned from grocery shopping. They are preparing for a visit from Kirsten’s Dad, Caleb, and his new girlfriend. It’s very clear that Sandy is not looking forward to this as he clearly has animosity toward his father-in-law. Ryan is also not looking forward to it, considering he burned down Caleb’s house.

Caleb suddenly enters and tells Sandy ‘shalom,’ to which Sandy can hardly fucking believe the nerve of this guy. Gabrielle, Caleb’s new girlfriend, is out back for a swim and much to Seth and Ryan’s extreme delight, she is basically a 24 year old supermodel.

Caleb makes some digs at Seth still not being a football player, and he gives Ryan shit for burning down one of his houses. Gabrielle flirts mercilessly with Ryan and Seth in the pool, while they discuss Caleb’s birthday party set two days from now. Gabrielle convinces the boys to invite Summer and Marissa. Ryan is unsure because Marissa may be back with Luke and Seth is unsure because he still isn’t sure Summer knows his name.

Luke drops by Marissa’s house after getting his stitches out of his gunshot wound. Marissa clearly isn’t that excited to see him. Luke knows how lucky he is to have a second chance with his life, and since Marissa was there for him in the hospital, he wants to be there for her with her whole ‘soon to be poor’ thing. Luke gives her a stuffed animal and tells her they’ll take it slow. Super romantic. *eye roll*

Sandy and Kirsten talk to Caleb about his birthday party that Kirsten has been planning. Caleb doesn’t sound that into it, but Sandy insists that he has to go because Kirsten has been working hard on it all month on top of doing all the actual fucking work for his company. Caleb brings up her adoption of Ryan, annoyed she didn’t consult him. As punishment, he says he’s going to scale back her responsibilities at work so she can spend some time with her new son. He’s clearly not passive aggressive at all.

Julie comes by Jimmy’s office to rub it in his face that she had to return China, Caitlin’s horse. Julie says she wants to get a divorce. If she can’t give his daughter a pony then she doesn’t want him at all!

Ryan walks over to Marissa’s and she answers the door so they can breathe/hey at each other. He wants to invite her to the party tonight but Luke is there and suddenly is SUPER kind to Ryan for kind of maybe sort of saving his life, and calling Marissa after it happened to visit him in the hospital. THANKS FOR GETTING US BACK TOGETHER RYAN!

Gabrielle stops by Ryan’s work for a drink, because apparently he still has that job. They flirt and she says he must think it’s weird that she’s with an older guy. Ryan replies with, “I live in a pool house.” Great dialogue. Marissa stops by his work too, to tell him Luke wants to get back together with her. They ‘hey’ and she tells him she doesn’t know what to do or who she wants to be with. Ryan tells her to let him know when she’s made up her mind and Marissa gets all sad. Just make your own personal decision bitch.

Since Marissa can’t make a decision for herself, the next day she invites Summer to lunch to talk it over. Summer says she’s better off with Luke because Ryan comes from a land of knife fights and sex on the hood of cars. Marissa says that’s The Fast and the Furious, not Chino. Well, fuck it might as well be Chino with the way you assholes are always talking about it. Seth and Ryan skateboard/bike by and they stop to ‘hey’ some more at the girls. Summer lets Marissa and Ryan have alone time while asking Seth to accompany her to the salsa bar after he awkwardly introduces himself to her for the millionth time.

Summer gets some picante on her pinky which she doesn’t like, so she asks Seth to lick it off. Summer asks Seth to take her to Caleb’s party, and although he’s unsure why she wants to go with him, he agrees to take her. Ryan apologizes for telling Marissa that she has to make up her own mind and invites her to Caleb’s party too, but Marissa she says she’s already going…with Luke.

Summer and Marissa talk about the party and how Summer is excited to have Seth introduce her to hot, rich, 20-something bankers. So now we understand why she wanted Seth to invite her.

At dinner that night, Caleb says that Seth has a quick wit and asks why he isn’t better at skirt chasing. Your misogyny is showing Caleb, christ. Seth brags that Summer asked him to his party to which Sandy is clearly impressed, because as he says, “Summer is hot.” Seth tells him to please stop. Gabrielle and Ryan eye fuck each other over the table, Seth notices, and Caleb wonders why there isn’t more wine.

Sandy daydreams to Kirsten about her quitting her job, wanting to buy back their old run down house in Berkley. Caleb overhears them talking about it in the kitchen and asks what’s going on. Sandy, without any go ahead from Kirsten, tells him they’re thinking about moving.  Sandy and Caleb fight because of course, and Caleb says he wants Kirsten’s resignation on his desk in the morning. Nice Sandy.

Seth goes to get Gabrielle a good video game to play, leaving Ryan and Gabrielle alone in the pool house. The second he leaves, she admits to Ryan that Caleb bores her. She runs her hand up Ryan’s leg and they start making out. Caleb yells out that they’re leaving and Ryan is left stunned.

The next morning of the party, Ryan and Seth are in the pool together and Seth admits that he’s noticed some heavy flirting. Ryan point blank admits they hooked up, which in early 2000 speak could mean anything from making out to full on BDSM can’t sit for a week shit. It’s a very vague term.

Is no one going to point out that Ryan is 16 (yes I know he looks 25) and Gabriella is 24 (yes I know she looks 30)? No one is going to point out that that’s some fucked up sexual predator, go to jail for child sex crime shit? No? Okay then.

It’s finally Caleb’s birthday and Kirsten tries desperately to reverse the whole ‘give me your resignation’ thing. Gabrielle finds Ryan and continues the flirting. Luke and Marissa start flirting. Ryan can’t stand it and goes to mope in the pool house. Luke is very nice to Seth, and Seth doesn’t quite understand since he got shot in the arm not the head.

Jimmy and Julie arrive, and Jimmy has a plan to ask Caleb for a job. When that epically fails, Julie uses her skirt chasing wiles to see what Caleb can do for her now that she’s getting a divorced and has nothing. Caleb of course asks her to dinner because why not.

Meanwhile Seth is introducing Summer to a lot of rich dudes. Summer later confides to Marissa that she’s meeting lots of wealth management people who, “manage wealth…as a job!” Very insightful Summer. Summer confirms with Marissa that she chose Luke over Ryan. Summer asks if they’ve had sex yet, to which Marissa obviously admits they haven’t. Summer asks what she’s waiting for and Marissa says she doesn’t know. Girl don’t know shit.

