Author: @sheldonspanjer

The O.C. Sundays – Volume 5: S01:E05 – The Outsider

oc2The O.C. Sundays – Volume Two – Season One: Episode Three – The Gamble

Recap by Holly Hill

 

Why Rewatch The O.C.?

The O.C. premiered on August 5, 2003 and ended on February 22, 2007. Or May 18, 2006 if you like to pretend that the fourth season never happened (a lot of people do, it’s okay). The O.C. not only introduced a lot of people to some fantastic music through its heavily bought mix tapes (this is before YouTube, Spotify, & Apple Music), it also created Chrismukkah, and inspired a decades worth of ‘THE REAL’ reality shows.

Not sure what I mean by that? Well The O.C. prompted the reality show Laguna Beach: The Real O.C., and a thousand other spinoffs to it. The catch phrase ‘The Real O.C.’ morphed into The Real Housewives of fill in the blank rich people cities.

Needless to say, despite its shortcomings, The O.C. had some great writing, a fantastic soundtrack, and truly inspired a generation worth of TV, for better or worse. The O.C. is the only TV show I own on box set. I haven’t watched it in awhile, so why don’t we watch it together? Whether you’re new to The O.C. (you can stream it on Hulu) or a long time fan, it’s a show anyone with a love for the dramatic can enjoy.

Recap:

The episode opens with Ryan and Seth BMX biking and skateboarding down the Newport boardwalk. The two sit down to a lobster dinner and discuss fashion. Because you know. Now they are both rich kids.

“Is that a new shirt?”
“Yeah your Mom bought me some new clothes, she didn’t have to.”

Ryan gives him a classic Ryan look.

“Gotcha, you got your style I got mine.”

They discuss Marissa, who Ryan has not called because he is giving her space. Ryan feels uncomfortable with everyone giving him money and as he whines, someone behind them who works there gets fired. Perfect time for Ryan to get a job for one episode only! Because that’s exactly how that sort of thing works in the real world. Seth gets pretty sad about this prospect of something else taking up Ryan’s time.

“Before you moved here, all I did was hang out by myself, so it’s really a return to form.”

Kirsten is having a retreat with her awful friend group and Julie. The other women in the group are OBVIOUSLY horny for the scandal that Julie has just created with Jimmy stealing all their husbands’ money. Kirsten is not thrilled with the gossip, but insists they must go anyway since it’s been booked for weeks. Back in the Cooper house, Julie says she needs to go because it’s already paid for and so they don’t talk shit about her the entire time. Jimmy was hoping they could talk this weekend and Julie is like, this is your mess, clean it up.

At the beach, Summer and Marissa are tanning. Rachel Bilson, as Summer, is in a bikini, because it’s in her contract or whatever that she can only wear bikini tops. Summer wants to go shopping and Marissa is like, ‘WAHH MY DAD’S CREDIT CARDS GOT SHUT OFF HOW DO I PAY FOR STUFF?’ Relax bitch. They talk about how Luke is kind of not her boyfriend anymore. Summer says that Marissa needs to not be depressed because her step mom is depressed and is always on medication and she sucks. Okay, we are building a Summer character and a history and background. MAYBE Rachel Bilson can put on a shirt sometime soon. Summer invites Marissa to lunch, and they of course go to the lobster shack or wherever that Ryan now works at for one episode.

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Donnie sees Luke walk in and laments to Ryan, “That Abercrombie and Fitch water polo playing bitch wouldn’t last a day in Corona.” Ryan admits he’s from Chino and they talk about how that place is no joke.

Okay, time for another SoCal lesson from a local. Chino is in San Bernardino County and Corona is in Riverside County. They are just 20 minutes apart though. I’ve said this previously that just because Chino isn’t in Orange County doesn’t mean it is a total shit hole, full of of gangsters that are ‘no joke’, and neither is (surprise) Corona. It’s actually quite nice. The only thing that’s no joke about it is that it’s inland like Chino and hot as fuck out there, basically all the time. I’m not sure where Josh Schwartz got his info on places in Southern California that aren’t Newport beach, but it’s lacking in actual information.

Donnie promises that not everyone around here is like Luke though, and promises to show him a good time after work. Marissa and Luke ‘talk’ but all Luke wants to do is pretend everything is normal and just go get drunk at Holly’s beach house. Marissa has to remind him that Holly’s Dad beat up her dad at her debutante ball. Luke says that Marissa’s dad stole all her money so it’s not Holly’s fault. Wrong thing to say. Needless to say, they are still on the outs after that conversation. Seth shows up as Ryan is off work, hoping to hang out. He meets Donnie but feels out of place, and doesn’t take the invite to come hang out with him and Ryan.

The next morning, Ryan blearily walks into the Cohen kitchen to find a very cold-shouldered Seth reading comics and eating cereal. Seth clearly feels left out. Summer and Marissa are back at the beach and Summer is in another bikini. Ryan is headed into work and passes Marissa and Summer.

“When I asked if you wanted to hang out yesterday, I was asking you out.” 

“I know.”

“I just wanted to clear that up because I’m going to ask you out again. Wanna do something tonight?”

Marissa says she has to babysit Kaitlin, but she will be cooking mac and cheese and invites Ryan over.

Sandy sees Jimmy walking his dog and offers free legal advice. Sandy admits that even though he doesn’t like him, he’s a public defender and he represents a lot of people he doesn’t like. Sandy and Jimmy discuss how Jimmy is really in deep shit here. He’s gonna lose his license and he’s never gonna pay back the money he stole. Jimmy and Sandy play videos games and ask each other if they are old. Sandy says the best year of his life was when he was 22, when he met Kirsten. Jimmy says 16, when I met Kirsten. Awkward.

At the retreat, Julie talks about how she needs to enjoy the weekend because she’s not going to be back for awhile. She works the room and whines about how she’s just worried about the girls and had no idea Jimmy was stealing! The women can’t get enough of it and suck down their bloody mary’s, dying for more details. One of them gives Julie the name of a divorce lawyer, and Kirsten is mildly disgusted by the whole thing.

Seth tries once again to get Ryan to hang out by enticing him with IMAX tickets to a shark movie. Fucking party. Ryan has to let him down again because of his Marissa date. Donnie comes out and fist bumps Seth, and since Ryan can’t hang out, he invites Seth to go to the party where there will be…wait for it.

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Seth agrees and Ryan tells him Long Beach is a ‘shady neighborhood’ and ‘pretty hardcore’. Oh my god Ryan, no it’s not. Long beach is fine. I feel like I can say that since that’s where I was born. Holy shit. Long Beach is in Los Angeles county, but borders Orange County. It’s like Schwartz thinks as soon as you cross the invisible county line, things start to get ghetto. To say that Long Beach as a whole is ‘shady,’ really misrepresents the place. Sure some neighborhoods aren’t great, like North Long Beach or the west side neighborhood. Go there at night for a party and it might get a little shady, but that’s about it. But Donnie never specifies where in Long Beach this party is. It could be in fucking Naples or something, in which case it’d be just like a Newport party. Hold your judgement, Ryan!

So clearly, Ryan can’t let Seth go alone so he escorts him to what is clearly North Long Beach or West Side neighborhood, because this party is located in a parking lot with hydraulic cars and the Black Eyed Peas pumping Get Retarded (which has not been dubbed to it’s PC version of Get it Started. Very gangster.) Girls are stripping in the backyard/parking lot and Seth is like…boobs. Ryan says they are only going to hang out for 45 minutes. Ryan calls Marissa and says he got dragged to a party, but has to get Seth away from a dancer before he can come over.

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Seth and Ryan head back at the allotted time, only to find that their Ranger Rover has been damaged. Apparently you don’t bring a Range Rover to North Long Beach. The next morning, Sandy is observing the damage to his car.

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Ryan clearly has missed his date with Marissa, and Seth apologizes for salting his game. Seth goes to Marissa’s to apologize to her for taking Ryan away. He says that Ryan is mad at him right now and he begs Marissa to have Ryan cook her dinner.

Sandy and Jimmy go golfing and Sandy says he won’t go to jail if he pays back everything he lost, but he’ll lose his Series 7 license. Sandy says Jimmy can sell his house and he’s got money in equity. This is too much for Jimmy. How dare Sandy try to help him by telling him the truth about how fucked he is! Jimmy screams at Sandy about how poor he is and how Kirsten takes care of him, and to Sandy’s credit, he doesn’t throw his golf club at Jimmy’s face. Sandy says there’s more to providing for family than money, and asks if Jimmy wants to be around to see Kaitlin grow up, and Marissa graduate. Jimmy leaves that decision up to Julie. Keep the house and throw him in jail, or sell everything and start over as a family.

At Ryan’s job, Seth says that he’s quite skilled at getting a date when it’s not for himself. He tells Ryan he will be cooking for Marissa tonight and Donnie overhears and asks Seth what’s up tonight. Seth tells him about a party at Holly’s beach house (again!?). Donnie asks if he can come to Holly’s beach house with Seth and party with the Newport kids, drink their beer, and dance with their honeys. Sweet, ‘honeys’. Cool.

Back at Ryan and Marissa’s date, Ryan is grilling grilled cheese and Marissa brings over leftover mac and cheese. Marissa wipes her hands on a napkin saying it was the best grilled cheese ever – as if she actually ate it. We all know that she is only allotted three almonds a day. Ryan asks if Marissa wants to do something fun and they push each other in the pool. OMG so cute. All This Time by Onerepublic plays and obviously everyone at home is in swoon mode.

At Holly’s beach house, Summer is wearing a t-shirt, which is the biggest revelation of the night. Luke is sad and drunk, and Holly basically jumps on him knowing that he and Marissa are taking a break.

Donnie hits on Summer and they all make fun of him. Donnie says these kids are ‘mad doggin’ him. Then he shows Seth his gun. Okay, cool Donnie. Way to turn into a psycho.

Seth, who has the worst timing ever, calls Ryan saying that Donnie is a psycho and he has to pick him up, basically interrupting what would have been Ryan and Marissa’s first kiss. Marissa takes off because that’s what she does when there’s a chance that things could get emotional. Donnie and his friends are throwing chips at each other and breaking vodka bottles. Luke comes down and confronts Donnie. Seth tries to warn him to back off, but then Ryan shows up. Seth says that Ryan and he should go. Luke pushes Donnie who obviously has to pull out his gun and point it sideways at Luke. Damn those Long Beach/Chino/Riverside/Corona/non-Orange County kids are crazy!

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“How much you hate this kid Ryan? What about you Seth?”

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Nice green t-shirt Summer. I see you back there semi-clothed. Ryan tackles Donnie to the ground and Luke’s arm gets shot. No water polo for you. Donnie takes off, and Luke is whisked away to the hospital in an ambulance. Ryan, being the good guy he is, calls Marissa to come to the hospital to see Luke. She tells him not to wait for her. She might be awhile.

Guess that Ryan Marissa thing is on hold for now.

Best Song of the Episode:

“The Way We Get By” by Spoon

This was the first time I ever heard a Spoon song and have since become a lifelong fan.

Best Quote:

Seth: I do think that from now on, though, we got to stick together because united we’re unstoppable, but divided it’s…

Ryan: People get shot.

Seth: That’s what I’m saying. That’s what I’m saying.

Number of Non-White People with Actual Lines in This Episode:

Zero. Which is surprising because they were in Long Beach which is ‘a shady neighborhood’.

Weird 2003 thing:

Seth’s giant white first gen ipod.

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Also, in one scene Ryan is eating from a box of Captain Crunch with The Wild Thornberrys on it. Not a thing anymore.

Best Fashion Statement:

Summer’s green t-shirt. You heard that right. T-shirt. On Summer.

