Month: May 2016

Cathy’s Take on ‘The Ridiculous 6’


The Ridiculous 6 (2015) – Western-Comedy-Hybrid | American History

Directed by: Frank Coraci

Starring: Adam Sandler and Rob Snyder

How I Watched: Netflix, NO DOY!

Adam Sandler is undeniably the king of comedy. I hear people talk about Eddie Murphy, which I can understand cause he played the entire Klump family without even batting an eye (except for the little Hercules farting kid), but for my money, it is Adam Sandler. Every movie he makes is outrightly outrageous, starting with The Wedding Singer, moving all the way through tear-jerker Clank, and culminating in his most recent hit, a Netflix exclusive, The Ridiculous 6, and let me tell you folks, those six are Ridiculous. The Magnificent Seven needed seven to be magnificent, or so I’ve heard, but six is a much more ridiculous number, hence The Ridiculous 6. I don’t really go for westerns, but this one had me riveted and laughing, even though the humor could be a little blue at times.

I know what you are thinking; “Cathy, is this just a comedy making fun of a very serious and tumultuous time in the history of the great American west?” Yes, but they go out of their way to make it very historically accurate. The Indian costumes look very much like costumes from other movies I have seen, and Sandler alum, Rob Snyder does a spot-on Mexican accent that took me half the film to realize he wasn’t really a Mexican. It was that good! Everyone rides horses and shoots six-shooters. And even though they take what they are doing seriously, they have a little fun with it. I haven’t seen all the Matrix movies, but some of the stunts in The Ridiculous 6 looks like they could have been pulled from one of those films.

In the film, Adam Sandler plays an Indian who comes to find out that his father is a white man played by Gary Busey. Gary Busey is then kidnapped and Adam Sandler sets out to try and save his dear old dad. Along the way, it appears that Gary Busey is a bit of a lothario type (remember how I said there is a lot of blue humor) and has fathered sons along his travels. Adam Sandler discovers that he has five other brothers, who make up the gang of the Ridiculous Six, and they all try to rescue Gary Busey. I can’t really remember all the brothers in it but I remember they were funny (Rob Snyder is one and he is Mexican). Hilarity, as is its doing, ensues and there are a number of scenes in which a donkey farts out diarrhea on people or against a wall.

Adam Sandler has touched on many topics in his day, and the plight of the American Indian is a welcome entry into this pantheon of feel-good movies. Cinema is often the stomping ground for our ideals, and to see someone create a film that can be both funny, as well as have a message is really what Netflix is going for when they put out a movie like this. Kudos.

Also, I have heard people talk about a western called The Hateful Eight and was wondering if that is connected to this film? I don’t know much about it, but it seems like a weird coincidence if not connected, so check that out.

Cathy Gives It: I give this movie 10/10 Ridiculous Six-Shooters.


Similar Films: The Wedding Singer, Clank, Gary Busey Movies

Blade Runner: The Final Cut


Blade Runner: The Final Cut (1982) – Science Fiction | Action

Directed by: Ridley Scott

Starring: Harrison Ford and Rutger Hauer

How I Watched: Blu-Ray

Best Line: “All those moments will be lost in time, like tears in rain. Time to die.”

The first time I saw Blade Runner, it was playing on cable in standard definition and it was the spectacularly underwhelming theatrical version. For those unfamiliar, Blade Runner has had a tumultuous history, and seven versions exist that we know of. I really enjoy Ridley Scott’s films, but after seeing that cut of Blade Runner, I had no real intention of watching any other version as it left a pretty bad taste in my mouth. What I did take note of though, was the world that Scott had created as well as the incredibly cool Vangelis score. So when I heard that a sequel was being made by a director that I really respect (Prisoners‘ Denis Villenueve), I thought I’d give The Final Cut a try. And god damn, I’m glad I did.

Perhaps it is not fair to dislike a film for something as minute as voiceovers, but when it comes down to it, this is the main culprit behind my disdain of the theatrical cut of Blade Runner. Harrison Ford’s narration is cheesy and comes across as condescending, as if we’re too stupid to follow the storyline. It almost reveals too much about Ford’s character Deckard, and strips away the natural mystery that Scott intended for the audiences. It’s a ham-fisted approach and honestly changes the tone of the entire film. Luckily in The Final Cut, this narration has been completely removed.