Back at the pool house, Ryan is hiding from the party, as well as Marissa and Luke, when Gabrielle walks in and they start ‘hooking up’ aka making out, everyone relax. Marissa stops by to tell Ryan that she chooses him instead of Luke, but she gets all sad and betrayed that he’s ‘hooking up’ with someone else. They aren’t even dating! What is he supposed to do, just sit there moping while Marissa takes a decade to figure out what she wants!? Marissa goes back through the party and finds Luke, saying she’s ready to hook up. Like actually hook up, as in have sex. If Ryan’s doing it why don’t they? She’s dumb.

Seth fights with Summer, saying he can’t stand introducing her to one more person who just stands there and stares at her boobs. Seth says that none of those guys know her, but he does. Cue adorable fucking moment. Seth remembers that Summer wrote a poem in sixth grade about how she wanted to be a mermaid, and is so overcome with emotion as he recites it to her that she kisses him.

Sandy tells Caleb that Kirsten has no intention of quitting or moving. Sandy says that he needs to let her keep doing what she’s doing at the company. She’s smart and competent and she doesn’t need Caleb and he knows that Caleb fears that the most. Caleb walks away to find Kirsten and tells her he will see her at work on Monday.

Marissa and Luke lose their virginities to each other. Or at least that’s what Marissa thinks since Luke clearly has fucked other people behind her back. Ryan decides to go get Marissa back and walks over to her house just as Luke drops her off. She looks shell shocked because I guess the sex was bad and shitty, and maybe don’t lose you virginity as revenge. She tells Ryan he’s too late and she half run/cries back inside. Her life is like super fucking hard, okay?

Best Song of the Episode:

“You’re So Damn Hot” by Ok Go

Before they made quirky videos on YouTube, they made this song!

Best Quote:

Kirsten: Maybe you guys can make peace this weekend.

Sandy: Okay. Oh, no wait we can’t.

Kirsten: Why?

Sandy: I’m still Jewish!

Kirsten: I wonder what his new girlfriend is like.

Sandy: I’m sure she is very well paid. I am on fire!

Number of Non-White People with Actual Lines in This Episode:

Big fat zero.

Weird 2003 thing:

Summer: “Caleb Nichol is like the Donald Trump of the West. Do you know how many hot, rich, banker-brokers are going to be there?”

Ah back when Donald Trump was just a rich d-bag, and his name could casually be thrown around in conversation. Those were innocent times.

Best Fashion Statement:

Gabrielle’s bikini, because nothing says, “It’s nice to meet you my future grandson”, like boobs do.

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CinemAbysmal: The Podcast – Episode 9: Twin Peaks & Fire Walk With Me

CinemAbysmal: The Podcast – Episode 9

‘Twin Peaks & Fire Walk With Me’

Our ninth episode is here! This week, we talk the first two seasons of Twin Peaks, and the pseudo-prequel, Fire Walk With Me. We also discuss the upcoming third season! Check it out on all your favorite apps below! As always, please SHARE, RATE, AND SUBSCRIBE!

iTunes – https://itunes.apple.com/us/podcast/cinemabysmal/id1153464020?mt=2

Google Play Music – https://play.google.com/music/m/Irjld24rxpsi22hdnugilmxh57u?t=CinemAbysmal

SoundCloud – https://soundcloud.com/cinemabysmal/09-twin-peaks-fire-walk-with

Stitcher – http://www.stitcher.com/s?eid=50084645&refid=asa

Spreaker – http://www.spreaker.com/show/cinemabysmals-show

You can also find us on BeyondPod! Just search for CinemAbysmal.

The O.C. Sundays – Volume 5: S01:E05 – The Outsider

oc2The O.C. Sundays – Volume Two – Season One: Episode Three – The Gamble

Recap by Holly Hill

 

Why Rewatch The O.C.?

The O.C. premiered on August 5, 2003 and ended on February 22, 2007. Or May 18, 2006 if you like to pretend that the fourth season never happened (a lot of people do, it’s okay). The O.C. not only introduced a lot of people to some fantastic music through its heavily bought mix tapes (this is before YouTube, Spotify, & Apple Music), it also created Chrismukkah, and inspired a decades worth of ‘THE REAL’ reality shows.

Not sure what I mean by that? Well The O.C. prompted the reality show Laguna Beach: The Real O.C., and a thousand other spinoffs to it. The catch phrase ‘The Real O.C.’ morphed into The Real Housewives of fill in the blank rich people cities.

Needless to say, despite its shortcomings, The O.C. had some great writing, a fantastic soundtrack, and truly inspired a generation worth of TV, for better or worse. The O.C. is the only TV show I own on box set. I haven’t watched it in awhile, so why don’t we watch it together? Whether you’re new to The O.C. (you can stream it on Hulu) or a long time fan, it’s a show anyone with a love for the dramatic can enjoy.

Recap:

The episode opens with Ryan and Seth BMX biking and skateboarding down the Newport boardwalk. The two sit down to a lobster dinner and discuss fashion. Because you know. Now they are both rich kids.

“Is that a new shirt?”
“Yeah your Mom bought me some new clothes, she didn’t have to.”

Ryan gives him a classic Ryan look.

“Gotcha, you got your style I got mine.”

They discuss Marissa, who Ryan has not called because he is giving her space. Ryan feels uncomfortable with everyone giving him money and as he whines, someone behind them who works there gets fired. Perfect time for Ryan to get a job for one episode only! Because that’s exactly how that sort of thing works in the real world. Seth gets pretty sad about this prospect of something else taking up Ryan’s time.

“Before you moved here, all I did was hang out by myself, so it’s really a return to form.”

Kirsten is having a retreat with her awful friend group and Julie. The other women in the group are OBVIOUSLY horny for the scandal that Julie has just created with Jimmy stealing all their husbands’ money. Kirsten is not thrilled with the gossip, but insists they must go anyway since it’s been booked for weeks. Back in the Cooper house, Julie says she needs to go because it’s already paid for and so they don’t talk shit about her the entire time. Jimmy was hoping they could talk this weekend and Julie is like, this is your mess, clean it up.