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The Boy

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The Boy (2016) – Horror 

Directed by: William Brent Bell

Starring: Lauren Cohan and Rupert Evans

How I Watched: Streamed on Showtime

Review by Eric Scot Lemons

There are some ideas that are so fucking stupid, they are actually good. Horror tends to be the genre that best collects these gems that make you think, ‘who the fuck thought this would be good?’ The Boy, which came out in 2016, is one of these films. Quite possibly, the most overused trope of the 2000’s in horror was that of the creepy kid. We saw it in The Ring and The Grudge. The 2010’s saw the return of the creepy doll with Annabelle and the remake of Poltergeist. Yes, the creepy kid and creepy doll are tropes that played out in the 70’s and 80’s as well. We live in a recursive culture, you see. Time is a flat circle or some shit. Anyway, the point I am getting to is that The Boy mixes these tropes to seemingly idiotic effect, until the story actually starts evolving.

The film starts with a nanny played by Lauren Cohan who was in The Walking Dead and still might be. I don’t watch that shit. The nanny, Greta, gets some Craigslist job in England where shit is inherently creepy to watch some child. But when she gets there, the spooky unhinged parents reveal that she will in fact be watching a doll that looks like a boy, but is totally inanimate. The design of the wooden figure is actually quite excellent in that it has a blank expression that simultaneously looks both angelic and menacing. Not like Dead Silence (2007) where it fucking grins maniacally throughout, and then everyone is surprised when it turns out evil.

I mean, of course, the situation in The Boy is fucked up, but what the film tries to hint is that maybe it isn’t, and that’s where the film gains strength. Greta indulges the “parents,” complying with what seems to be their grief, as the doll is meant to represent the boy the couple lost in a fire. They eventually leave on an extended holiday (British for vacation), and she is left alone with the doll. She just throws it on a chair and makes herself a peanut butter & jelly sammich, relaxing. This is where shit is kinda weird for me. Being somewhat neurotic, I’d either assume this was some test and I was on CCTV, or that maybe there is some fucked up reason the parents catered so heavily to the doll, and I would just keep acting like it was a real boy. I would probably fail some social experiment about compliance, but fuck it, I am like 20% sure ghosts don’t exist, but like, 20% afraid of everything. Therefore, what can it hurt? Anyway, the negligence gets to be too much for the doll, and it starts moving and shit when she isn’t in the room.

The strength of the film comes from Greta’s reaction to the movement and supposed life of the doll. Not with fear, but amazement. Too often in horror films, we see characters, especially women, respond with terror when confronted by anything outside of the norm. It is refreshing to see someone experimenting with that which is strange. I mean, the film does come with its own brand of “horror,” in that it turns out the movements are made by the actual adult son that is living in the walls. He then tries to kill people because it is a stupid third act, but for a bit of time, the film is curious and energetic, playing against the shit that usually comes from the “haunted house” story.

In many ways, the film is unremarkable, however it is fun to follow, and the inherent creepiness of seeing people treat a doll like a real human gives legs to the uncanny nature of the story. It sounds stupid to recommend a film like this, but if you are in the mood for a horror film that will tingle your interests, but won’t take up too much brain matter, check it out.

Twin Sneaks – Volume Four: Season One – Episodes 7-8

Welcome to Twin Sneaks! I started this column about a year ago, but stopped watching the show as I wanted to wait until the new Season 3 was closer. What I’m hoping to do here is recap all the episodes for you guys leading up to the new premiere on May 21st (EEEEEK!!) After that, I’ll continue to recap the new episodes for you, and have them ready to go every Monday or Tuesday! There will, of course, be SPOILERS in these recaps, so please stop reading (or don’t, I’m not you mom) and WATCH THE DAMN SHOW ON NETFLIX, YOU JERK!

Twin Peaks – Season One: Episodes 7-8

Recap by Nick Spanjer

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Episode 7: Realization Time

Directed by Caleb Deschanel

Written by Harley Peyton

We begin where we left off, with Audrey naked in Cooper’s bed. They have a conversation about Audrey’s age and Cooper basically explains he can’t bone her because he’s an agent in the FBI, not because she’s in high school. Come on, Coop. They agree to be friends and Cooper strangely tells her that he’s going to get malts and fries for the two of them while she gets dressed. The next morning at the Sheriff’s station, Andy and Lucy are still having trouble. He walks away from her like Charlie Brown when the phone rings, and she talks to her doctor about something apparently very depressing. Cooper walks in joyfully, playing some kind of wood flute, and honestly, if you didn’t know any better, you would really think he just got laid.

Doc Heyward is in the meeting room with Truman and the bird that bit Laura, Waldo. Since it hasn’t been fed since the night Laura died, it’s physically exhausted and can’t mimic at the moment. Doc tries to get Cooper to feed the bird, to which Cooper replies, “I don’t like birds.” Hawk walks in with a folder and a report confirms that Laura, Ronette Pulaski, and Leo were at Jacques’ cabin. There is also a picture inside of Waldo sitting on Laura’s shoulder, that either Jacques or Leo took. Cooper places his voice activated recorder underneath the birdcage and awaits Waldo to talk. They determine that the plastic inside Laura’s stomach was in fact, part of the poker chip from One Eyed Jack’s. They point out that Jacques is a dealer there and plan a trip over the Canadian border to see him. Since it’s out of the law’s jurisdiction, Cooper oddly suggests that it’s a ‘job for the Bookhouse Boys,’ even though he seems like a pretty hard by the book type of dude. Whatever.

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Over at the Johnson dump, an injured Leo watches Bobby walk up to the house through binoculars. He’s listening to a police scanner and pulls out a rifle to shoot him, but Bobby walks in the house. Shelly tells him crying that she shot Leo, and she’s worried that he’s going to kill her now. Bobby tells her that he’s going to handle Leo, and includes James for some reason, like she fucking cares and then they make out. Leo hears Lucy talking about Waldo over the police scanner and gets back in his truck and pulls away angrily. Over at the Palmer’s, Donna, James, and Maddy listen to the tape they found in Laura’s room. You get an idea of how fucked up Laura really was as she mentions to Jacoby that she knows he likes her. They discover that there is a tape missing from the night she died and assume Jacoby had something to do with it. They plan to break into his office to get the tape.

At Horne’s Department Store, Audrey is slangin’ that perfume to an old woman that can’t make up her mind. The lady gets short with her after Audrey suggests she hangs the bottle around her neck. Audrey leaves the counter for a moment to go to a back room and tells a guy that looks like he fell out of a Norman Rockwell painting that there was a bus accident outside, so he runs away in 1950’s chivalrous glee. Audrey sneaks into the slob Battis’ office and lights a cigarette like she owns the fucking place. She hides in the closet when she hears him coming, still smoking by the way (WHAT?) and watches him give the perfume counter girl, Jenny, a glass unicorn. It’s revealed she works at One Eyed Jack’s and he presents her with the opportunity to be an escort there. She says, “That sounds cool, as long as they’re wealthy,” and our theme of ‘Old dudes fucking high school chicks in Twin Peaks’ continues. When they leave, Audrey comes out of the closet and finds Ronette Pulaski’s name in Battis’ little black book. Jenny forgot her glass unicorn, so Audrey grabs it on her way out.

At the RR, Hank is discussing prison life with an uninterested Shelly. He manages to get it out of her that Big Ed Hurley helped out quite a bit while he was behind bars. Truman and Cooper walk in right after Hank steals a lighter from a customer at the counter. Truman is there to check in on his parole and you can tell there is some bad blood between them. Shelly asks the boys if they want coffee and after Truman resists, Cooper has one of the best lines in the show. “Harry, I’m going to let you in on a little secret. Every day, once a day, give yourself a present. Don’t plan it, don’t wait for it, just let it happen. Could be a new shirt at the men’s store, a catnap in the office chair, or…two cups of good, hot, black coffee.” I love Parks and Recreation, but this was truly the first incarnation of TREAT YOSELF.

At Horne’s, Audrey convinces Jenny that she had the same type of meeting with Battis. She shows Jenny the unicorn she took from Battis’ desk and sways her to give her the number for the head mistress at One Eyed Jacks. Audrey immediately picks up the phone and calls the number. Over at the Hurley’s, Nadine is watching Invitation to Love  as the nerdy Chet shoots the bully Montana. Ed walks in and Nadine begins crying because her patent for the silent drape runners was not accepted. The sappy, soap opera music for Invitation to Love ramps up on the TV as Ed hugs her and melodramatically says, “Don’t you give up! Don’t you dare!”

At the Martell compound, Truman is looking at a mounted bass trophy that Pete caught when Josie Grossie walks in, dressed in some kind of flannel shirt robe bullshit. He asks what she was doing at the motel when they found the One Armed Man, and she plays stupid. He presses her and she tells him that Ben and Catherine are planning a conspiracy by burning the mill down. Later that night at The Great Northern, a tuxedo’d Cooper walks in to meet Truman and Big Ed. He hands Big Ed and Truman $10,000 that the FBI gave him so they can gamble at One Eyed Jack’s to fit in. Truman tells Cooper about his Josie Grossie worries since that last revelation, and that he believes what she’s saying is true. Cooper asks “How much do you know about her?,” clearly not believing the gross things coming out of her mouth. Truman tells Cooper that he got a new Cadillac for their cover and that they’re “High Rollers from the Tri-Cities. Oral surgeons, Harry. Big spenders, vacationing among the firs.”

Sidenote: If you’re from the Pacific Northwest, you know that there aren’t really any high-rollers from the Tri-Cities.

As they leave, Audrey walks out to tell Cooper what she learned concerning One Eyed Jack’s, but the boys already left. Back at the Martell’s, some kind of insurance agent is meeting with Catherine to discuss her life insurance. She notices that $1 million will go to Josie if she dies, and gets suddenly worried, asking the agent to leave so she can discuss it with her lawyer. She checks the desk next to her bed and notices that the second ledger is now missing. At The Great Northern, Audrey leaves a note under Cooper’s door. Back at the Sheriff’s station, the boys are getting ready by putting on wires and applying disguises. A rainstorm hits when Waldo, now refreshed, begins talking in Laura’s voice (yeah, alright). A gunshot rings out and the boys run into the room where Waldo is, to find him shot and killed. Leo runs out of the rain into his truck with a rifle. Motherfucker killed Waldo, yo. As Waldo’s blood drips on the donuts, Truman points out, “They shot Waldo.” Cooper plays back the tape and hears Waldo in Laura’s voice yelling, “Stop it! Leo, no!”

The boys arrive at One Eyed Jack’s, and the head mistress, Blackie, immediately greets them. Because, you know, they’re high rollers. From the Tri-Cities. For some reason, Cooper tells her that their names are Barney and Fred, like that’s a good cover. I’d like to point out that they also took the time to give Cooper glasses, and Big Ed a fucking mustache and Soul-Glo hair from Coming to America, but Cooper decided that fucking ‘Barney and Fred,’ of the fucking Flintstones was somehow good cover. Anyway, Cooper and Ed head into the gambling room to find Jacques.

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Back at the Palmer’s place, Maddy is sneaking downstairs so she can meet with the Youth Sleuths, Donna and James, and break into Jacoby’s office. An especially creeptastic Leland Palmer is sitting silently in the dark and watches Maddy sneak out. Hug Me James is waiting in some park where he made out with Donna earlier, and sees Maddy get out of the car looking exactly like Laura in a blonde wig. Donna, in her Nancy Fucking Drew hat, sees them look at each other and gets annoyingly jealous, and fuck man, is this story line over yet? No? Shit. At The Great Northern, the Icelanders are singing in Ben’s office, while Jerry holds an enormous pine cone. Jerry tells Ben that they want to finalize the Ghostwood development deal at One Eyed Jack’s. Ben calls Josie Grossie and tells her that Catherine needs to be at the mill. Hank is sitting right by Josie as Ben calls.

At One Eyed Jack’s, Audrey walks in to meet with Blackie. Audrey puts on a show by calling herself Hester Prynne, saying she was from Calgary. Blackie doesn’t believe her and makes her prove herself, so Audrey ties a knot out of a cherry stem with her tongue. Again. High school girl. Blackie is impressed and hires her. I remember the first time watching this with my ex-wife years ago, and she said she could do it, and that it was really not that impressive when people could do that. I asked her prove it and she did, so either it really isn’t that impressive, or my ex was Audrey Horne-talented.

