Welcome to the 18th episode of CinemAbysmal: The Podcast, where the three writers of Ctalk about what society would consider some of the worst of the worst media out there. This week, we discuss the three of some of our favorite current horror films in anticipation of Halloween, as well as more of Eric’s bathing habits! Check it out on all your favorite apps below! As always, please SHARE, RATE, AND SUBSCRIBE!
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Directed by: Patrick Brice
Starring: Patrick Brice and Mark Duplass
Review by CinemAbysmal
First of all, this was not supposed to be the psychological horror movie that it turned out to be. Apparently, Duplass and Brice showed the early cut to their friends and they suggested they turned the mostly improvised story into a horror movie. There’s word out there that it even has three alternate endings (the one they left in was pretty damn good).
Most people know Mark Duplass as Pete from The League on FX. And while I find him pretty damn hilarious in that show, I think I respect him more for his efforts in producing, writing and directing ‘Mumblecore’ films and TV shows such as The Puffy Chair and HBO’s Togetherness. I’m not exactly the hugest fan of this breed of film, but I appreciate it because it reminds me quite a bit of 1970’s Woody Allen. So when I saw he was in a pseudo-found footage film, I was pretty excited to check it out.
Mark Duplass is definitely the best part of this movie. It’s perfectly titled, as he is truly creepy as Josef, a dude hanging out in a cabin in the woods who hired a videographer for one day on Craigslist. The protagonist, Aaron (Patrick Brice, who actually directed the film as well), is pretty great as the videographer that is suffering through Josef’s pretty damn annoying antics, until you see something else is really wrong with Josef. I’ll stop there, but it’s a pretty excellent portrayal of crazy by Duplass.
Creep isn’t perfect. In fact, at times, it feels a bit insufferable with Mark Duplass doing everything he can to be the most insane, obsessive person on earth. What it is though, is a nice departure from the found-footage films we’ve been force fed over the last couple decades. There’s very natural discussions, which leads to some pretty convincing fear and scares coming from the actors. Don’t expect it to be too funny with Duplass, but just sit back and enjoy what’s about to hit you.
Directed by: Karyn Kusama
Starring: Logan Marshall-Green and John Carroll Lynch
Review by CinemAbysmal
First of all, this is not really a horror movie. Well, I suppose you could call it one, but let’s be safe here and call it a psychological thriller. The Invitation (if you invite it to…rimshot, please) will take hold of your brain like a pitbull to a rubber toy and make you second guess yourself for a good hour and a half. It burns slow, but damn it pays off.
The director of the film, Karyn Kusama, is probably most well-known for her other films, like Aeon Flux and Jennifer’s Body. When I saw that she was the filmmaker, I was a bit hesitant on even watching this to be honest. I’ve heard Aeon Flux is just god awful. I actually liked Jennifer’s Body quite a bit, but it wasn’t really enough to get me jacked for this one. I checked out the trailer, and couldn’t really tell what was going on but was intrigued enough. And honestly, I’m really glad I did.
This is not really a horror movie because not enough happens in it to make it horrific. Most of the film, the characters are talking in living rooms or dining rooms inside of a really nice Hollywood Hills home. Don’t let this scare you away, though. The acting is pretty terrific, as lead Logan Marshall-Green is confusing and at times insufferable, complementing the serpentining storyline perfectly. John Carroll Lynch (that weird bald guy that always plays that really weird bald guy in movies) is amazing, but I’m not going to tell you anything about his character because he’s that good.
I hope the words I’ve chosen for this review have not pushed you away from watching this film. I know that “psychological thriller” tends to be a bit overused when describing movies, but this honestly is one of those occasions where this term works perfectly. It’s vicious, confounding and has one of the better payoffs that I’ve seen in movies like this. Check out The Invitation on Netflix now!
The House of the Devil, The Innkeepers, The Sacrament
Directed by: Ti West
Review by CinemAbysmal
I originally watched The House of the Devil about 5 or 6 years ago. The first time, I wasn’t all that impressed, probably because I was looking for scares in the classic sense. While I’m not saying that this movie is lacking in scares, it is definitely a slow-burning test on your psyche. The film’s events are set during a lunar eclipse in 1983. I think the coolest part about the movie though, is that it’s filmed like it’s 1983. Heavy grain is visibly present, the score is incredibly cheesy (yet effective) and lead actress Jocelin Donahue is so good. This movie is pretty slow on the buildup, but it absolutely pays off. One more thing that makes this movie imperative: Tom Fucking Noonan. Check out this one on Hulu Plus now.
The Innkeepers is probably my favorite of the three we’re featuring here. It’s more of the classic ghost movie, featuring a haunted hotel and some creepy yarns about its troubled history. West has picked some excellent female leads and Sara Paxton is one of them. She plays the role of the curious, wannabe ghost hunter to perfection. As with The House of the Devil, this movie burns slowly, but the payoff is excellent. It is also filmed excellently, with some tense hallway shots. Jeff Grace’s score is great as well. Check out The Innkeepers on Hulu Plus.
The Sacrament kind of took me by surprise. I, like a lot of people, have grown a bit tired of the found-footage concept. While West spins it a bit different, featuring a Vice News crew filming a Jim Jones-esque cult, it still is a found footage movie. This one is good enough, though. The acting is pretty excellent and I think Gene Jones steals the show as the Jim Jones inspired character, ‘Father.’ While this movie definitely provides a different feeling than the other two, it still kept my interest and featured West’s signature ‘slow-burn’ that builds to a wildfire of an ending. Check it out on Netflix.