At the beach, Summer and Marissa are tanning. Rachel Bilson, as Summer, is in a bikini, because it’s in her contract or whatever that she can only wear bikini tops. Summer wants to go shopping and Marissa is like, ‘WAHH MY DAD’S CREDIT CARDS GOT SHUT OFF HOW DO I PAY FOR STUFF?’ Relax bitch. They talk about how Luke is kind of not her boyfriend anymore. Summer says that Marissa needs to not be depressed because her step mom is depressed and is always on medication and she sucks. Okay, we are building a Summer character and a history and background. MAYBE Rachel Bilson can put on a shirt sometime soon. Summer invites Marissa to lunch, and they of course go to the lobster shack or wherever that Ryan now works at for one episode.

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Donnie sees Luke walk in and laments to Ryan, “That Abercrombie and Fitch water polo playing bitch wouldn’t last a day in Corona.” Ryan admits he’s from Chino and they talk about how that place is no joke.

Okay, time for another SoCal lesson from a local. Chino is in San Bernardino County and Corona is in Riverside County. They are just 20 minutes apart though. I’ve said this previously that just because Chino isn’t in Orange County doesn’t mean it is a total shit hole, full of of gangsters that are ‘no joke’, and neither is (surprise) Corona. It’s actually quite nice. The only thing that’s no joke about it is that it’s inland like Chino and hot as fuck out there, basically all the time. I’m not sure where Josh Schwartz got his info on places in Southern California that aren’t Newport beach, but it’s lacking in actual information.

Donnie promises that not everyone around here is like Luke though, and promises to show him a good time after work. Marissa and Luke ‘talk’ but all Luke wants to do is pretend everything is normal and just go get drunk at Holly’s beach house. Marissa has to remind him that Holly’s Dad beat up her dad at her debutante ball. Luke says that Marissa’s dad stole all her money so it’s not Holly’s fault. Wrong thing to say. Needless to say, they are still on the outs after that conversation. Seth shows up as Ryan is off work, hoping to hang out. He meets Donnie but feels out of place, and doesn’t take the invite to come hang out with him and Ryan.

The next morning, Ryan blearily walks into the Cohen kitchen to find a very cold-shouldered Seth reading comics and eating cereal. Seth clearly feels left out. Summer and Marissa are back at the beach and Summer is in another bikini. Ryan is headed into work and passes Marissa and Summer.

“When I asked if you wanted to hang out yesterday, I was asking you out.” 

“I know.”

“I just wanted to clear that up because I’m going to ask you out again. Wanna do something tonight?”

Marissa says she has to babysit Kaitlin, but she will be cooking mac and cheese and invites Ryan over.

Sandy sees Jimmy walking his dog and offers free legal advice. Sandy admits that even though he doesn’t like him, he’s a public defender and he represents a lot of people he doesn’t like. Sandy and Jimmy discuss how Jimmy is really in deep shit here. He’s gonna lose his license and he’s never gonna pay back the money he stole. Jimmy and Sandy play videos games and ask each other if they are old. Sandy says the best year of his life was when he was 22, when he met Kirsten. Jimmy says 16, when I met Kirsten. Awkward.

At the retreat, Julie talks about how she needs to enjoy the weekend because she’s not going to be back for awhile. She works the room and whines about how she’s just worried about the girls and had no idea Jimmy was stealing! The women can’t get enough of it and suck down their bloody mary’s, dying for more details. One of them gives Julie the name of a divorce lawyer, and Kirsten is mildly disgusted by the whole thing.

Seth tries once again to get Ryan to hang out by enticing him with IMAX tickets to a shark movie. Fucking party. Ryan has to let him down again because of his Marissa date. Donnie comes out and fist bumps Seth, and since Ryan can’t hang out, he invites Seth to go to the party where there will be…wait for it.

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Seth agrees and Ryan tells him Long Beach is a ‘shady neighborhood’ and ‘pretty hardcore’. Oh my god Ryan, no it’s not. Long beach is fine. I feel like I can say that since that’s where I was born. Holy shit. Long Beach is in Los Angeles county, but borders Orange County. It’s like Schwartz thinks as soon as you cross the invisible county line, things start to get ghetto. To say that Long Beach as a whole is ‘shady,’ really misrepresents the place. Sure some neighborhoods aren’t great, like North Long Beach or the west side neighborhood. Go there at night for a party and it might get a little shady, but that’s about it. But Donnie never specifies where in Long Beach this party is. It could be in fucking Naples or something, in which case it’d be just like a Newport party. Hold your judgement, Ryan!

So clearly, Ryan can’t let Seth go alone so he escorts him to what is clearly North Long Beach or West Side neighborhood, because this party is located in a parking lot with hydraulic cars and the Black Eyed Peas pumping Get Retarded (which has not been dubbed to it’s PC version of Get it Started. Very gangster.) Girls are stripping in the backyard/parking lot and Seth is like…boobs. Ryan says they are only going to hang out for 45 minutes. Ryan calls Marissa and says he got dragged to a party, but has to get Seth away from a dancer before he can come over.

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Seth and Ryan head back at the allotted time, only to find that their Ranger Rover has been damaged. Apparently you don’t bring a Range Rover to North Long Beach. The next morning, Sandy is observing the damage to his car.

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Ryan clearly has missed his date with Marissa, and Seth apologizes for salting his game. Seth goes to Marissa’s to apologize to her for taking Ryan away. He says that Ryan is mad at him right now and he begs Marissa to have Ryan cook her dinner.

Sandy and Jimmy go golfing and Sandy says he won’t go to jail if he pays back everything he lost, but he’ll lose his Series 7 license. Sandy says Jimmy can sell his house and he’s got money in equity. This is too much for Jimmy. How dare Sandy try to help him by telling him the truth about how fucked he is! Jimmy screams at Sandy about how poor he is and how Kirsten takes care of him, and to Sandy’s credit, he doesn’t throw his golf club at Jimmy’s face. Sandy says there’s more to providing for family than money, and asks if Jimmy wants to be around to see Kaitlin grow up, and Marissa graduate. Jimmy leaves that decision up to Julie. Keep the house and throw him in jail, or sell everything and start over as a family.

At Ryan’s job, Seth says that he’s quite skilled at getting a date when it’s not for himself. He tells Ryan he will be cooking for Marissa tonight and Donnie overhears and asks Seth what’s up tonight. Seth tells him about a party at Holly’s beach house (again!?). Donnie asks if he can come to Holly’s beach house with Seth and party with the Newport kids, drink their beer, and dance with their honeys. Sweet, ‘honeys’. Cool.