In the poker room, the boys are playing Blackjack when Jacques Renault walks up to the table that Cooper is playing at. At Jacoby’s office, the Dr. is watching Invitation to Love, when Maddy calls pretending to be Laura. He takes the bait and walks to his door, finding an envelope. He pulls out a VHS tape and plays it, seeing the spitting image of Laura holding an edition of that day’s paper. He picks the phone back up and Maddy tells him to meet her at the park. When Maddy hangs up the phone, Bobby is creeping in the bushes watching, and sees James ride off. Crazy thing is, someone is watching Bobby watching, so we’ve got that triple layer shit going down!

Jacoby watches the tape again and notices the gazebo from the park, and runs out of his office, getting in his car. The Youth Sleuths see him leave and run up to his office, while Bobby, still creeping, puts a bag of coke in Hug Me James’ bike’s gas tank. “Say goodbye, James.” Whoever the creep is in the park is watching Maddy alone and the episode ends.

 

Episode 8: The Last Evening

Directed by Mark Frost

Written by Mark Frost

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Ah, the Season One finale. Something strange happens between the first and second seasons of Twin Peaks. It’s hard to pinpoint. Perhaps it’s David Lynch’s sudden disinterest as he exited to make Wild at Heart, or the pressures of the network for Frost and Lynch to answer the whodunnit, but in ways, this is the episode in which Twin Peaks lost its innocence. I personally, am a big fan of some of the darkness in the second season, but will admittedly be among the first to speak to its far too often absolute trashiness. More to come, but really, the show could have gone a much different direction after this finale. Anyway, let’s get into it.

The Youth Sleuths are digging around Jacoby’s office, mostly stunned to find tiny umbrellas that Jacoby saved from his many adventures. Donna grabs a coconut from the decorative tree and opens it to find the missing tape along with the other half of the Best Friends necklace. James and Donna ride off after taking the tape and the necklace and Bobby watches them leave. Jacoby arrives at the park and sees Maddy dressed as Laura when the creep who was behind Bobby at the end of the last episode clubs him in the head, effectively causing a heart attack.

At One Eyed Jack’s, Cooper begins talking to Jacques. He turns down one of the escorts, which is weird, because she’s probably in high school. Cooper presents Jacques with the broken poker chip (the one that fell out of the cuckoo clock and had a piece missing in Laura’s stomach), and Cooper says he’s a friend of Leo’s. Jacques plays dumb so Cooper asks if he can buy him a drink. Up in Blackie’s office, Blackie is playing with tarot cards, because that’s a typical thing to do, when Audrey walks in all skimpy and escort-like. Audrey looks down and sees Cooper on the security monitor that’s sitting on Blackie’s desk while she presents herself to Blackie. Blackie tells Audrey that all the new girls get to meet the owners on her first night, but Audrey doesn’t know that the owners are her dad and uncle, and wow, it gets weird here. She tells Audrey to pick a card from a poker deck, so Blackie has playing cards and tarot cards in front of her at this point, and what the fuck. Audrey picks the Queen of Hearts, of course.

In the surveillance van outside of One Eyed Jack’s, Hawk and Big Ed are listening in on Jacques and Cooper through Cooper’s wire. Cooper tries to get Jacques to talk about Leo by making up a story that Leo is playing Jacques for a fool. He mentions Laura, and Jacques tries to leave. Cooper convinces Jacques that he’s financing the drug running out of Canada, so Jacques stays to talk. Cooper gets Jacques to do a drug run that night for $10K by meeting him at a power plant. Once Jacques finishes his drink, Cooper nonchalantly asks about the night with Laura at his cabin. Jacques warms up and mentions that the bird had a thing for Laura by biting her and saying her name constantly. He mentions that himself, Laura, Ronette Pulaski, and Leo were in the cabin, high. He says Laura was tied up and Waldo began pecking at her, causing her to scream. Jacques then mentions, horrifically, as the camera zooms in on his obese mouth, that Leo jammed the chip in her mouth as he was (from what it sounds like) raping her.

In her dressing room of the brothel at One Eyed Jack’s, Audrey is waiting. Back at the Johnson toilet bowl, Shelly walks into her kitchen to wash her hair with dish soap in the sink, because at some point, she decided to marry Leo Johnson, and this is the life you get. She gets soap in her eye and as she grabs for the towel, it gets pulled away by Leo. He grabs her and begins yelling that she made him do it. Over at the power plant that Cooper told Jacques to meet him at for the drug run, Truman and Andy are waiting for Jacques to show up, and discuss Andy’s problems with Lucy. Hawk and Truman have a really uncomfortably long back and forth over the radio, using fishing references to let each other know that Jacques was on the way, then see Jacques roll up in some kind of El Camino thing. They ambush Jacques and Truman tells him he’s under arrest for Laura’s murder. Jacques momentarily incapacitates his arresting officer and steals his gun, pointing it at Truman. Andy shoots Jacques, thus saving Sheriff Truman’s life, and suddenly, StellAndy has his groove back.

At the Heyward’s house, the Youth Sleuths listen to the tape they got from Jacoby’s coconut. On the tape, Laura calls James dumb and his fivehead visibly expands. She also mentions that she got off on almost being killed by her “mystery man,” and Hug Me James needs a hug as he hears that this mystery man drives a red corvette. As the tape ends, Doc Heyward tells Donna that there is an emergency at the hospital and he needs to go. Donna consoles James for being called dumb and he says that it’s OK and he needed to hear it. Something tells me he’s used to it. The Youth Sleuths agree that Jacoby was trying to help Laura, not kill her.

At the Packard Sawmill, Leo is loading in gas cans and looks over at his tied up wife, Shelly. He picks up some kind of Kevin McCallister apparatus that is hooked to a kitchen timer and sets it, telling her again that her death is all her doing. He also mentions that he’s going to kill Bobby. He screams, “You broke my HEART!” like only Leo Johnson can and slams the door. Over at the Hurley’s place, Nadine is in some kind of Disney princess dress and pours out a cocktail of about 50 pills. She pours a glass of water and says goodbye. At the Martell’s, Hank receives a suitcase full of money from Josie Grossie for all that he missed out on in prison. Josie is one nasty cat, as they clearly made some kind of deal over something that happened before he went to prison. He tries to snake more money out of her by suggesting that he took the fall for Josie’s murder of her late husband Andrew Packard (owner of the Packard sawmill that Josie inherited). They go back and forth for a while, while Hank keeps quoting things that he read in jail, and he ends up slicing their thumbs and they become blood brothers or some shit, but holy hell – Mark Frost has this amazing shot where Hank talks for about a minute straight with a mounted buck’s horns filmed right above his head. It’s ridiculous. Another Twin Peaks signature moment.

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Back at the mill, Catherine is digging around in the Accounting office for the ledger. Pete walks in concerned, and she asks him where it is, convinced he’s helping Josie. She asks him to forgive her for being awful, and takes advantage of his kindness. He falls for it and hugs her. At the Sheriff’s department, the boys are recounting Andy shooting Jacques in heroic fashion, while Lucy listens nearby. Her boner comes through the TV 3D style, so Andy chases her into a closet and closes the door. As he kisses her, she pushes him away for a moment and tells him she’s pregnant. Andy, horrified, opens the closet door and walks away without saying a word. Lucy is clearly pissed, when the phone rings. Bobby is pretending to be Leo and tells Lucy to tell the sheriff that James Hurley is an “easy rider.”

At the hospital, Cooper and Truman are interviewing a recovering Jacques Renault about Laura and Ronette the night Laura died. He tells them that he took the pictures for Flesh World but it was their idea to become paid escorts. He and Leo got into a fight because Leo smashed a whiskey bottle into Jacques for no reason, and that’s why their blood was all over the scene and on Leo’s shirt. He passed out that night and everyone had left the cabin by the time he awoke. In another room, Jacoby is recovering from his heart attack on a bed. Doc Heyward mentions that Jacoby said he got a phone call from Laura Palmer and was jumped on his way to see her. Over at the Martell’s, Catherine is frantically searching their library for the ledger while Pete finds his high school yearbook. The phone rings and on the other end, Hank tells Catherine that what she’s looking for is at the mill. She grabs a gun and leaves for the mill.

At the RR, Hank is telling Norma about prison and how he dreamed of her while locked up. He hams it up about how he’s going to change for her, and she for some reason believes all this shit and kisses him. Big Ed gets home and finds Nadine crumpled into a mess on the floor and freaks out, calling 911. At the Sheriff’s department, the boys arrive back and Lucy tells them about “Leo” calling. She tells him that she heard a clock striking in the background, and Cooper and Truman put together that it was the same park from where Jacoby was attacked. Hug Me James walks in, and before he can speak, Cooper intervenes and tells Harry that he should investigate James’ bike while Cooper talks to James. As they walk away, Leland Palmer walks in, asking about the arrest of the suspect that murdered his daughter, Jacques Renault. Truman tells Leland he can’t tell him anything since Jacques is just a suspect and leaves. Doc Heyward tells Leland to go home, as Leland asks if the Doc is going back to the hospital, to which he replies, no. Leland turns toward the camera, dramatically insane, and utters, “Hospital.”

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Hug Me James gives Cooper the tape that they just listened to, to which Cooper only seems mildly interested. Colonel Fivehead tells Cooper that they need to be looking for someone with a red corvette, when Cooper tells HMJ that Jacoby had a heart attack. James looks surprised and Cooper asks what kind of game he’s playing when Harry walks in with what was planted in his bike by Bobby. Cooper shows James the bag of coke and again, James looks surprised (that’s all he did the whole scene). At One Eyed Jack’s, Ben is signing the Ghostwood contracts with the Icelanders while the high school girls fondle away. As they sign, Hank calls Ben to tell him that all plans are going ahead with the mill, including Catherine’s presence, and that he’s going to give Leo a house call. Ben tells him to proceed.

At the Johnson fart factory, Bobby shows up to the house and Leo suddenly dips out from the shadows. Bobby plays dumb, pretending he is there to see Leo, and Leo is at full crazy in this scene. He knocks Bobby down and swings an axe at him, barely missing Bobby. Leo punches Bobby into the TV and as he goes to swing the axe into him, he’s shot again, this time by Hank Jennings. Leo collapses on the couch and Bobby runs out the door. Leo watches the same episode of Invitation to Love where the nerd shoots the bully. At the mill, Shelly is still tied up when Catherine arrives with her gun ready. She finds Shelly and the McCallister contraption goes off. Really, the timer goes off and a tiny little *boop* explosion happens, slowly starting a fire in the mill. Catherine asks who she is, and in a town this small, you’d think you would know everyone’s name, but whatever.

The fire spreads as Catherine ponders what she needs to do next since she was double-crossed by Ben and Josie Grossie, then lets Shelly down from her bindings. As the mill comes burning down, the two run out of the room before the scene changes to a gloved hand smashing a fire alarm at the hospital. Now, I don’t exactly know medical or hospital protocol, but wouldn’t the patients be the priority in those situations? The fire alarm goes off and the nurses and doctors flee the floor, and that’s always bothered me about this scene. Anyway, the gloved hand turns out to be Leland, as he walks into Jacques’ room and suffocates him to death with a pillow. Bye-bye, Jacques.

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Over at the burning Packard Sawmill, Pete assumes Catherine is inside so runs in to save her. Back at One Eyed Jack’s, Ben completes the signing of the Ghostwood contracts with the Icelanders. He lights a cigar in celebration with Blackie, and asks to have a look at the “new girl.” In her dressing room, Audrey is getting her outfit sewn on by some weird Quasimodo lady, and as Ben walks in, the bent-over lady escapes into some hidden mini-door along the wall. It’s all insanely strange.