It’s obvious how much influence this film has had on the genre of Science Fiction. The neons and electronic score, flying cars, cascading skyscrapers, hyperrealistic androids and dystopian future are all on full display throughout Blade Runner. It’s easy to see why many consider this the peak of Sci-Fi film. Truth is though, this movie is more closely related to noir fims like L.A. Confidential or Chinatown.

The themes that Blade Runner address are deeply philosophical and grow exponentially larger once the film’s antihero Roy Batty (a ridiculously good Rutger Hauer) is introduced. Like many throughout history, Roy is consumed by the philosophy of what it is to be alive and those limits we must all face. I have a feeling that Ridley Scott underestimated Hauer’s acting chops and there is tragically too little of Roy Batty by the time the credits roll.

The set design is perhaps, Blade Runner‘s greatest cinematic achievement. The slow zooming aerial shots are incredibly breathtaking, and though at times you can tell that these shots feature scaled models, the detail is amazingly unbelievable. Scott created a world (with the assistance of H.R. Giger) that was almost revolting in Alien and a good amount of that carried over in Blade Runner. I’ve always been impressed with the dreamworlds in Terry Gilliam’s movies (none more than Brazil) and I get the same feeling from the set design in Blade Runner.

The score by 1980’s electronic virtuoso Vangelis, is one of the most important additions to the movie. I cannot imagine any other score than this synthesizer-soaked soundtrack sweeping over the shots of the dark dystopian metropolis. The neon-lit rain and absolute darkness are accompanied perfectly by the music and it gives a feeling of such wonder, that you can’t help but want to visit this insane landscape.

I’ve heard that “The Director’s Cut” version of the film is the next best way to go if you can’t get your hands on The Final Cut. Unfortunately, this version was not actually supervised by Ridley Scott and instead was rushed out to the public by the studio in 1992. I picked this version up on Laserdisc a few years ago, but did not watch it in fear of being let down by what was left out compared to The Final Cut. All I can say is, if it’s your first time seeing this movie, be safe and make sure it is this Final Cut. The theatrical version is relatively terrible to this and if you enjoy Science Fiction, you owe it to yourself to see The Final Cut.

Final Score: 4/4


Similar Films: Looper, Total Recall (1990), Brazil

A Recap of Thrones: S6 E03 “Oathbreaker”


A Recap of Thrones: Season Six, Episode Three: Oathbreaker

By Holly Hill (@hollishillis)

It was the fart heard round the world. Somehow in all the of the deaths we have had on Game of Thrones, old ass Grand Maester Pycelle is still alive and farting. I had to pause the show for a good seven minutes so I could laugh at the absurdity of the moment, so in the spirit of farts let’s kick this review off in King’s Landing.

Cersei’s creepy Doctor Frankenstein guy is now trying to control Varys’ ‘little birds’ which turn out to be the little children of flea bottom. He is looking for dirt on the High Sparrow and it’s only a  matter of time before he gets it. Ser Gregor the zombie gives Pycelle a look so scary he farts his pants. Jamie and Cersei are denied seats on the small council, and Tommen goes to visit the High Sparrow in what seems to be a display of his power, but really just shows how terrible he is at ruling. I’d guess Tommen only has a few episodes left in his life, and I’m betting this is the last episode everyone shits all over the Lannisters.

Jon Snow is alive, and as much of a moral downer as always so it’s safe to say death hasn’t affected his personality much. The Red Woman is so astounded, she is annoyingly convinced the Lord of Light has brought him back for a reason, but last time she thought the Lord of Light had a purpose for her,she burned a little girl alive. Maybe think twice before you make such great assumptions. For those of you Redditors frequenting r/fuckolly, your subreddit is no longer valid. Olly has been fucked, and hanged. I’m disappointed Ghost didn’t get to eat anyone’s face off, but I guess Jon has to sentence the traitors to death with ‘dignity’, or whatever. Jon Snow ended the storyline at the wall tonight, by dropping the mic with a “and now my watch has ended,” giving his lord commander cape to his friend Eddison. I’m sure by now there is a thug life gif of the moment somewhere on the internet. I’m all for it. Let’s get Jon away from this shitty never ending wall storyline and back into the REAL fight.