Back at Ryan and Marissa’s date, Ryan is grilling grilled cheese and Marissa brings over leftover mac and cheese. Marissa wipes her hands on a napkin saying it was the best grilled cheese ever – as if she actually ate it. We all know that she is only allotted three almonds a day. Ryan asks if Marissa wants to do something fun and they push each other in the pool. OMG so cute. All This Time by Onerepublic plays and obviously everyone at home is in swoon mode.

At Holly’s beach house, Summer is wearing a t-shirt, which is the biggest revelation of the night. Luke is sad and drunk, and Holly basically jumps on him knowing that he and Marissa are taking a break.

Donnie hits on Summer and they all make fun of him. Donnie says these kids are ‘mad doggin’ him. Then he shows Seth his gun. Okay, cool Donnie. Way to turn into a psycho.

Seth, who has the worst timing ever, calls Ryan saying that Donnie is a psycho and he has to pick him up, basically interrupting what would have been Ryan and Marissa’s first kiss. Marissa takes off because that’s what she does when there’s a chance that things could get emotional. Donnie and his friends are throwing chips at each other and breaking vodka bottles. Luke comes down and confronts Donnie. Seth tries to warn him to back off, but then Ryan shows up. Seth says that Ryan and he should go. Luke pushes Donnie who obviously has to pull out his gun and point it sideways at Luke. Damn those Long Beach/Chino/Riverside/Corona/non-Orange County kids are crazy!

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“How much you hate this kid Ryan? What about you Seth?”

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Nice green t-shirt Summer. I see you back there semi-clothed. Ryan tackles Donnie to the ground and Luke’s arm gets shot. No water polo for you. Donnie takes off, and Luke is whisked away to the hospital in an ambulance. Ryan, being the good guy he is, calls Marissa to come to the hospital to see Luke. She tells him not to wait for her. She might be awhile.

Guess that Ryan Marissa thing is on hold for now.

Best Song of the Episode:

“The Way We Get By” by Spoon

This was the first time I ever heard a Spoon song and have since become a lifelong fan.

Best Quote:

Seth: I do think that from now on, though, we got to stick together because united we’re unstoppable, but divided it’s…

Ryan: People get shot.

Seth: That’s what I’m saying. That’s what I’m saying.

Number of Non-White People with Actual Lines in This Episode:

Zero. Which is surprising because they were in Long Beach which is ‘a shady neighborhood’.

Weird 2003 thing:

Seth’s giant white first gen ipod.

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Also, in one scene Ryan is eating from a box of Captain Crunch with The Wild Thornberrys on it. Not a thing anymore.

Best Fashion Statement:

Summer’s green t-shirt. You heard that right. T-shirt. On Summer.

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The Boy

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The Boy (2016) – Horror 

Directed by: William Brent Bell

Starring: Lauren Cohan and Rupert Evans

How I Watched: Streamed on Showtime

Review by Eric Scot Lemons

There are some ideas that are so fucking stupid, they are actually good. Horror tends to be the genre that best collects these gems that make you think, ‘who the fuck thought this would be good?’ The Boy, which came out in 2016, is one of these films. Quite possibly, the most overused trope of the 2000’s in horror was that of the creepy kid. We saw it in The Ring and The Grudge. The 2010’s saw the return of the creepy doll with Annabelle and the remake of Poltergeist. Yes, the creepy kid and creepy doll are tropes that played out in the 70’s and 80’s as well. We live in a recursive culture, you see. Time is a flat circle or some shit. Anyway, the point I am getting to is that The Boy mixes these tropes to seemingly idiotic effect, until the story actually starts evolving.

The film starts with a nanny played by Lauren Cohan who was in The Walking Dead and still might be. I don’t watch that shit. The nanny, Greta, gets some Craigslist job in England where shit is inherently creepy to watch some child. But when she gets there, the spooky unhinged parents reveal that she will in fact be watching a doll that looks like a boy, but is totally inanimate. The design of the wooden figure is actually quite excellent in that it has a blank expression that simultaneously looks both angelic and menacing. Not like Dead Silence (2007) where it fucking grins maniacally throughout, and then everyone is surprised when it turns out evil.

I mean, of course, the situation in The Boy is fucked up, but what the film tries to hint is that maybe it isn’t, and that’s where the film gains strength. Greta indulges the “parents,” complying with what seems to be their grief, as the doll is meant to represent the boy the couple lost in a fire. They eventually leave on an extended holiday (British for vacation), and she is left alone with the doll. She just throws it on a chair and makes herself a peanut butter & jelly sammich, relaxing. This is where shit is kinda weird for me. Being somewhat neurotic, I’d either assume this was some test and I was on CCTV, or that maybe there is some fucked up reason the parents catered so heavily to the doll, and I would just keep acting like it was a real boy. I would probably fail some social experiment about compliance, but fuck it, I am like 20% sure ghosts don’t exist, but like, 20% afraid of everything. Therefore, what can it hurt? Anyway, the negligence gets to be too much for the doll, and it starts moving and shit when she isn’t in the room.

The strength of the film comes from Greta’s reaction to the movement and supposed life of the doll. Not with fear, but amazement. Too often in horror films, we see characters, especially women, respond with terror when confronted by anything outside of the norm. It is refreshing to see someone experimenting with that which is strange. I mean, the film does come with its own brand of “horror,” in that it turns out the movements are made by the actual adult son that is living in the walls. He then tries to kill people because it is a stupid third act, but for a bit of time, the film is curious and energetic, playing against the shit that usually comes from the “haunted house” story.

In many ways, the film is unremarkable, however it is fun to follow, and the inherent creepiness of seeing people treat a doll like a real human gives legs to the uncanny nature of the story. It sounds stupid to recommend a film like this, but if you are in the mood for a horror film that will tingle your interests, but won’t take up too much brain matter, check it out.

Twin Sneaks – Volume Four: Season One – Episodes 7-8

Welcome to Twin Sneaks! I started this column about a year ago, but stopped watching the show as I wanted to wait until the new Season 3 was closer. What I’m hoping to do here is recap all the episodes for you guys leading up to the new premiere on May 21st (EEEEEK!!) After that, I’ll continue to recap the new episodes for you, and have them ready to go every Monday or Tuesday! There will, of course, be SPOILERS in these recaps, so please stop reading (or don’t, I’m not you mom) and WATCH THE DAMN SHOW ON NETFLIX, YOU JERK!