Well. Relatively. Ben walks in, not knowing he’s about to bang his high school daughter, when Audrey finally puts it together that the owner of One Eyed Jack’s is her dad. He walks toward the bed smiling and the scene fades out. Back at The Great Northern, Cooper is talking to Diane at 4:30 AM. He notices that the Icelanders have left and is relieved. Cooper opens his door, and sees an envelope on his floor that has ‘My Special Agent’ written on it. The phone rings, and it’s only static. With this comes a knock at the door. He assumes it’s room service, so he tells the person on the other end that he needs to go and sets the phone down. As he walks toward the door, the static clears and Andy’s voice can be heard saying that Leo Johnson has been found and was shot. When Cooper opens the door, he looks up and is shot three times in the chest by a gloved hand. Roll Credits.

I promise I’m going to have the rest of these ready to go for you by the 21st! Sorry. Be sure to listen in to our new Podcast episode on Monday 5/8, as we’ll have the whole Twin Peaks Experience, covering seasons one and two, as well as the movie Fire Walk With Me ready to discuss with special guest, and fellow Peaks Freak, Tyler ‘Street Tang’ Aker!

The Eyes of My Mother

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The Eyes of My Mother (2016) – Horror 

Directed by: Nicolas Pesce

Starring: Kika Magalhaes and Olivia Bond

How I Watched: Netflix

Review by Eric Scot Lemons

Opening on a sultry black and white shot of some goddamn trees, that is quite possibly the most beautiful shot of trees I have seen outside of a BBC Planet Earth special, The Eyes of My Mother is almost jarring in its simplicity. I had heard a many creepy story of this film, most notably by my mother, who accidentally turned it on one night and sat through the whole thing. “It’s really dark,” she said. She wasn’t fucking kidding. It is a film about solitude and grief’s effect on the human psyche, blatantly starting off with a mother describing to her child the religious ecstasy of Francis of Assisi, canonized in 1228 after receiving the stigmata after years of loneliness. This connection between solitude and violence is a central theme, I think.

The mother and her daughter are seen cutting out the eye of a cow in a scene that seems to pay homage to the 1929 Surrealist film by Salvador Dali and Luis Bunuel, Un Chien Andalou, which uses a cow’s eye as stand-in for a woman’s eye, which is stand-in for the way the clouds seem to cut through the moon. But you’ve seen that film. You know what I’m saying.

The mother is a surgeon, or was in Portugal, and is seemingly teaching her young daughter the family craft. Soon, a stranger arrives at the home played amazingly to creeptastic effect by Will Brill, who played that methy prisoner in The OA if you watched that. He smiles and his eyes bulge like a Peter Lorre impressionist. He looks like a fucking evangelist with his white shirt and black slacks, but presents an almost immediately ominous tone. He is an animal and they his prey. They regard him with the same poise and caution one would present a rabid wolf. But by the time the Father arrives, the mother is no more. The discovery of her demise is pitch perfectly played with the camera following the Father and the audience hoping to press the brakes for fear of the barbaric sounds coming from the bathroom. The animal is subdued and like any animal, chained in the barn. Perhaps the Father has more torturous plans for the stranger. Maybe he just doesn’t have the ability to kill another human being. But his daughter steps in, ten years old at the most, and after seeing her Father’s agitation toward his screams for help, the girl decides to cut out the eyes and vocal cords of the creature, but not before he relays to her the secret behind why he kills. Because it feels so good.

The film then follows as the girl, Francisca, is now an adult woman. She is played by Kika Magalhaes in a mixture of intense angst and far-off stares. She is beautiful and slender and sports the jet black hairstyle of Chantal Goya in Masculin Feminin. Her father has died and she still yearns for her mother, while tenderly caring for the blind and mute stranger locked in her barn. The film turns to story of a young monster while she preys on locals in a pursuit to regain the family she has lost. The final impact of her life comes in a gunshot heard from a drone filming above the familial home.

I like this film and would recommend it to anyone, but for reasons outside of it being a great film. It is honestly one of the more stunning hour and twenty minutes you will find within the horror genre. The subject matter is dark and disturbing on every count as you ride along on very stark journey into the mind of a killer. Scenes are complex with many layers and alternative viewpoints to be gleaned. But the story in and of itself doesn’t have much to say. I found myself constantly amazed by what I was watching, yet questioning, what the fuck is the point? Should I just be shocked or is this film saying something outside of the context of the film?

It feels like it relies so much on the momentum of the callous way that Francisca destroys her fellow humans in the search of a connection, that it doesn’t collect anything worth saying about the human condition. The film never stands up for the protagonist or makes excuse for why she acts the ways she does, and in another film, this could be seen as a strong point, but in this one, it feels like a cop out. The entire third act feels rushed and devoid of the very relationship building it needs in order for the audience to feel the full weight of the climax. It just ends.

Ultimately, go see it. Turn it on Netflix and revel in its beauty. Think about it for days but don’t be surprised if you find nothing of value on the other side of all that thinking.

THE O.C. SUNDAYS – VOLUME 4: S01:E04 – THE DEBUT

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The O.C. Sundays – Volume Two – Season One: Episode Three – The Gamble

Recap by Holly Hill

 

Why Rewatch The O.C.?

The O.C. premiered on August 5, 2003 and ended on February 22, 2007. Or May 18, 2006 if you like to pretend that the fourth season never happened (a lot of people do, it’s okay). The O.C. not only introduced a lot of people to some fantastic music through its heavily bought mix tapes (this is before YouTube, Spotify, & Apple Music), it also created Chrismukkah, and inspired a decades worth of ‘THE REAL’ reality shows.

Not sure what I mean by that? Well The O.C. prompted the reality show Laguna Beach: The Real O.C., and a thousand other spinoffs to it. The catch phrase ‘The Real O.C.’ morphed into The Real Housewives of fill in the blank rich people cities.

Needless to say, despite its shortcomings, The O.C. had some great writing, a fantastic soundtrack, and truly inspired a generation worth of TV, for better or worse. The O.C. is the only TV show I own on box set. I haven’t watched it in awhile, so why don’t we watch it together? Whether you’re new to The O.C. (you can stream it on Hulu) or a long time fan, it’s a show anyone with a love for the dramatic can enjoy.

Recap:

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The episode starts with some classic Ryan/Seth time dueling it out on their sweet ass PlayStation. Sandy and Kirsten tell Ryan that they went to child services and told them they want him to stay with them, but because he’s a minor, they have to assume all legal responsibility for him.

“I can’t ask you guys to do that.”

“You don’t’ have to, we’re asking you.”

“We’ve all talked about it and we want to be your legal guardians.”

Talk about a 180 from Kirsten. Ryan’s face is just as you’d imagine it, full of hope, anticipation, fear of screwing this up, but most of all, happiness. It’s a dream come true. Ryan asks what happens if they change their mind and it doesn’t work. Sandy jokes that he’s already beaten up the captain of the water polo team, burned down a house, and stolen a car, so what else could possibly go wrong? At this point, I took a moment to pause and reflect on all that is yet to come in this season and others to come. I figure that if Sandy and Kirsten only knew how much else would go wrong, they would have been kicking that Chino kid out ASAP.

Ryan promises to stay out of trouble and they welcome him to the family. Ryan almost cries, I definitely cried, Seth welcomes him to the family, and they half joke about how now he just has to stay out of trouble.

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Kirsten gets Ryan settled into the pool house and wants to buy him more things, but he insists he has everything he needs. Kirsten bets he doesn’t have a tux. He’s gonna need a tux. This is a world of events every weekend and charity galas and of COURSE there is a goddamn cotillion.

Sidenote: Have you ever been to a cotillion? You haven’t? Well, that’s because you’re not an asshole. Cotillion is something rich assholes send their kids to to learn manners and become part of civilized society. Then at the end, you ‘graduate’ or ‘debut’ yourself as an accomplished person. This particularly applies to the women who have to wear white like they’re debuting from a fucking convent while their dude escorts try to cop a feel. Lots of dining, dancing, and debuting. Hence the title of this episode. As a person who grew up in Orange County, I’m sad to report that this bullshit cotillion thing does exist. I never went, but I have lots of friends who did it and they all hated it. However, their parents LOVED to show how much money they all had to waste on shit you could just learn by reading a fucking book. God I hate cotillion. Anyway, back to cotillion.

Sandy is coming back from a morning of surfing and Jimmy shows up in his driveway. Jimmy admits he didn’t ask Sandy for the money because he was embarrassed of what Sandy would think of him. Sandy asks how much money he lost and how he lost it. Jimmy refuses to answer and he is so very clearly STILL HAVING FINANCIAL PROBLEMS, which only Sandy seems to notice.

Kirsten takes Seth and Ryan to the county club to get a tux fitted. Marissa is picking up her shit at the club and her and Ryan breathily ‘hey’ at each other for not even remotely the last time. Marissa says it’s great he’s staying now because they can be FRIENDS. Right, they’re so good at that. Luke shows up and flexes his pooka shells. Summer flirts with Ryan in front of Seth and Seth says cotillion rocks. Wrong Seth, cotillion does not rock.

Back in a dressing room, Summer is in a bra again because apparently, it’s in Rachel Bilson’s contract that until she gets a personality, she’s not allowed to wear a shirt. Summer wants Marissa to set her up with Ryan, and Marissa is clearly like, ‘back the fuck off, Ryan is mine.”

Later that day, Sandy is at work when a BLACK PERSON comes in from the Securities and Exchange Commission, enforcement division. HE SPEAKS. AND IS SMART. He doesn’t live in Newport though, but we have to work our way up to that kind of diversity in this show. It’s only episode four. He’s here to tell Sandy that the check his wife wrote to Jimmy is suspicious because it turns out Jimmy is apart of an SEC fraud investigation. Oh shit, Jimmy. Turns out Jimmy has been siphoning money out of his clients accounts to pay for his own debts, and Sandy is semi-thrilled that Jimmy is kind of a scum bag. Kirsten makes Sandy promise to not tell anyone until she talks to Jimmy wanting to confirm.

Back at home, Ryan doesn’t want to go to cotillion because cotillion is fucking worthless. Seth is like, you gotta go, it’s a FAMILY thing. WE ARE WHITE KNIGHTS. Ryan is worried about a fight breaking out so he goes to Marissa’s place to tell her he’s backing out of cotillion and of course, at this exact time she’s trying on her virgin wedding cotillion dress and can’t reach the clasp! Thank god Ryan has shown up. Ryan clasps her up in slow motion and when he’s done Marissa wants to know what exactly he wanted to talk to her about in regards to cotillion. But thanks to Ryan’s newly minted boner from clasping a dress together, he decides he’s definitely going to cotillion.

Later that day, Ryan and Seth show up for cotillion rehearsals and Ryan realizes for the first time that there is DANCING involved. Oh the horror. Ryan doesn’t like music and he sure as shit don’t dance.

“You didn’t tell me there was dancing.”

“If I told you there was dancing I’d be here by myself right now.”

Truth.

Seth then shows off his own dance moves and in response, Ryan looks mildly disturbed.

Summer is pissed that Marissa gave Ryan away as an escort to ANNA STERN. WELCOME ANNA. Fans of The O.C. tend to either hate Anna or love her. I’m with the latter group. Ready for another love triangle? Was Ryan/Marissa/Luke not enough for you? Welcome to Seth/Summer/Anna. Anna is a punky chick who is down to earth as fuck. Anna is from Pittsburgh, and is super into comic books. It’s the female version of Seth, but she’s partnered with Ryan, and Summer is with Seth.

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Marissa has to demonstrate to Anna and Ryan how to dance, and Anna is sensing the chemistry, and luckily, Luke isn’t there to witness it. Oh nevermind, here he comes.

“I’d be jealous right now if Chino wasn’t so gay. What? He was born that way!”

Sweet, Luke. You just wait buddy. Shit’s about to get real ‘gay’ for you in a few episodes.

Holly is having another goddamn beach party cookout that night to celebrate fucking cotillion. She invites them all and Ryan is like, nope, that sounds like a fight. And Seth is like, you have to go because Summer will be there and I can’t go alone.