Ever wondered what happened to the littlest Stark boy? Rickon? Well he ran away with Osha and Shaggy Dog (I DON’T WANT TO TALK ABOUT IT, I WILL JUST END UP CRYING), and it seemed he would never be heard from again, but at least he would be safe. Well, looks like he’s been caught and is now in the arms of Ramsey. So…RIP Osha and Rickon’s  ‘body parts,’ whichever Ramsey chooses them to be.  Maybe Ramsey will use Rickon as a bargaining chip for Sansa to come back? Just when things seemed to be going so well.  

In the BIGGEST upset of the week (yes, even more so than Shaggy Dog’s head on a spike), it looks like we have to follow fat Sam and Gilly to Oldtown. First Sam must stop and try and convince his complete asshole of a father to keep Sam’s ‘bastard,’ and Gilly safe while he goes off adventuring.

Bran has what we think is going to be THE vision. THE VISION THAT WILL CONFIRM ALL OF OUR THEORIES! But alas, the old tree man blue balls us, and pulls Bran away from the truth JUST as we are about to see WHAT IS IN THAT GODDAMN TOWER. The most interesting part of this bit (besides the awesome choreographed fighting), is seeing that Bran might be able to manipulate the past. So no Tower of Joy confirmation theories this episode. Ah well, too much good news too soon is never a good thing.

Dany finally arrives in Vaes Dothrak, and since she ‘went out into the world’ instead of going straight to Vaes Dothrak after Kahl Drogo’s death, she is going to have to go through some kind of trial to decide what her fate will be. Will they let her stay in Vaes Dothrak or will she be punished for breaking the rules? Probably neither. ‘That guy she is sleeping with’ and Jorah will put a stop to it before it comes to that. What a sad plot for the Mother of Dragons.

Varys finds out that the slave owners in neighboring cities to Mereen are funding the Sons of the Harpy rebellion. A fight will have to happen, and I’m hoping dragons are involved. If they’re not, I can guarantee we are in for a snore fest the rest of the season.

Arya trains until she is rewarded her eye sight back. I think it’s time to do some killin’, and get this storyline back on track.

Overall it wasn’t a great episode. Not a lot happened, but I can forgive that because the writers have brought us Jon back. The only thing that is going to piss me off is if Sansa shows up at the wall after Jon leaves. I cannot STAND this almost missing each other thing that the Starks have going on. It drives me insane. Until next week.


Best quotes this week:

  • “I know that (you’re not a God), I saw your pecker, what kind of God would have a pecker that small?” – Tormund Giantsbane
  • “Did I ever tell you I used to think the sea was called the sea because it was nothing but sea as far as the eye could see? It was before I learned to read…obviously.” – Gilly
  • “My watch has ended.” – Jon Snow


The Witch


The Witch (2015) – Horror | Drama

Directed by: Robert Eggers

Starring: Anya Taylor-Joy and Ralph Ineson

How I Watched: Amazon Instant Video

Best Line: “Wouldst thou like the taste of butter and pretty dress? Wouldst thou like to live deliciously?”

As a pretty big fan of supernatural horror movies, I was naturally pretty excited when I saw the first trailer for The Witch. One of the darlings of the Sundance Film Festival, the movie met critics’ adoration the world over, commending the film’s creeping horror and brutal dreadfulness. It hit particular theaters at odd times, so I didn’t get the chance to see it, but took advantage as soon as it started showing on online streaming services.

It’s not too often that a movie can inject dread right into your veins within the first few minutes. Dread is important in horror films and this is something The Witch more than excels at. In fact, I think it’s a perfect exercise in the art of dread, each frame dripping with an unforgiving despair that does not let up until the screen finally goes black. It’s surprisingly ruthless right from the beginning and completely unafraid to show what a lot of horror movies don’t.