Twin Peaks – Season One: Episodes 7-8

Recap by Nick Spanjer

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Episode 7: Realization Time

Directed by Caleb Deschanel

Written by Harley Peyton

We begin where we left off, with Audrey naked in Cooper’s bed. They have a conversation about Audrey’s age and Cooper basically explains he can’t bone her because he’s an agent in the FBI, not because she’s in high school. Come on, Coop. They agree to be friends and Cooper strangely tells her that he’s going to get malts and fries for the two of them while she gets dressed. The next morning at the Sheriff’s station, Andy and Lucy are still having trouble. He walks away from her like Charlie Brown when the phone rings, and she talks to her doctor about something apparently very depressing. Cooper walks in joyfully, playing some kind of wood flute, and honestly, if you didn’t know any better, you would really think he just got laid.

Doc Heyward is in the meeting room with Truman and the bird that bit Laura, Waldo. Since it hasn’t been fed since the night Laura died, it’s physically exhausted and can’t mimic at the moment. Doc tries to get Cooper to feed the bird, to which Cooper replies, “I don’t like birds.” Hawk walks in with a folder and a report confirms that Laura, Ronette Pulaski, and Leo were at Jacques’ cabin. There is also a picture inside of Waldo sitting on Laura’s shoulder, that either Jacques or Leo took. Cooper places his voice activated recorder underneath the birdcage and awaits Waldo to talk. They determine that the plastic inside Laura’s stomach was in fact, part of the poker chip from One Eyed Jack’s. They point out that Jacques is a dealer there and plan a trip over the Canadian border to see him. Since it’s out of the law’s jurisdiction, Cooper oddly suggests that it’s a ‘job for the Bookhouse Boys,’ even though he seems like a pretty hard by the book type of dude. Whatever.

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Over at the Johnson dump, an injured Leo watches Bobby walk up to the house through binoculars. He’s listening to a police scanner and pulls out a rifle to shoot him, but Bobby walks in the house. Shelly tells him crying that she shot Leo, and she’s worried that he’s going to kill her now. Bobby tells her that he’s going to handle Leo, and includes James for some reason, like she fucking cares and then they make out. Leo hears Lucy talking about Waldo over the police scanner and gets back in his truck and pulls away angrily. Over at the Palmer’s, Donna, James, and Maddy listen to the tape they found in Laura’s room. You get an idea of how fucked up Laura really was as she mentions to Jacoby that she knows he likes her. They discover that there is a tape missing from the night she died and assume Jacoby had something to do with it. They plan to break into his office to get the tape.

At Horne’s Department Store, Audrey is slangin’ that perfume to an old woman that can’t make up her mind. The lady gets short with her after Audrey suggests she hangs the bottle around her neck. Audrey leaves the counter for a moment to go to a back room and tells a guy that looks like he fell out of a Norman Rockwell painting that there was a bus accident outside, so he runs away in 1950’s chivalrous glee. Audrey sneaks into the slob Battis’ office and lights a cigarette like she owns the fucking place. She hides in the closet when she hears him coming, still smoking by the way (WHAT?) and watches him give the perfume counter girl, Jenny, a glass unicorn. It’s revealed she works at One Eyed Jack’s and he presents her with the opportunity to be an escort there. She says, “That sounds cool, as long as they’re wealthy,” and our theme of ‘Old dudes fucking high school chicks in Twin Peaks’ continues. When they leave, Audrey comes out of the closet and finds Ronette Pulaski’s name in Battis’ little black book. Jenny forgot her glass unicorn, so Audrey grabs it on her way out.

At the RR, Hank is discussing prison life with an uninterested Shelly. He manages to get it out of her that Big Ed Hurley helped out quite a bit while he was behind bars. Truman and Cooper walk in right after Hank steals a lighter from a customer at the counter. Truman is there to check in on his parole and you can tell there is some bad blood between them. Shelly asks the boys if they want coffee and after Truman resists, Cooper has one of the best lines in the show. “Harry, I’m going to let you in on a little secret. Every day, once a day, give yourself a present. Don’t plan it, don’t wait for it, just let it happen. Could be a new shirt at the men’s store, a catnap in the office chair, or…two cups of good, hot, black coffee.” I love Parks and Recreation, but this was truly the first incarnation of TREAT YOSELF.

At Horne’s, Audrey convinces Jenny that she had the same type of meeting with Battis. She shows Jenny the unicorn she took from Battis’ desk and sways her to give her the number for the head mistress at One Eyed Jacks. Audrey immediately picks up the phone and calls the number. Over at the Hurley’s, Nadine is watching Invitation to Love  as the nerdy Chet shoots the bully Montana. Ed walks in and Nadine begins crying because her patent for the silent drape runners was not accepted. The sappy, soap opera music for Invitation to Love ramps up on the TV as Ed hugs her and melodramatically says, “Don’t you give up! Don’t you dare!”

At the Martell compound, Truman is looking at a mounted bass trophy that Pete caught when Josie Grossie walks in, dressed in some kind of flannel shirt robe bullshit. He asks what she was doing at the motel when they found the One Armed Man, and she plays stupid. He presses her and she tells him that Ben and Catherine are planning a conspiracy by burning the mill down. Later that night at The Great Northern, a tuxedo’d Cooper walks in to meet Truman and Big Ed. He hands Big Ed and Truman $10,000 that the FBI gave him so they can gamble at One Eyed Jack’s to fit in. Truman tells Cooper about his Josie Grossie worries since that last revelation, and that he believes what she’s saying is true. Cooper asks “How much do you know about her?,” clearly not believing the gross things coming out of her mouth. Truman tells Cooper that he got a new Cadillac for their cover and that they’re “High Rollers from the Tri-Cities. Oral surgeons, Harry. Big spenders, vacationing among the firs.”

Sidenote: If you’re from the Pacific Northwest, you know that there aren’t really any high-rollers from the Tri-Cities.

As they leave, Audrey walks out to tell Cooper what she learned concerning One Eyed Jack’s, but the boys already left. Back at the Martell’s, some kind of insurance agent is meeting with Catherine to discuss her life insurance. She notices that $1 million will go to Josie if she dies, and gets suddenly worried, asking the agent to leave so she can discuss it with her lawyer. She checks the desk next to her bed and notices that the second ledger is now missing. At The Great Northern, Audrey leaves a note under Cooper’s door. Back at the Sheriff’s station, the boys are getting ready by putting on wires and applying disguises. A rainstorm hits when Waldo, now refreshed, begins talking in Laura’s voice (yeah, alright). A gunshot rings out and the boys run into the room where Waldo is, to find him shot and killed. Leo runs out of the rain into his truck with a rifle. Motherfucker killed Waldo, yo. As Waldo’s blood drips on the donuts, Truman points out, “They shot Waldo.” Cooper plays back the tape and hears Waldo in Laura’s voice yelling, “Stop it! Leo, no!”