Holly’s Dad runs into Jimmy and he wants to talk to him about money. He wants to pull $250K out of his account that Jimmy manages – the same account that Jimmy has basically drained. Jimmy is fucked.

Back at Holly’s beach house, Summer is in a bikini top trying to pay people to take Seth over as her escort. Seth asks if she can pretend to be excited about them going to cotillion together and Summer gives him a big ol’ nope. Marissa pretty much starts shit with Luke because she is wanting to talk to Ryan, and Luke wants Marissa to not talk to him, and Luke punches Ryan, starting off a sequence of events where Marissa gets Ryan in trouble by doing Marissa things.

The night of cotillion, Ryan decides he’s not going because he’s not going to miss out on being a Cohen just to kick someone’s ass. Marissa and Luke are fighting, so she decides to not go either. Sandy also doesn’t want to go because he hates Jimmy Cooper. Kirsten and Seth take off and Sandy and Ryan play video games.

Seth goes to tell Anna that Ryan isn’t showing up. Luke and Julie make Summer call Marissa, but she still ain’t coming. Summer tells her that Ryan didn’t show up either and since Marissa isn’t coming, she eyes Luke as a potential new escort, ditching Seth.

Marissa shows up in a halter with no bra at Ryan’s house, probably hoping that Sandy wasn’t there so they could get it on. Marissa says she’ll go to cotillion if he goes. Sandy is finally getting into video games when they announce they’re going to cotillion. Sandy says he’ll get the car. NOW EVERYONE IS GOING to GODDAMN COTILLION. You people never learn your lesson.

Ryan and Marissa show up together and Luke freaks out. Luke cries a little and dumps Marissa, and she gives Ryan a look like it’s his fucking fault. Now Ryan is going to escort Marissa, much to her eternal satisfaction. Anna gives Seth some shit about being lonely and tells him he’s not a man. She gives him a lesson on confidence.

They are now escorting each other and Summer doesn’t have an escort anymore since Luke took off! Then she finds Seth and thinks she can just weasel her way back in, but he shoots her down pretty hard with all that new confidence.

Marissa and Ryan come out of their respective dressing rooms looking like they’re about to get married. They HEY at each other some more. Their names are called and they bow and curtsy. This event literally costs more than most people’s weddings.

Everyone is dancing and having a good time when Holly’s Dad comes up to Jimmy and demands his money. He punches Jimmy in the face, calling him a thief and they tussle on the floor. Now everyone should finally fucking know that JIMMY IS HAVING FINANCIAL PROBLEMS in case it wasn’t already incredibly obvious. Sandy defends him, and Kirsten and him are all good again. Ryan gets in there too and they make an exception for Ryan. Sandy says, ‘as your attorney I advise you to get out of here.”

Anna says she’s spending the rest of the summer on a sailing trip to Tahiti. She is either stalking Seth or they are the same person. Marissa is outside crying because that’s what she does best, upset that she’s probably poor now and her Dad got beat up. Ryan gives her his jacket and he comforts her. They turn around and Luke is there because he showed up hearing that Jimmy got punched. Luke asks if he can take her home and they can talk. She gives Ryan back his jacket and says she needs to be alone right now. She dramatically runs off in her white dress. Way to make a decision Marissa.

Best Song of the Episode:

“Why Can’t I” by Liz Phair

Best Quote:

“We’ve all talked about it and we want to be your legal guardians.”

Number of Non-White People with Actual Lines in This Episode:

One again! A respectable smart black person working for the government. He talks and has three lines. Big deal.

Weird 2003 thing:

Julie mentions that she could fit in Marissa’s size zero cotillion dress after a few months of Zone. Zone is a fad diet that is still around today but was huge in 2003 for rich people.

Best Fashion Statement:

Marissa’s red halter top.

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CinemAbysmal: The Podcast – Episode 8: The Purge Trilogy & Legion

CinemAbysmal: The Podcast – Episode 8: The Purge Trilogy and Legion

Our eighth episode is here! This week, we talk The Purge Trilogy, the first season of Legion on FX, Juggalos, and more! Check it out on all your favorite apps below! As always, please SHARE, RATE, AND SUBSCRIBE!

iTunes –https://itunes.apple.com/us/podcast/cinemabysmal/id1153464020?mt=2

Google Play Music – https://play.google.com/music/m/Irjld24rxpsi22hdnugilmxh57u?t=CinemAbysmal

SoundCloud – https://soundcloud.com/cinemabysmal/08-the-purge-trilogy-legion

Stitcher – http://www.stitcher.com/s?eid=49928012&refid=asa

Spreaker – http://www.spreaker.com/show/cinemabysmals-show

You can also find us on BeyondPod! Just search for CinemAbysmal.

The O.C. Sundays – Volume 3: S01:E03 – The Gamble

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The O.C. Sundays – Volume Two – Season One: Episode Three – The Gamble

Recap by Holly Hill

 

Why Rewatch The O.C.?

The O.C. premiered on August 5, 2003 and ended on February 22, 2007. Or May 18, 2006 if you like to pretend that the fourth season never happened (a lot of people do, it’s okay). The O.C. not only introduced a lot of people to some fantastic music through its heavily bought mix tapes (this is before YouTube, Spotify, & Apple Music), it also created Chrismukkah, and inspired a decades worth of ‘THE REAL’ reality shows.

Not sure what I mean by that? Well The O.C. prompted the reality show Laguna Beach: The Real O.C., and a thousand other spinoffs to it. The catch phrase ‘The Real O.C.’ morphed into The Real Housewives of fill in the blank rich people cities.

Needless to say, despite its shortcomings, The O.C. had some great writing, a fantastic soundtrack, and truly inspired a generation worth of TV, for better or worse. The O.C. is the only TV show I own on box set. I haven’t watched it in awhile, so why don’t we watch it together? Whether you’re new to The O.C. (you can stream it on Hulu) or a long time fan, it’s a show anyone with a love for the dramatic can enjoy.

Recap:

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The episode opens in juvie with a plethora of non-white people available for speaking roles. Unfortunately, they are all reduced to yelling slurs at newbie and white privileged kid, Ryan. Sandy stops in to see him and quips that they ‘gotta stop meeting like this.’ He lets him know that Kirsten’s company, the Newport Group, has decided to drop all arson charges. Ryan has to stay in jail for 30-60 days however because he can’t be released to a parent or guardian, while Luke strolls out like it ain’t no thing. Sandy leaves him alone and when Ryan heads back to the cells, a Mexican kid in juvie who look a like he’s 30 threatens Ryan by pressing a fork to his neck.

Back in the O.C., Kirsten is planning a brunch for her friends that she hates. They are planning a casino night….for charity. Because everything is done for charity in this show. Seth meanwhile, is angry at everyone because he is grounded and his Mom won’t let the kid that burned her house down live with them. Weird, right? Kristen’s awful friends show up with Julie heading the group of assholes. Sandy says he’s off to find another kid to jeopardize the community, joking that he might bring an Asian or a black kid home now, which obviously worries all the women.

A grounded Seth tries to sneak out of the house to go visit Ryan, but Kristen says no. Kristen admits she’s hired someone to find his mother and dropped the charges. Seth asks Kristen if she wants to come with him, and she’d rather do that than hang out with the whores in her living room, so she agrees (I’m paraphrasing).

Back at Marissa’s house, Summer is being turned into a more developed character by switching her signature bikini top for a lacy bra. She tries on clothes, and Marissa calls Luke who won’t answer. Seth stops by Marissa’s to see if she wants to go to juvie to visit Ryan with him, and Seth sees Summer in her bra and basically dies of happiness.

Marissa blows Seth off saying ‘It’s too complicated’ to visit Ryan (oookay). In juvie, Kirsten and Seth have a pretty awkward visit with Ryan. Ryan’s fork wound is very prevalent and Kirsten is feeling super guilty. The Mexican that has been bothering Ryan starts talking dirty to Kirsten, so naturally Ryan kicks his ass. Kirsten decides she wants that pretty white boy OUT of there ASAP.

Sandy comes home and finds Ryan and Seth playing video games and he jokes to Kirsten that he didn’t know she was an impulse shopper. She says it’s not permanent. Ryan overhears and says he guesses he won’t unpack. Just laying in that guilt. Seth asks what happened that night with Marissa in the model home, and Ryan says he told her to leave. Seth suggests he takes those words back.

Julie gives Marissa some terrible advice, pushing her daughter towards Luke who is clearly a very awful boyfriend to her. She suggests she fix her hair, put on a top, and join her at the club to win Luke back.

Sandy is too busy to hang with the boys, and Kirsten has to set up casino night, so she brings Ryan and Seth with her. Naturally, Luke shows up too, so it’s all about to get super awkward. Marissa is there as well and tries to talk to Luke, but he ain’t having none of that shit. Ryan tries to talk to Marissa who says they are from different worlds, so back the fuck off, I need to fix things with puka shells Luke.

Meanwhile, Julie and her bitch friend are talking shit about Sandy and Kirsten right next to Sandy, and he butts right in, bringing up that Julie is from Riverside which is a huge insult (apparently). Julie goes to complain to her husband, Jimmy, about Sandy.

Jimmy says she IS from Riverside and to leave them alone since they’re the ones who are paying their bills right now. Jimmy confesses that Kirsten gave him $100,000, much to Julie’s dismay.

Sandy gets a call about Dawn, Ryan’s mother, saying that they’ve found her. Ryan asks what Kirsten does and she explains the Newport Group to him, and Ryan expresses his desire to be an architect. Kirsten is already planning her future with Ryan as her son when they get home, but to his confusion, his mother is sitting there waiting. They all sit down for a very weird conversation over dinner and Dawn says she’s staying with her friends, as she broke up with her abusive boyfriend. Kirsten asks that she stay at their house tonight. Ryan is clearly very embarrassed about his Mom, who promises she is sober now. Ryan wants to know what she’s doing here because she abandoned him and just left a note. Ryan doesn’t even want to have his Mom touch him, and asks for her to go slow with him, clearly afraid of getting hurt again. She says she’s not going to lose him again. The next day they take a walk and then try to take off. Kirsten clearly is still anxious about them though, so she offers her to come to casino night with them. One last fun night! Where nothing could possibly go wrong on a soap opera!

Dawn shows up with Ryan and is clearly very impressed with the Newport life. Julie is pissed about Kirsten giving them money. Dawn is gambling a little too much and has started sneaking drinks. Marissa cold shoulders Ryan with a dismissive ‘good luck with everything’ and Ryan tells her to ‘have a nice life.’ Marissa and Luke fight. Julie brings up the money Kirsten gave them to Sandy who CLEARLY DIDN’T KNOW ABOUT IT. Things are going badly for everyone except Seth. When Summer drops some dice, Seth is there to pick them up and he blows on them because she’s superstitious. She wins some shit and now Sid or Stanley or Seth or whoever can’t leave her side all night. Marissa and Luke make up with some prodding from Ryan who swears to Luke that nothing happened between them.

Things finally come to a head when Dawn starts to lose money, so she drinks more and eventually falls in the middle of the room because she’s so drunk. She completely embarrasses Ryan in front of everyone and Seth abandons Summer, so Luke and him can help Dawn off the floor.

“Where’s Ryan?”

“I’m right here, Mom.”

“Ryan honey, I’m so sorry. I ruined it. I ruin everything huh? You hate me.”
“No I don’t. I love you Mom.”

Dawn passes out back at the pool house and Ryan looks on, hating himself for giving into the hope that it might have worked out. In the morning Dawn packs up and is about to abandon Ryan while he sleeps, but Kirsten catches her on her way out. They talk about how it’s her duty as a mother to stay, and Dawn says it would be the nicest thing she’s ever done for him if she leaves him.

Ryan wakes up just as she’s about to take off. They share a sad longing look, and she waves goodbye at him. Ryan is shell shocked and can hardly believe it, so he goes for a hesitant half wave. Kirsten and him stare back and forth wondering what’s next. Will she take him in? Will she put him back in the system?