I am personally horrified by religious fanaticism. The Witch is set in a 17th century New England, so there is plenty of this right from the beginning. The family in the film blindly follows the Word, Old English being uttered by each character throughout, leaving a very bitter taste in your mouth that grows worse as the story progresses. The plot of land they live on is dirty, unable to grow produce, and completely shrouded in a depressing gray hue that leaves you feeling completely hopeless. If any movie was to ever gloat about its ability to introduce a universe utterly devoid of a heavenly being, it would be The Witch.

In fact, not since Rosemary’s Baby have I been left feeling thoroughly creeped out by a Satanic force. Typically, it seems that directors have a difficult time making witchcraft and/or Satanism frightening. It usually comes across as if they’re trying too hard or even show too much, with a heavily made-up dude in red donning cloven hooves and a tail. The Witch though, without giving away too much, succeeds with terribly evil flying colors at making witchcraft downright horrible. It’s couch-clutchingly vicious at times and even momentarily bordering on the unbearable.

Another facet of the film that really helped me get into it was the setting. I grew up nowhere near New England, but the farm I grew up on in the Inland Northwest looks eerily similar to the one featured in the film. My childhood home has an open valley expanse meeting a dark treeline on all sides and in the winter, mornings and sunset strike an uncanny resemblance to The Witch‘s moody gray-soaked cinematography. My father kindly told us witches lived in the woods, seeking children in the night, so you can probably imagine how much I identified with this film (Thanks, Dad).

My one complaint about the movie is probably a silly one to some people. I mentioned previously that the film’s dialogue is drenched in Old English, and while I find it to be strategically a good move in authenticating the storyline, it’s next to impossible to understand some of the whispered conversations without switching on subtitles. I am not one to complain about subtitles, but the film is not meant to have them, so it was a bit annoying to turn them on (me being a film snob that likes to see movies as they are meant to be seen).

Really though, The Witch is a damn great movie. It’s hard to call it a horror film, as really, it’s more of a suspenseful thought-piece on religion with some unbearably tense scenes peppered throughout. I’m excited to see where first-time director Eggers goes with his career. The acting is convincing enough, even with the translation issues coming through the speakers. If you really get into it though, with the lights off and the sound cranked up, The Witch will intravenously creep right in and stay with you the next time you’re out in those dark, moonlit woods.

Final Score: 3.5/4


Similar Films: Rosemary’s Baby, The Blair Witch Project, There Will Be Blood

Cathy’s Take on ‘Bring It On: All or Nothing’


Bring It On: All or Nothing (2006) – Cheerleading | Choreographed Acrobatic Stunts

Directed by: Steve Rash

Starring: That White Girl in Remember the Titans and Beyonce’s Sister

How I Watched: On TBS

It’s that time of the month again. Just like last week presented the fall of some mighty good cinematic masterpieces, this week sees a whole new list of lovable flicks entering everyone’s favorite film streaming website. I see it as a monthly rejuvenation device, like a device that will rejuvenate you every month, and May 2016 has quite a few delights under its belt.

New this month is one of my all-time favorite films. It has humor and it has heart and it has Cathy screaming for excitement every time I see it playing on TBS.  If you know me, you know that I love cheerleading movies. There is just something that gets my blood pumping every time some teenage girl gets thrown into the air and caught by some burly kid. I love the cheers (“Boom-shaka-boom-boom” is my personal fave. Be sure to comment with yours) and I love the choreographed acrobatics.

So there is no reason, why I shouldn’t love Bring It On, a film that came out in 2000, which I remember because I went to see it with Phillip and Phillip broke up with me because of 9/11 in September 2001.  He said a love like ours couldn’t exist in a post-9/11 world, but I personally think his mom was pressuring him. But by then, Bring It On was out on DVD so I didn’t take it too hard. Cathy always survives.