The boys arrive at One Eyed Jack’s, and the head mistress, Blackie, immediately greets them. Because, you know, they’re high rollers. From the Tri-Cities. For some reason, Cooper tells her that their names are Barney and Fred, like that’s a good cover. I’d like to point out that they also took the time to give Cooper glasses, and Big Ed a fucking mustache and Soul-Glo hair from Coming to America, but Cooper decided that fucking ‘Barney and Fred,’ of the fucking Flintstones was somehow good cover. Anyway, Cooper and Ed head into the gambling room to find Jacques.

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Back at the Palmer’s place, Maddy is sneaking downstairs so she can meet with the Youth Sleuths, Donna and James, and break into Jacoby’s office. An especially creeptastic Leland Palmer is sitting silently in the dark and watches Maddy sneak out. Hug Me James is waiting in some park where he made out with Donna earlier, and sees Maddy get out of the car looking exactly like Laura in a blonde wig. Donna, in her Nancy Fucking Drew hat, sees them look at each other and gets annoyingly jealous, and fuck man, is this story line over yet? No? Shit. At The Great Northern, the Icelanders are singing in Ben’s office, while Jerry holds an enormous pine cone. Jerry tells Ben that they want to finalize the Ghostwood development deal at One Eyed Jack’s. Ben calls Josie Grossie and tells her that Catherine needs to be at the mill. Hank is sitting right by Josie as Ben calls.

At One Eyed Jack’s, Audrey walks in to meet with Blackie. Audrey puts on a show by calling herself Hester Prynne, saying she was from Calgary. Blackie doesn’t believe her and makes her prove herself, so Audrey ties a knot out of a cherry stem with her tongue. Again. High school girl. Blackie is impressed and hires her. I remember the first time watching this with my ex-wife years ago, and she said she could do it, and that it was really not that impressive when people could do that. I asked her prove it and she did, so either it really isn’t that impressive, or my ex was Audrey Horne-talented.

In the poker room, the boys are playing Blackjack when Jacques Renault walks up to the table that Cooper is playing at. At Jacoby’s office, the Dr. is watching Invitation to Love, when Maddy calls pretending to be Laura. He takes the bait and walks to his door, finding an envelope. He pulls out a VHS tape and plays it, seeing the spitting image of Laura holding an edition of that day’s paper. He picks the phone back up and Maddy tells him to meet her at the park. When Maddy hangs up the phone, Bobby is creeping in the bushes watching, and sees James ride off. Crazy thing is, someone is watching Bobby watching, so we’ve got that triple layer shit going down!

Jacoby watches the tape again and notices the gazebo from the park, and runs out of his office, getting in his car. The Youth Sleuths see him leave and run up to his office, while Bobby, still creeping, puts a bag of coke in Hug Me James’ bike’s gas tank. “Say goodbye, James.” Whoever the creep is in the park is watching Maddy alone and the episode ends.

 

Episode 8: The Last Evening

Directed by Mark Frost

Written by Mark Frost

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Ah, the Season One finale. Something strange happens between the first and second seasons of Twin Peaks. It’s hard to pinpoint. Perhaps it’s David Lynch’s sudden disinterest as he exited to make Wild at Heart, or the pressures of the network for Frost and Lynch to answer the whodunnit, but in ways, this is the episode in which Twin Peaks lost its innocence. I personally, am a big fan of some of the darkness in the second season, but will admittedly be among the first to speak to its far too often absolute trashiness. More to come, but really, the show could have gone a much different direction after this finale. Anyway, let’s get into it.

The Youth Sleuths are digging around Jacoby’s office, mostly stunned to find tiny umbrellas that Jacoby saved from his many adventures. Donna grabs a coconut from the decorative tree and opens it to find the missing tape along with the other half of the Best Friends necklace. James and Donna ride off after taking the tape and the necklace and Bobby watches them leave. Jacoby arrives at the park and sees Maddy dressed as Laura when the creep who was behind Bobby at the end of the last episode clubs him in the head, effectively causing a heart attack.

At One Eyed Jack’s, Cooper begins talking to Jacques. He turns down one of the escorts, which is weird, because she’s probably in high school. Cooper presents Jacques with the broken poker chip (the one that fell out of the cuckoo clock and had a piece missing in Laura’s stomach), and Cooper says he’s a friend of Leo’s. Jacques plays dumb so Cooper asks if he can buy him a drink. Up in Blackie’s office, Blackie is playing with tarot cards, because that’s a typical thing to do, when Audrey walks in all skimpy and escort-like. Audrey looks down and sees Cooper on the security monitor that’s sitting on Blackie’s desk while she presents herself to Blackie. Blackie tells Audrey that all the new girls get to meet the owners on her first night, but Audrey doesn’t know that the owners are her dad and uncle, and wow, it gets weird here. She tells Audrey to pick a card from a poker deck, so Blackie has playing cards and tarot cards in front of her at this point, and what the fuck. Audrey picks the Queen of Hearts, of course.

In the surveillance van outside of One Eyed Jack’s, Hawk and Big Ed are listening in on Jacques and Cooper through Cooper’s wire. Cooper tries to get Jacques to talk about Leo by making up a story that Leo is playing Jacques for a fool. He mentions Laura, and Jacques tries to leave. Cooper convinces Jacques that he’s financing the drug running out of Canada, so Jacques stays to talk. Cooper gets Jacques to do a drug run that night for $10K by meeting him at a power plant. Once Jacques finishes his drink, Cooper nonchalantly asks about the night with Laura at his cabin. Jacques warms up and mentions that the bird had a thing for Laura by biting her and saying her name constantly. He mentions that himself, Laura, Ronette Pulaski, and Leo were in the cabin, high. He says Laura was tied up and Waldo began pecking at her, causing her to scream. Jacques then mentions, horrifically, as the camera zooms in on his obese mouth, that Leo jammed the chip in her mouth as he was (from what it sounds like) raping her.