Seth and Sandy are making breakfast when Kirsten and Ryan walk in. They ask where Dawn is and Kirsten says, “Ryan is going to stay with us now.”

The smile on Ryan’s face is…..it’s everything. It’s this entire show.

“I’ll unpack later.”

 

Best Song of the Episode:

“Rain City” by Turin Breaks

Best Quote:

“Ryan’s gonna stay with us now.”

Number of Non-White People with Actual Lines in This Episode:

One! A Mexican kid in juvie yells super juvie things at Ryan and Kirsten including, “I’ll kill you” & “Is this your honey? Come here, bitch, I wanna get a look at you.”

STAY CLASSY, THE O.C.

Weird 2003 thing:

See Below. I mean, it’s hard to believe these things were ever popular to wear, but they were.

Best Fashion Statement:

Julie’s soft pink Juicy Couture sweatsuit.

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Twin Sneaks – Volume Three: Season One – Episodes 5-6

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Welcome to Twin Sneaks! I started this column about a year ago, but stopped watching the show as I wanted to wait until the new Season 3 was closer. What I’m hoping to do here is recap all the episodes for you guys leading up to the new premiere on May 21st (EEEEEK!!) After that, I’ll continue to recap the new episodes for you, and have them ready to go every Monday or Tuesday! There will, of course, be SPOILERS in these recaps, so please stop reading (or don’t, I’m not you mom) and WATCH THE DAMN SHOW ON NETFLIX, YOU JERK!

Twin Peaks – Season One: Episodes 5-6

Recap by Nick Spanjer

 

Episode 5: The One-Armed Man

Directed by Tim Hunter

Written by Robert Engels

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This episode begins at the Palmer house, where mother Sarah is giving a description of Bob (the man she had a vision of at the end of Laura’s bed) to Deputy Andy. Donna and Maddy are joining them when Leland comes downstairs and gives his wife shit for having multiple visions. Sarah tells Sheriff Truman about her vision of the necklace being unearthed from the rock. Donna wonders how she knew that. Over at the Sheriff station, Lucy is watching Invitation to Love when the Sheriff and Andy appear. Truman asks where Cooper is and leaves for the conference room, when Andy asks Lucy why he couldn’t spend the night, and welcome to another awful storyline.

Over in the conference room, Cooper is interviewing Dr. Jacoby who is doing tricks with golf balls, and asks if Laura was seeing him because of her cocaine use. Jacoby declines to answer out of doctor/patient confidentiality. He tells Cooper she was having isues when Cooper asks if they were of a sexual nature. One of the best Jacobyisms comes next: “Agent Cooper, the problems of our entire society are of a sexual nature.” Cooper asks if Jacoby was one of the three men that had sex with her the night of her death, and Jacoby declines and tells them that he followed a man in a red corvette into the woods the night after she died. Leo Johnson just happens to drive a little red corvette.

Gordon Cole, Cooper’s superior at the FBI, and all-around badass (played by a hard-of-hearing David Lynch) calls in and notifies Cooper what they found from Laura’s autopsy, including the twine used and the bird bites on her shoulder. He also mentions that Rosenfield has put in to get Truman’s badge taken away for the sucker punch, but Cooper defends the Sheriff. “Harry, the last thing I want you to worry about while I’m here is some city slicker I brought into your town relieving himself upstream.” Deputy Andy walks in with a composite sketch of the man Sarah Palmer saw at the end of her bed, and it’s far too accurate for Andy’s dumb ass. Cooper mentions that it’s the same man he saw in his dream and Andy and Truman are stunned. Deputy Hawk calls in and says that he’s tracked the one armed man to the Timber Falls Motel on the other side of town.

At the motel, Josie Grossie is being a creep and taking pictures from her car of the revulsion of the century, as Catherine and Ben are fucking again. They’re talking about the two ledgers, and gah, I don’t care enough. They see the officers show up as Andy drops his gun and it goes off on the way in. As Ben watches the officers kick the door in, he goes to take a shower (but first he pulls out an Elvis figurine and says he’s going to give Little Elvis a bath), and drops a poker chip to One Eyed Jacks from his pocket. Catherine picks it up.

Over in the One Armed Man’s room, Cooper and Truman ask who he is. His name is Philip Gerard (a light homage to The Fugitive) and he’s a simple shoe salesman. They show him the picture of “Bob” and he doesn’t recognize him. He mentions he does have a friend named Bob the Veterinarian, but he’s currently in a coma. Cooper asks him about his missing arm and if it had a tattoo, and Gerard breaks down and admits it did and said ‘Bob.’ As they leave, Hawk is using his tracking skills and tells Truman that Josie Grossie was already staking out the motel.

Back at the high school, Donna and Audrey share a cigarette in an all too pink bathroom. They discuss Laura’s troubles while she was still alive, and Audrey reveals that Laura was seeing Dr. Jacoby secretly as a patient. She has a feeling that she was also working at One Eyed Jack’s, and that she for sure worked with Ronette Pulaski at Horne’s Department Store perfume counter. Norma visits the prison to meet with her incarcerated shitbag of a husband, Hank. He asks her to back him up in the parole hearing and she actually considers it for some fucking reason. We find out he went to prison for running over and killing a vagrant on the side of the road. The parole board considers his case.

Cooper and Truman head into the Bob the Veterinarian’s office, where a llama is standing inside the waiting room. Cooper shows the composite to the ancient receptionist who confirms the two Bobs are not the same. They walk away from the desk for a moment to discuss Cooper’s motivations at the clinic, when the llama looks directly into Cooper’s face and snorts. Somehow, Maclachlan does not break character, and it’s one of those show-defining moments that Twin Peaks is loved for. Andy walks in with the twine that Gordon Cole described was used to bind Laura, and Cooper asks the near-ghost at the reception desk for every record in the office.

Over at the Johnson catbox, Bobby and Shelly are making out in the gross kitchen. Bobby mentions that Laura was seeing Hug Me James behind his back and wait, what? Wasn’t Bobby fucking Shelly this whole time? Bobby mentions that Leo and Jacques are running coke across the border and that Leo was giving drugs to Laura. Shelly shows Bobby the bloody shirt from Leo’s laundry and he takes it. He tries to leave but she shows him she has a gun and they decide to bone one more time. The troops arrive at the Sheriff station and Truman tells Lucy that he needs all the files that mention birds. Deputy Andy apologizes for dropping the gun and then tells Lucy what happened. She’s short with Andy and he can’t figure out why.

Over in the shooting range, the boys shoot at targets after Cooper mentions he can tell something is wrong with Andy and Lucy. Andy, of course, can’t shoot worth a shit and Cooper insists he practices using his gun. Cooper then mentions he’s never been married in his own Cooper way. “No. I knew someone once who helped me understand commitment, the responsibilities and the risks; who taught me the pain of a broken heart.” He then takes six more shots at a target with his custom made hand cannon. Lucy calls over the intercom and mentions that the files are organized by the names of the pets, not species.

At the RR, Shelly tells Norma that Leo beats her and Norma hardly gives any fucks. “Look at us: two men a piece, and we don’t know what to do with any of the four of them.” Cool life. Hug Me James walks in to use the payphone as Norma mentions to Shelly that they’ll take a salon trip tomorrow to take all that spousal abuse off the mind. Hug Me James calls Donna, who invites him over, but he’s on his period and it turns out he really called Donna for no reason, when he sees Laura’s cousin Maddy for the first time. He puts his fivehead uncomfortably close to this girl that he’s never met, and for some reason she smiles and says hi. They introduce each other and she mentions she’s from Missoula, Montana. They talk about Laura’s parents for a moment and James mentions she looks just like Laura. The phone rings and Norma gets the news that her husband Hank has been paroled. She looks upset BUT YOU GOT HIM OUT BY SAYING HE COULD WORK THERE AND LIVE WITH YOU – GAHHHH!

Over at The Great Northern, Ben is on the phone with new Icelandic investors when Audrey walks in. Audrey asks him if she can help with the family business and turns on the drama about Laura. He takes the bait and decides to let her work at the department store. The whole scene would be pretty touching if she wasn’t actually faking all of this just to impress and try to bang Cooper. As Audrey leaves, the phone rings and Ben asks “where have you been” to the person on the other end. Over at the Sheriff department, the boys are working into the night on the vet’s files. Cole calls in again and mentions that Rosenfield is faxing a reconstruction of the plastic object that was found in Laura’s stomach. He also says the bites on her shoulder were made by a parrot or mynah bird.

Turns out the plastic piece was a poker chip to One Eyed Jacks. Andy finds a file for a mynah bird named Waldo, who happens to be owned by humanesque slug, Jacques Renault. Cooper gets excited: “Gentlemen! When two separate events occur simultaneously pertaining to the same object of inquiry, we must always pay strict attention.” The boys then run over to Jacques’ apartment. Upon the knocking of the door, Bobby looks up. He’s planting Leo’s bloody shirt to try and set up Renault and jumps out the back window. Cooper finds Leo’s bloody shirt (his initials are sewed in) hanging precariously from a drawer.

In the woods, Ben meets with the person who called him and surprise, surprise, it’s none other than Leo ‘Soap Sock’ Johnson. Leo mentions he killed Bernard Renault and motions over to his body by his bright red corvette. Leo mentions that Jacques is back in Canada, so Ben tells Leo to proceed and burn down the mill so Josie Grossie will sell the land, and Catherine and Ben will make out like bandits with the new Ghostwood development. Donna and Hug Me James return to where they buried the other half of the necklace and *gasp*, it’s gone! Sarah Palmer was right! Spooky! As they discuss how spooky Mrs. Palmer is, an owl hoots at them from above, and suddenly, not all is as it seems (rimshot, please). They talk for a second about Laura, the Badalamenti intensifies, and they make out again. We finally come to the end. Josie makes Pete a sandwich at the Martell’s place and Pete asks her if she’ll fish in a tournament with him. He goes to bed when Hank calls Josie Grossie from his last night at the prison, letting her know that he’s getting out as he disgustingly slips a domino in and out of his mouth.

 

Episode 6: Cooper’s Dreams

Directed by Lesli Linka Glatter

Written by Mark Frost

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Cooper is having trouble sleeping at The Great Northern, listening to a group of rowdy Icelanders dancing and singing next door at 4:30 in the morning. This is one of my favorite episodes for Cooper’s character, as he’s very irritable the entire time. Audrey tries to join him for breakfast again and he’s having none of that statutory shit this time around, missy. Just kidding, he asks her how old she is while staring at her creepily, saying, “We’ll see you later, Audrey.” SHE’S IN HIGH SCHOOL, HOMIE!

Jerry Horne walks into Ben’s office, just getting off the flight earlier that morning with the Icelanders. He explains to Ben how excited they are to invest and that he’s also in love with one of the Icelandic women named Heppa (sp?). Ben tells Jerry that they should treat the Icelanders to One Eyed Jack’s when an unkempt Leland Palmer walks in, insisting he’s ready to come back to work. He legitimately looks like he just rolled out of a dumpster, sweating like a methhead in a Wal-Mart bathroom. He collapses on the floor and starts crying.

At Jacques Renault’s apartment, the boys are searching the place when an exhausted Cooper arrives and asks if there are more donuts after checking an empty box. He asks for another cup of coffee and mentions he didn’t sleep much due to the Icelanders. “There’s a large group of insane men staying on my floor.” Cooper looks to the ceiling while Doc Heyward informs him that the blood on Leo’s shirt was AB-; not Laura’s blood. Cooper guesses this is Jacques’ blood when the phone rings again. Andy walks over and gives Cooper a donut and cup of coffee, and like a cell phone coming back to life, Cooper seems suddenly revitalized after one sip. Truman boosts Cooper to the ceiling as Doc Heyward finds out that Renault’s blood was AB-. Cooper seems unimpressed with this revelation, as he pulls down a copy of Flesh World from the ceiling. They open it and find an envelope inside with a Polaroid of a man dressed in drag. “I don’t know, the beard sort of ruins the effect of the lingerie, what do you think Harry?” Again, welcome to 1990. They also see a picture of Leo’s truck inside the magazine.