Eight Legged Freaks
Directed by: Ellory Elkayem
Starring: David Arquette and Scarlett Johansson
Review by Eric Scot Lemons
I love a good B-horror film. One that rides the line of camp and comes out with something both exciting and fun. It is a difficult genre though, for every Tremors you get four Sharknados. You expect the CGI to be bad, which in Eight Legged Freaks, it is. But not too bad for a film out of 2002. You got David Arquette, a sort of random crown prince of cult-ish horror after the Scream flicks and having written and directed The Tripper, a sort of ode to 80s slasher flicks that has Ronald Reagan like figure as the slasher. But in this movie, like many, he sucks. His line delivery felt like it came after a long trailer weed nap.
That being said, I really dug this movie. It was corny, but pretty funny in parts. In many ways, it felt like one of my favorite films, Slither, albeit only in tone and not in plot or quality. It really is an amalgamation of many different cool horror flicks. It takes place partially in a mall like Dawn of the Dead, and partially in a mine like My Bloody Valentine. The way they picked off their prey by sneaking into their homes felt like Arachnophobia, but on a comically larger scale. My one major complaint in the film that just got too annoying was they gave the spiders voices that sounded half the time like a mogwai and half the time like a minion. I don’t need a high-pitched squirrel voice from a spider to know it hates being shot.
I would recommend this movie to anyone who wants to watch some fun bullshit in which they know what will happen and they don’t have to think about it, but it is cool to see spiders take out tanker trucks and pile into malls and get shot. It isn’t perfect or really great in any feasible way, but you’ll enjoy it, especially with the help of alcoholic beverages or inhaled cannabis smoke
Directed by: Tim Sullivan
Starring: Robert Englund and Lin Shaye
Review by Carson Labish
There’s a reason you’ve never heard of this movie. If slasher movie tropes, lighthearted southern racism, or 5 minute sex montages are your thing, I would still not recommend this movie. The only reason I watched it in the first place, was because Robert Englund (Freddy Krueger) is in it. This wasn’t enough to save anything about it. The whole thing is really a mish-mash of nods to original and better horror films, except done poorly and for no other reason than to try and fool the watcher into thinking “it’s like that good movie, so I guess this is good too”.
The whole movie is basically broken down to a bunch of college students on their way to X spring break destination, turned down the wrong road and ended up where they don’t belong. That’s literally the entire thing. The thing with slasher movies, of course, is that you never really root for the victims, you root for the villain. There’s nobody to root for here. The characters are all bland and hard to tell apart, and every single one of the female characters talks almost exclusively in sexual innuendos and puns…..about sex. Really, all you are watching for are creative kills and gruesome deaths. I can’t really say there is much of either with this movie. Each of the characters killed is almost done in a formula. They are led off by one of the townsfolk, and end up in some kind of complex trap that kills them. That sounds kind of cool, but it isn’t.
Did you say you wanted awkward racism spread throughout the 86 drudging minutes of the movie? You got it! There are several shoehorned scenes of Robert Englund rambling on about how the south would rise again, and how they would “teach them Yankees.” I lost count of confederate flags flapping around the entire time. I guess they really wanted you to know this town was full of civil war buffs.
If you want to recreate the experience without watching the movie, watch Nightmare On Elm Street 2 and listen to Larry The Cable Guy stand up at the same time.
Fun Facts about 2001 Maniacs:
- There were only like 40 people that played the 2001 townsfolk, and the other 1961 were chroma-keyed in occasionally.
- Eli Roth has a cameo as a hitchhiker with his dog, Doctor Mombo, so technically this movie is a semi prequel to Cabin Fever.
- Kane Hodder (Jason Vorhees) is in a single scene playing one of the townsfolk during the climax of the movie. His character’s name is “Jason”.
At the Devil’s Door
Directed by: Nicholas McCarthy
Starring: Ashley Rickards and Naya Rivera
Review by CinemAbysmal
This a strange fucking movie. Not exactly in the good way, either. The acting is pretty underwhelming, the dialogue is laughable and it seems to be pieced together by a drunk person. However, there almost seems to be an underlying intent to all of this as the movie stumbles along.
What we have with At the Devil’s Door is a good enough horror film. It plays on concepts from other movies such as Rosemary’s Baby and The Omen, while mixing in some haunted house jumps. There’s even a mysterious girl donning a red rain jacket, which immediately reminded me of the creeptacular Don’t Look Now. There are some genuine frights in this and the Satanic storyline is actually pretty damn unsettling. It’s also really pretty. A lot of the shots are bathed in a greyed out palette and McCarthy is particular with his use of bright colors to surprise the eyes. He’s also very careful about his use of the devil in this. He is shown many times, a tall man with horns, but he is always blurry and it’s creepy as all hell.
The timeline in this film is probably the most distracting part. It begins with a teenage girl in the 1980’s and jumps around between then and now, but it feels forced and does not really come natural at all. I already mentioned the acting, but I think it’s worth talking about again. Most of it is pretty god-awful, and I can’t really tell if McCarthy meant for the hamfisted presentation of it all. I really think this would be a legitimately good movie if the dialogue was more carefully written and he grabbed some better actors.
At the Devil’s Door is currently streaming on Netflix. If you are into jump scares and some pretty damn good satan-soaked evil, this will probably satisfy you. It tends to move at a snail’s pace sometimes, but it really is a pretty vicious horror film. It’s just not that good of a movie-movie.