In her dressing room of the brothel at One Eyed Jack’s, Audrey is waiting. Back at the Johnson toilet bowl, Shelly walks into her kitchen to wash her hair with dish soap in the sink, because at some point, she decided to marry Leo Johnson, and this is the life you get. She gets soap in her eye and as she grabs for the towel, it gets pulled away by Leo. He grabs her and begins yelling that she made him do it. Over at the power plant that Cooper told Jacques to meet him at for the drug run, Truman and Andy are waiting for Jacques to show up, and discuss Andy’s problems with Lucy. Hawk and Truman have a really uncomfortably long back and forth over the radio, using fishing references to let each other know that Jacques was on the way, then see Jacques roll up in some kind of El Camino thing. They ambush Jacques and Truman tells him he’s under arrest for Laura’s murder. Jacques momentarily incapacitates his arresting officer and steals his gun, pointing it at Truman. Andy shoots Jacques, thus saving Sheriff Truman’s life, and suddenly, StellAndy has his groove back.

At the Heyward’s house, the Youth Sleuths listen to the tape they got from Jacoby’s coconut. On the tape, Laura calls James dumb and his fivehead visibly expands. She also mentions that she got off on almost being killed by her “mystery man,” and Hug Me James needs a hug as he hears that this mystery man drives a red corvette. As the tape ends, Doc Heyward tells Donna that there is an emergency at the hospital and he needs to go. Donna consoles James for being called dumb and he says that it’s OK and he needed to hear it. Something tells me he’s used to it. The Youth Sleuths agree that Jacoby was trying to help Laura, not kill her.

At the Packard Sawmill, Leo is loading in gas cans and looks over at his tied up wife, Shelly. He picks up some kind of Kevin McCallister apparatus that is hooked to a kitchen timer and sets it, telling her again that her death is all her doing. He also mentions that he’s going to kill Bobby. He screams, “You broke my HEART!” like only Leo Johnson can and slams the door. Over at the Hurley’s place, Nadine is in some kind of Disney princess dress and pours out a cocktail of about 50 pills. She pours a glass of water and says goodbye. At the Martell’s, Hank receives a suitcase full of money from Josie Grossie for all that he missed out on in prison. Josie is one nasty cat, as they clearly made some kind of deal over something that happened before he went to prison. He tries to snake more money out of her by suggesting that he took the fall for Josie’s murder of her late husband Andrew Packard (owner of the Packard sawmill that Josie inherited). They go back and forth for a while, while Hank keeps quoting things that he read in jail, and he ends up slicing their thumbs and they become blood brothers or some shit, but holy hell – Mark Frost has this amazing shot where Hank talks for about a minute straight with a mounted buck’s horns filmed right above his head. It’s ridiculous. Another Twin Peaks signature moment.

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Back at the mill, Catherine is digging around in the Accounting office for the ledger. Pete walks in concerned, and she asks him where it is, convinced he’s helping Josie. She asks him to forgive her for being awful, and takes advantage of his kindness. He falls for it and hugs her. At the Sheriff’s department, the boys are recounting Andy shooting Jacques in heroic fashion, while Lucy listens nearby. Her boner comes through the TV 3D style, so Andy chases her into a closet and closes the door. As he kisses her, she pushes him away for a moment and tells him she’s pregnant. Andy, horrified, opens the closet door and walks away without saying a word. Lucy is clearly pissed, when the phone rings. Bobby is pretending to be Leo and tells Lucy to tell the sheriff that James Hurley is an “easy rider.”

At the hospital, Cooper and Truman are interviewing a recovering Jacques Renault about Laura and Ronette the night Laura died. He tells them that he took the pictures for Flesh World but it was their idea to become paid escorts. He and Leo got into a fight because Leo smashed a whiskey bottle into Jacques for no reason, and that’s why their blood was all over the scene and on Leo’s shirt. He passed out that night and everyone had left the cabin by the time he awoke. In another room, Jacoby is recovering from his heart attack on a bed. Doc Heyward mentions that Jacoby said he got a phone call from Laura Palmer and was jumped on his way to see her. Over at the Martell’s, Catherine is frantically searching their library for the ledger while Pete finds his high school yearbook. The phone rings and on the other end, Hank tells Catherine that what she’s looking for is at the mill. She grabs a gun and leaves for the mill.

At the RR, Hank is telling Norma about prison and how he dreamed of her while locked up. He hams it up about how he’s going to change for her, and she for some reason believes all this shit and kisses him. Big Ed gets home and finds Nadine crumpled into a mess on the floor and freaks out, calling 911. At the Sheriff’s department, the boys arrive back and Lucy tells them about “Leo” calling. She tells him that she heard a clock striking in the background, and Cooper and Truman put together that it was the same park from where Jacoby was attacked. Hug Me James walks in, and before he can speak, Cooper intervenes and tells Harry that he should investigate James’ bike while Cooper talks to James. As they walk away, Leland Palmer walks in, asking about the arrest of the suspect that murdered his daughter, Jacques Renault. Truman tells Leland he can’t tell him anything since Jacques is just a suspect and leaves. Doc Heyward tells Leland to go home, as Leland asks if the Doc is going back to the hospital, to which he replies, no. Leland turns toward the camera, dramatically insane, and utters, “Hospital.”

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Hug Me James gives Cooper the tape that they just listened to, to which Cooper only seems mildly interested. Colonel Fivehead tells Cooper that they need to be looking for someone with a red corvette, when Cooper tells HMJ that Jacoby had a heart attack. James looks surprised and Cooper asks what kind of game he’s playing when Harry walks in with what was planted in his bike by Bobby. Cooper shows James the bag of coke and again, James looks surprised (that’s all he did the whole scene). At One Eyed Jack’s, Ben is signing the Ghostwood contracts with the Icelanders while the high school girls fondle away. As they sign, Hank calls Ben to tell him that all plans are going ahead with the mill, including Catherine’s presence, and that he’s going to give Leo a house call. Ben tells him to proceed.

At the Johnson fart factory, Bobby shows up to the house and Leo suddenly dips out from the shadows. Bobby plays dumb, pretending he is there to see Leo, and Leo is at full crazy in this scene. He knocks Bobby down and swings an axe at him, barely missing Bobby. Leo punches Bobby into the TV and as he goes to swing the axe into him, he’s shot again, this time by Hank Jennings. Leo collapses on the couch and Bobby runs out the door. Leo watches the same episode of Invitation to Love where the nerd shoots the bully. At the mill, Shelly is still tied up when Catherine arrives with her gun ready. She finds Shelly and the McCallister contraption goes off. Really, the timer goes off and a tiny little *boop* explosion happens, slowly starting a fire in the mill. Catherine asks who she is, and in a town this small, you’d think you would know everyone’s name, but whatever.