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Over at Leo’s Fart Dungeon, a freshly showered Shelly (nevermind, they don’t have a god damn shower – they have a kitchen sink) makes breakfast for herself and Bobby. We find out through conversation that Shelly dropped out of the 11th grade and married Leo, so apparently, age ain’t nuthin’ but a number here in Twin Peaks. They basically dry hump at the formica table for a while, while role-playing what they would do if Leo was to walk in at that moment. They hear a car door shut and Bobby runs for the back of the shanty when he sees it’s a deputy. Andy walks in and asks when Leo will be back. Shelly tells Andy that Leo was arguing with Jacques a few nights back about Laura. When Andy leaves, Bobby comes out of whatever shitty half-finished room he was in and they proceed to make out when the phone rings. It’s Leo, saying he’ll be home soon. Bobby slides the gun into Shelly’s hand.

At Big Ed’s Gas Farm, Norma shows up to talk to Ed about Hank getting his parole. Ed and Norma proceed to make their lives shittier by asking each other why they’re still with the people they don’t love and not actually doing anything about it. I suppose it’s heartbreaking, but at this point, they’ve had so many annoying chances to be with each other. If I was friends with these two, I would be so god damn frustrated with them. At Horne’s Department Store, Audrey is discussing her new job with the store’s world class creep manager, Emory Battis. She power grabs the perfume counter job out of him, knowing nepotism will get her anywhere.

Suddenly, we’re in a park by a lake, and Donna is hurriedly approaching Hug Me James about some note he left – because he leaves notes like a 12-year old teenage girl. She hugs Hug Me James and he proceeds to tell her about some really time-sensitive daddy issues. “He was a musician. We were living on the West Coast. He was a bum and ran off on me and my mom. My mom’s a writer. She was really good; poems and short stories. She’s an alcoholic.” Turns out his mom is actually kind of a hooker. K. Thanks, James. Glad you left me a note and made me go all the way to this fucking park to tell me this really fucking pressing matter. They hug and kiss and the music gets crazy and jesus, this story line man.

Back at Jacques’ apartment, the Forensic team is investigating and they’re all eating donuts. Sleepy Cooper takes a bite and opens a cabinet, noticing a picture of a cabin taped on the inside with red drapes. They find both Ronette and Laura’s ads in Flesh World and notice the return address on the envelope is to Jacques’ cabin in the woods: the one taped to the inside of the cabinet. At the RR, a newly paroled Hank plugs the jukebox when Maddy comes in to meet James and Donna. Welcome to yet another, really awful storyline. I have no illusions about a lot of Twin Peaks just being really awful. In the long run, to me though, the good outweighs the bad. So, if you’re reading this, you probably just deal with it like I do. I suggest making fun of it as much as possible. It really seems to help.

Anyway, back to this nearly pointless scene in which the Junior Detective Agency is formed. They mention that Laura was in trouble before she died (fucking, duh) and that they want Maddy to help. Maddy agrees to help the youthy sleuths and mentions that the day before Laura died, she felt like she was in trouble. They get up to leave like, four seconds after they sat down and she leaves the Cherry Coke that she asked James to get her without even opening the straw. This is ‘Kevin McCallister Not Touching His Macaroni and Cheese Dinner’ level shit, Maddy.

Anyway, turns out Hank was listening to this whole conversation and the music intensifies as we zoom in on his craggly face. Norma and Shelly, fresh from their 1950’s salon trip, walk in and Hank says hi for the first time on the outside. Norma asks Hank to start washing dishes, as Shelly watches a meathead beat up a nerd on Invitation to Love. At Dr. Jacoby’s office, the Briggs are meeting as a family with Bobby to talk about Bobby’s sudden spiral downward. Jacoby asks to meet with Bobby alone to talk about Laura. He asks what it was like the first time they fucked and asks if Bobby cried while Laura laughed. This upsets Bobby, and he admits that Laura wanted to die. Bobby begins to cry as he’s pressed further about how awful Laura actually was as a person, and for the first time, you realize Bobby began his downward spiral into drugs and debauchery because of Laura, not in spite of her.

Out in the woods, Cooper, Truman, Hawk, and Doc Heyward (who seems like he’s legitimately dying from the hike) are walking to the cabin. Hawk sees a bent, tiny pine tree sticking out of the ground, and for some reason is alarmed. It looks insanely arbitrary among a sea of pine, but OK, I believe you, Hawk. They happen upon a cabin that looks different than the one in the cabinet and the Log Lady walks out. “About time you got here. They move so slowly when they’re not afraid. Come on, then. My log does not judge.” These are honestly the first four things she says without any of the guys saying anything. Welcome to prime Twin Peaks.

She invites them in for tea and cookies and mentions that the owls will not see them in the cabin. Also: “Shut your eyes and you’ll burst into flames.” She tells them that they’re actually two days late, then looks at Cooper and says that’s his doing. She mentions that her log saw something then pours the tea. We find out that her husband was killed in a fire the day after they were married.She tells Cooper to ask her log a question and he asks what it saw the night Laura was killed. The Log Lady caresses the log and it seemingly speaks through her. “Dark. Laughing. The owls were flying. Many things were blocked. Laughing. Two men. Two girls. Flashlights pass by in the woods over the ridge. The owls were near. The dark was pressing in on her. Quiet then. Later, footsteps. One man passed by. Screams far away. Terrible, terrible. One voice. Girl. Further up over the ridge, the owls were silent.”

*If you read Mark Frost’s (who wrote this episode), The Secret History of Twin Peaks, which came out this last year, there is an extensive section about Margaret (The Log Lady’s) life, which is informative beyond everything I could ever imagine, and kind of made this episode way more meaningful to me. Once you’ve watched the series and the film Fire Walk With Me, definitely read that book. It is essential for Twin Peaks fans.

The boys leave the cabin, returning to search for Renault’s place. Hawk hears music coming from somewhere nearby and they arrive at Jacques’ place. Julee Cruise’s haunting Into the Night is playing on repeat on a turntable. Cooper remembers something that the dwarf told him in his dream: “Where we’re from, the birds sing a pretty song, and there is always music in the air.” Just so happens, Jacques’ cabin has a record on repeat and Waldo, the mynah bird is singing in a cage. Hawk finds some film in a camera and Cooper picks up twine on the floor. They find a blood stain and when Truman opens the cuckoo clock, a poker chip falls out. This one has a piece missing, though. *dun-dun-dunnnn*

At The Great Northern, Josie Grossie is smoking in the dark in Ben’s office, because she’s a turd. A party is being held for the Icelanders, when Pete and Catherine show up to join in on the festivities. Off-His-Meds Leland suddenly appears, looking a little less homeless, and about just as sweaty (get the Blu-Ray set for that ultimate repulsive look). Catherine walks over to interrupt Ben and purposefully pours champagne on his shoe in front of the Icelanders. Ben tells her to meet him in his office. Audrey watches interested from nearby and sneaks into a secret passageway to watch their conversation from a peephole. Catherine slaps Ben because she found the One Eyed Jack’s chip he dropped in the motel room, then they disgustingly press their wrinkly lips on each other and Audrey just watches and laughs.

Back at the party, Jerry Horne starts pitching the Ghostwood project when suddenly, the music kicks in. Leland goes haywire and begins to uncontrollably dance. Ben begs Catherine to dance with him and everything seems fine for the moment as others join in. Everyone is laughing and having a good time, except for Leland, who seems truly fucked up in the harshest sense of the phrase. Audrey watches nearby, and seems to be the only other one in the room feeling bad for him, crying at the sight. Meanwhile, Josie Grossie is still smoking in the dark like an idiot.

At the Palmer’s house, Maddy goes downstairs in the middle of the night to call Donna because she found a cassette tape in Laura’s room. Sarah Palmer wakes up so Maddy hangs up the phone. Back at The Great Northern, Ben walks into his office to see Josie Grossie sitting at his desk in the dark. She presents Ben with the second ledger that Catherine hid in her bedroom, and it looks like Josie Grossie and Ben Grandma Fucker are double-crossing Catherine. He tells her that they’ll burn the mill the following night.

Back at the Johnson’s soggy shoebox of a home, Leo drives up to the house angrily to retrieve two gas cans. Hank jumps out from the bushes and cold-cocks Leo, leaving him a bloody mess. “I told you to mind the store, Leo, not put up your own franchise.” He’s not too happy with Leo taking over his shit. Leo walks into his collapsing domicile from Hell’s cancerous bowels and tells Shelly to get him a beer as he drips blood. She offers consolation, because as stupid as she is for sticking with him so long, she’s cute as all hell. He pushes her to the ground and *exuberant trumpet sounds* shoots him with the pistol!

As Cooper returns to The Great Northern, he is hilariously frustrated to find that the Icelanders are still partying. Upon reaching his room, he finds that the door is open. He walks in, gun drawn, and guess who is naked in his bed? None other than Audrey Effing High School Student Horne.

So, I know, I’ve been really bad at this. But come back this Friday. I’ll finish up Season One and then next week we’ll move slowly through Season Two. Sound good?

 

The Fast Franchise: Volume 8 – ‘The Fate of the Furious’

The Fate of the Furious (2017) – Action | Drama

Directed by: F. Gary Gray

Starring: Dwayne ‘The Rock’ Johnson and Vin Diesel

Review by Eric Scot Lemons

So I recently went through and watched and reviewed every Fast and Furious film (go back and check those articles if you are inclined). Now that there is a new F&F flick to whet my tingly parts, I have decided to write a review. This is the first of the series I have seen in the theater and also the first one I have seen sober. F8 is not the best film in the franchise, but it is pretty damn close. That distinction falls to Furious 7, which packed in tons of action and a great plot. It also features a heart-raping final ode to Paul Walker RIP. F8 has a ton of action and the best plot of the series, but is stalled by its two-hour twenty minute runtime.

So the film opens once more with booties and exotic locales as we travel to Havana, Cuba for Dom and Letty’s honeymoon. Dom is approached by a mysterious woman whom we know by the trailer to be the film’s main antagonist, Cipher, played amazingly by Charlize Theron. After this film and Fury Road, and the trailer for the upcoming Atomic Blonde, Theron is proving to be one of Hollywood’s most reliable ass-kicking action stars, and just like Mad Max, she steals the show. She somehow gets Dom to forsake his family, which if you’ve seen any of these films, you know there are like three things Dom loves; fast cars, family, and Corona beer.

So the most inexplicably badass motherfucker in F&F universe has turned on his wife and heist crew for some unknown reason, stealing an EMP and nuke plans for Cipher. Twist time: Dom has a son with Elena from a couple films ago and they are being held hostage and will die if Dom don’t comply (RHYMES ARE BACK!). The final battle set-piece takes place at a frozen sea in Russia and a nuclear submarine and some badass fucking stunts that do make everything the team has endured worth it. Dom must not only save his son and ex-lover, but save the world from a cyber terrorist. He succeeds.

The casting in this film is top-fucking-notch. Theron is a dream. Kurt Russell is back in Jack Burton form with sly smiles and amazing one-liners. Scott Eastwood is an excellent addition to the team, playing Russell’s assistant. The old standbys return as well; Tyrese is at his most hilarious in all the films. Jason Statham returns, working with the team in order to save his brother from some black site prison. His banter with The Rock is truly a highlight. Helen Mirren plays the foul-mouthed mother of Deckard Shaw and is beautiful in the role. F. Gary Gray gets the best acting out of the whole series in this one and his camera work is fun and fluid, leading to some truly magnificent sequences.

The action is really one of the let downs in this one, however. While the fight scenes are well choreographed and the final act of the film delights endlessly, there is a bit of a slog getting to this point. The plot is captivating, but not mindblowing enough to make up for action sequences we have seen in previous installments in the series. Overall, definitely check out the film. It is a solid flick worth seeing, but realize that there is better fare out in the franchise. 

The O.C. Sundays – Volume 2 – S01:E02 – The Model Home

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The O.C. Sundays – Volume Two – Season One: Episode Two – The Model Home

Recap by Holly Hill

 

Why Rewatch The O.C.?

The O.C. premiered on August 5, 2003 and ended on February 22, 2007. Or May 18, 2006 if you like to pretend that the fourth season never happened (a lot of people do, it’s okay). The O.C. not only introduced a lot of people to some fantastic music through its heavily bought mix tapes (this is before YouTube, Spotify, & Apple Music), it also created Chrismukkah, and inspired a decades worth of ‘THE REAL’ reality shows.

Not sure what I mean by that? Well The O.C. prompted the reality show Laguna Beach: The Real O.C., and a thousand other spinoffs to it. The catch phrase ‘The Real O.C.’ morphed into The Real Housewives of fill in the blank rich people cities.

Needless to say, despite its shortcomings, The O.C. had some great writing, a fantastic soundtrack, and truly inspired a generation worth of TV, for better or worse. The O.C. is the only TV show I own on box set. I haven’t watched it in awhile, so why don’t we watch it together? Whether you’re new to The O.C. (you can stream it on Hulu) or a long time fan, it’s a show anyone with a love for the dramatic can enjoy.

Recap:

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Ryan is back at the Cohen’s and as the episode starts it seems as if he’s already taking advantage of the rich life.

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He and Seth lounge in the pool while Sandy and Kirsten cook a last meal before Ryan has to be taken to child services in the morning. Seth wants to do something cool on Ryan’s last night, “Possibly get some tattoos, hire some hookers and lose our virginity.” Ryan gives him a ‘that ship sailed a long time ago for me’ look, but instead of giving Seth a hard time, he confesses he just wants to lay low tonight. After all, he’s basically staying at a five star resort.

In the kitchen, Kristen can’t believe a mother would just abandon a child like Ryan’s Mom has, but she’s still not budging on letting Ryan stay. She and Sandy talk awkwardly about foster care and how there’s still a chance he could get adopted. “Yeah because everybody wants a brand new teenager,” Seth says grudgingly as the boys come in for dinner.

Kristen starts talking to Sandy about her father, Caleb Nichol, who owns the company she works for. Remember Caleb’s name because he’s about to show up and be insufferable for two solid seasons, with splashes of comedy in between. Kirsten essentially does all the work at their property development/management business and you can tell there’s a strained relationship there. There’s a model home replica on the table and Ryan asks if she can build him one. Bad joke. As dinner is ready, Sandy says, “So last supper huh?” Also, a bad joke.

After dinner, the entire house tries to sleep, but it’s soon given up as an impossible task. Ryan can’t sleep and does not want to go to the group home so he packs his stuff and tries to leave. Seth comes down to see if Ryan wants to play Playstation and catches Ryan on his way out the door. Seth has an idea for Ryan to stay in Newport, so he goes up to his room to grab some things and tells Ryan to meet him out in front.

As Ryan is outside waiting for Seth, Marissa comes out and they ‘hey’ at each other. So many ‘heys’, you guys. Like these breathless long weird surprised ‘heys’ will continually keep happening as long as this show goes on. Marissa says she didn’t think she’d see him ever again and thanks him for making sure she didn’t die of alcohol poisoning the other night. Seth shows up and is surprised to see Marissa who says she’s on her way to her best friend Summer’s birthday party. Seth outs himself as a stalker saying that Summer’s birthday isn’t until Wednesday. Marissa gives him that crazy look and she asks what they’re up to.

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Oh Seth. Always trying and failing at being stealth. Marissa offers to give them a ride and in the car, Seth and Marissa find out they have more in common than they both originally thought. Ryan confesses he doesn’t really listen to music, which is weird. Except Journey, he likes Journey. But more on that in Season 3.

Seth takes them to the literal Model Home that they saw a replica of earlier. Kirsten is having trouble with the contractors so it’s empty right now! Convenient! Just become a squatter, Ryan. Problem solved. Seth starts skateboarding in the empty pool, and the gang celebrates their smart thinking by purchasing some high quality In and Out, because they’re in California, just in case you forgot. Marissa eats some fries which is probably the only thing she eats that day because at 5’9” she can’t come in at more than 100 lbs. Marissa confesses that she thinks her dad is in trouble as a financial planner and Ryan talks about his shitty Mom and OMG, they both have issues. Remember, white people have problems too.

Luke calls to see where Marissa is at, probably trying to gauge her arrival time and see how many chicks he can bang before she arrives. She quietly tells him she loves him, but makes weird faces at Ryan because she obviously doesn’t want him to hear. Ryan asks how long they’ve been together and Seth interrupts and says they’ve been together since the fifth grade, “…when they got their mack on during the class trip to the Museum of Tolerance. Back of the bus, classy lady.” Marissa takes offense and asks what she ever did to Seth. He says nothing. She’s never said or done anything to him. She says he’s the one that thinks he’s better than everyone, and Seth reports that at least he doesn’t shave his chest. Marissa defends Luke saying that he plays water polo so he has to.

The party is broken up when Summer calls again to ask where Marissa is. Seth is desperate to get his name in as he asks Marissa to tell Summer he said happy birthday.

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Marissa is kind enough to lie and tell Seth that Summer said “thanks” instead of “who”. Marissa leaves, Seth heads home to keep his cover, and Ryan spends the night at the empty house. In the morning, Ryan wakes up in a big beautiful empty house and Sandy goes to wake Ryan only to find that he’s split in the middle of the night. A cop shows up and Seth and Marissa talk on their land lines about a meet up plan to get supplies to Ryan.

Side note, if you were born after 2000, a land line is a phone that can’t leave your house, sometimes hard lined in, or if you’re super cool in the early 2000’s, you have a cordless one. But don’t think about taking it anywhere outside the house. It won’t work.

After Marissa leaves, her Mom Julie takes her sister, ‘Season One Kaitlin’ to the stables to buy a horse. Season One Kaitlin is played by a young Shailene Woodley who apparently wasn’t old enough looking or hot enough looking when they decided to bring that character back in Season 3. It’s slightly awkward because Willa Holland who replaces her is the same age as her. So one has to conclude it’s a hotness issue, not a old enough issue.

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Julie asks for a check and Jimmy, who is CLEARLY HAVING FINANCIAL ISSUES because he is wearing a bathrobe in the middle of the day, pales at the idea of giving her money. Jimmy protests that Kaitlin doesn’t need a pony and Kaitlin protests that “China the prettiest pony”. Jimmy says he needs to talk to Julie about work, and she says she doesn’t like to talk about work. She says no one is dying so I’m sure you’ll fix it. Now write that fucking check.

Julie shows up later saying China has alopecia and she needs a new check. Since Jimmy can’t talk to his wife about his financial problems, he calls his ex girlfriend, Kristen and asks to meet her for some help. Meanwhile, Sandy is worried about Ryan, but he thinks Seth knows where he is and is keeping it a secret. Kristen asks what is so special about Ryan and Sandy says he sees himself in him and if no one had helped him, he wouldn’t be here today. Sandy is just working away to chisel down that stone cold heart of Kirsten’s.

Marissa and Seth show up at the house with supplies for Ryan, but no one brought food so they go on the boardwalk to eat something. Marissa hops on the back of Ryan’s bike and Seth longboards around Newport Pier. A fun montage occurs! They’re all so quirky and fun!

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They go to a diner and discuss Ryan’s next move. Marissa says she can get him money to get to Texas where she knows someone who could help him get some work. Luke and his friends come in and Marissa defuses the tension while the guys try to sneak out. Ryan makes it out without being seen but Seth knocks into a waitress and makes a scene. He is caught and Luke wants to fight of course, but Ryan senses trouble and comes back in much to the rage of Luke and his tiny penis.

“You’re a little far from 8 mile,” Luke says, pulling down Ryan’s hood and looking to start a fight. Ryan takes the bait.

“You know what I like about rich kids?

BAM

“Nothing.”

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Ryan sucker punches Luke and he and Seth make their escape. Later at the model home, Marissa meets up and tries to defend Luke’s behavior. They start to argue but then they hear voices so they sneak around the top of the stairs out of sight to see that Kirsten has shown up with Jimmy.  They talk loudly about Jimmy’s financial problems and he asks Kirsten for $100,000 which she readily gives. Kirsten says the new contractors are coming tomorrow as they exit, and that means Ryan has to get out of there.

Back at the Cohen’s, Sandy tells Seth that the cops called him and someone fitting Ryan’s description got into a fight at the pier, so they go out looking for him. Marissa goes to another party at Holly’s beach house and everyone starts talking shit about Ryan. Summer, in her one-dimensional character way asks, “Who dat?” Luke says they’re talking about Ryan who is a little bitch and he’s gonna beat his ass. Marissa gets all sad and leaves. Unbeknownst to her, Luke and his gang follow her.

Back at the model home, Ryan lights a bunch of candles (really smart Ryan) while listening to the ‘Model Home Mix Tape’ that Marissa has given him. Jeff Buckley’s version of Leonard Cohen’s Hallelujah is playing and Marissa shows up randomly saying ‘this song reminds me of you.’ We will hear this song again by the way, another cover of it by Imogen Heap in the last scene we ever see Marissa and Ryan in together (hold onto your tears for season 3 finale).

Marissa says she’s not sure why she’s here, but she’s afraid she’ll never see him again. She asks to spend the night. Ryan says that if she stays, he doesn’t know if he could leave. BUT THEY LIVE IN DIFFERENT WORLDS! RYAN ISN’T LIKE HER! GO! GO! Ryan and Marissa emo it out for a few minutes before Marissa is told to leave and Ryan dramatically turns away from her as if looking at her hurts, and they’re in a fucking Shakespeare play. Marissa starts crying for no reason, gets in her car, and drives away somehow not seeing Luke’s giant truck parked right by her. Ryan changes his mind and runs after her but it’s too late! She’s GONE!

Time for some revenge. Ryan hears noises and asks if Seth has the bus ticket to Texas, but it’s not Seth, it’s Luke and his bro gang. Oh shit! Luke wants to know what Ryan is doing with his girlfriend. They start fighting and of course they knock over a bunch of candles and the entire place starts catching fire. WHY THE FUCK WOULD YOU LIGHT A BUNCH OF CANDLES IN AN ACTIVE CONSTRUCTION AREA, RYAN!? Luke’s friends take off, but Luke has a change of heart and comes back for a beaten and bloody Ryan. He drags him out of the house to safety before taking off and leaving him there. He tells Ryan to run, but Ryan can’t exactly move that quickly after getting his ass kicked.

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Marissa comes home crying and Jimmy, while bragging to Julie about how he took care of his work problem (AKA Kristen gave him money), gets up to console Marissa. The Cohen’s show up at the burned out house and Seth says it’s his fault. So the cops and everyone else head to The Cohen’s to sort this out. Meanwhile, Ryan is out trying to hitch a ride and Luke shows up. As the police are questioning Seth, and the nosy neighbors, The Coopers come out to see what’s going on, Ryan and Luke show up. Ryan admits to everything and apologizes. Luke says it was an accident and says he was there too. The police arrest them both.

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Sandy tells Ryan and Luke to keep their mouths shut as he will be their attorneys. Kristen is not happy, and Marissa looks confused in her too big Ugg boots and weird bathrobe/nighty combination. Also, what is Julie Cooper wearing?

Best Song of the Episode:

“California” by Rufus Wainwright (who also does a cover of Leonard Cohen’s Hallelujah. Basically get ready because in this show you’re going to hear A LOT of different versions of Hallelujah).

Best Quote:

“You know what I like about rich kids?

*punch*

Nothing.”

Weird 2003 thing:

Marissa and Seth call each other on their land lines because those are still relevant.

Number of Non-White People with Actual Lines in This Episode:

One. There is a black cop who says ‘we have to ask you a few questions.’ DIVERSITY.

Best Fashion Statement:

Summer’s Jean skirt and triangle bikini top. Which she has now rocked three different times in only two episodes.