The fire spreads as Catherine ponders what she needs to do next since she was double-crossed by Ben and Josie Grossie, then lets Shelly down from her bindings. As the mill comes burning down, the two run out of the room before the scene changes to a gloved hand smashing a fire alarm at the hospital. Now, I don’t exactly know medical or hospital protocol, but wouldn’t the patients be the priority in those situations? The fire alarm goes off and the nurses and doctors flee the floor, and that’s always bothered me about this scene. Anyway, the gloved hand turns out to be Leland, as he walks into Jacques’ room and suffocates him to death with a pillow. Bye-bye, Jacques.

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Over at the burning Packard Sawmill, Pete assumes Catherine is inside so runs in to save her. Back at One Eyed Jack’s, Ben completes the signing of the Ghostwood contracts with the Icelanders. He lights a cigar in celebration with Blackie, and asks to have a look at the “new girl.” In her dressing room, Audrey is getting her outfit sewn on by some weird Quasimodo lady, and as Ben walks in, the bent-over lady escapes into some hidden mini-door along the wall. It’s all insanely strange.

Well. Relatively. Ben walks in, not knowing he’s about to bang his high school daughter, when Audrey finally puts it together that the owner of One Eyed Jack’s is her dad. He walks toward the bed smiling and the scene fades out. Back at The Great Northern, Cooper is talking to Diane at 4:30 AM. He notices that the Icelanders have left and is relieved. Cooper opens his door, and sees an envelope on his floor that has ‘My Special Agent’ written on it. The phone rings, and it’s only static. With this comes a knock at the door. He assumes it’s room service, so he tells the person on the other end that he needs to go and sets the phone down. As he walks toward the door, the static clears and Andy’s voice can be heard saying that Leo Johnson has been found and was shot. When Cooper opens the door, he looks up and is shot three times in the chest by a gloved hand. Roll Credits.

I promise I’m going to have the rest of these ready to go for you by the 21st! Sorry. Be sure to listen in to our new Podcast episode on Monday 5/8, as we’ll have the whole Twin Peaks Experience, covering seasons one and two, as well as the movie Fire Walk With Me ready to discuss with special guest, and fellow Peaks Freak, Tyler ‘Street Tang’ Aker!

The Eyes of My Mother

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The Eyes of My Mother (2016) – Horror 

Directed by: Nicolas Pesce

Starring: Kika Magalhaes and Olivia Bond

How I Watched: Netflix

Review by Eric Scot Lemons

Opening on a sultry black and white shot of some goddamn trees, that is quite possibly the most beautiful shot of trees I have seen outside of a BBC Planet Earth special, The Eyes of My Mother is almost jarring in its simplicity. I had heard a many creepy story of this film, most notably by my mother, who accidentally turned it on one night and sat through the whole thing. “It’s really dark,” she said. She wasn’t fucking kidding. It is a film about solitude and grief’s effect on the human psyche, blatantly starting off with a mother describing to her child the religious ecstasy of Francis of Assisi, canonized in 1228 after receiving the stigmata after years of loneliness. This connection between solitude and violence is a central theme, I think.

The mother and her daughter are seen cutting out the eye of a cow in a scene that seems to pay homage to the 1929 Surrealist film by Salvador Dali and Luis Bunuel, Un Chien Andalou, which uses a cow’s eye as stand-in for a woman’s eye, which is stand-in for the way the clouds seem to cut through the moon. But you’ve seen that film. You know what I’m saying.

The mother is a surgeon, or was in Portugal, and is seemingly teaching her young daughter the family craft. Soon, a stranger arrives at the home played amazingly to creeptastic effect by Will Brill, who played that methy prisoner in The OA if you watched that. He smiles and his eyes bulge like a Peter Lorre impressionist. He looks like a fucking evangelist with his white shirt and black slacks, but presents an almost immediately ominous tone. He is an animal and they his prey. They regard him with the same poise and caution one would present a rabid wolf. But by the time the Father arrives, the mother is no more. The discovery of her demise is pitch perfectly played with the camera following the Father and the audience hoping to press the brakes for fear of the barbaric sounds coming from the bathroom. The animal is subdued and like any animal, chained in the barn. Perhaps the Father has more torturous plans for the stranger. Maybe he just doesn’t have the ability to kill another human being. But his daughter steps in, ten years old at the most, and after seeing her Father’s agitation toward his screams for help, the girl decides to cut out the eyes and vocal cords of the creature, but not before he relays to her the secret behind why he kills. Because it feels so good.

The film then follows as the girl, Francisca, is now an adult woman. She is played by Kika Magalhaes in a mixture of intense angst and far-off stares. She is beautiful and slender and sports the jet black hairstyle of Chantal Goya in Masculin Feminin. Her father has died and she still yearns for her mother, while tenderly caring for the blind and mute stranger locked in her barn. The film turns to story of a young monster while she preys on locals in a pursuit to regain the family she has lost. The final impact of her life comes in a gunshot heard from a drone filming above the familial home.

I like this film and would recommend it to anyone, but for reasons outside of it being a great film. It is honestly one of the more stunning hour and twenty minutes you will find within the horror genre. The subject matter is dark and disturbing on every count as you ride along on very stark journey into the mind of a killer. Scenes are complex with many layers and alternative viewpoints to be gleaned. But the story in and of itself doesn’t have much to say. I found myself constantly amazed by what I was watching, yet questioning, what the fuck is the point? Should I just be shocked or is this film saying something outside of the context of the film?

It feels like it relies so much on the momentum of the callous way that Francisca destroys her fellow humans in the search of a connection, that it doesn’t collect anything worth saying about the human condition. The film never stands up for the protagonist or makes excuse for why she acts the ways she does, and in another film, this could be seen as a strong point, but in this one, it feels like a cop out. The entire third act feels rushed and devoid of the very relationship building it needs in order for the audience to feel the full weight of the climax. It just ends.

Ultimately, go see it. Turn it on Netflix and revel in its beauty. Think about it for days but don’t be surprised if you find nothing of value on the other side of all that thinking.