But we aren’t reviewing Bring It On this week (we will save that for a ‘Film Favorites’ column), we are reviewing the third film in the Bring It On pentalogy and also the third film in “Cathy’s Ranking of Best Bring It On Films.” This is a review of Bring It On: All or Nothing. Much like the other films in the illustrious series, this film focuses on cheerleading. This film isn’t about white cheerleaders stealing routines from black cheerleaders, and being forced to come up with an original routine, and thereby winning the respect of the black cheerleaders. This film is about a white girl who has to GRADUALLY earn the respect of black girls, and she does so through the art of krunking.

Truth be told, I knew next to nothing about krunking before I saw this movie. And I presume you will know the same, so I will explain it to you. Krunking is a dance style, not unlike the fight dance style of Kevin Bacon in the film Footloose, but instead of fighting with a bunch of imaginary people around you, you mostly just fight yourself. It is a lot of stomping and a lot of grunting and if I didn’t know any better, I’d think my upstairs neighbor was a krunker (LOL I am just joking with you, Bets, if you are reading this. I love you.)

But in the end, not to spoil anything, the white girl, played by the white girl in Remember the Titans, gains the respect of the black girl, played by Beyonce’s sister. It is a family friendly romp with lots of heart. If you watch no other Bring It On film, watch this one. Or the original.

That is on Netflix also.

Cathy Gives It: I give this film 10/10 pom-poms, which are the fuzzy things cheerleaders wave around.


Similar Films: Bring It On, Footloose (the old one, not the new one, it was gross), That one movie with Channing Slater

A Recap of Thrones: S6 E02 “Home”


A Recap of Thrones: Season 6, Episode 2: “Home”

By Holly Hill (@hollishillis)

Well once again, not a lot happened this episode. I turned it off at the 50 minute mark because I was getting bored so I will recap up until that point.

We begin north of the wall in our second flashback ever. Bran and the old guy who lives in a tree are watching a young Ned Stark fight his brother Benjen in the yards of Winterfell many years ago. Suddenly Ned’s older sister, Lyanna appears.

“Wait, who’s that?”  Show watchers ask.

“Oh just the answer to every theory ever so hold on tight and pay attention.” book readers reply.

Let’s hope for more flashbacks next episode. Hodor’s real name is Willis, which is basically the perfect name ever, and Myra is bored by Bran’s visions. Well, get over it Myra, we want more flashbacks, and we want to see Tower of Joy.

The Wildlings and Davos take back Castle Black in a fight that lasts all of sixty seconds. The traitors of the Night’s Watch surrender after watching Mag the Mighty slam a watchman into a wall. Smart move boys. Unfortunately Olly, the little shit, and Alliser Thorne get taken to the dungeons instead of having their faces eaten off by Ghost.

A man in flea bottom brags about showing his penis to a naked ‘shamed’ Cersei as she walked the street last season. It doesn’t end well for him as The Mountain Zombie ends his life with one push of his skull against the wall (there’s a lot of that going on this season). Tommen finally looks up from playing with Ser Pounce for five fucking seconds to realize that he let some church with imaginary power take his wife away, and prance his mother naked down the street. Congrats, and  welcome to your kingdom Tommen. The boy king asks for forgiveness from his mother and just as it seems Cersei might throw him out of a window, she forgives him. Jamie tries to go up against the High Sparrow, and realizes he probably shouldn’t just yet.

Back in Mereen, Tyrion does some Hippogriff taming shit with the two remaining dragons that are locked in the dungeons. He gets himself drunk and tries to befriend them, and happily, it works. Looking forward to that storyline moving along.

Arya gets her ass beat once again, but convinces Jaquen that she is No One, so she is brought back to the House of Black and White for more training. GOOD. I can’t stand another episode of Arya not doing anything. I mean, the girl sold oysters all last season (yawn), and only killed one person (it was a good death though). More training ahead!

Ramsey Bolton once again surprises us with his insanity. His father has a baby boy with Fat Walda, but Ramsey can’t have any of that. In a not surprising move, Ramsey kills his father, and then in a slightly surprising move he lets his dogs eat his step mother and new baby brother alive. I mean, we knew he’d kill them, but in that way? Not prepared. But of course he did this, well, because he’s Ramsey. Looking forward to his death ALMOST as much as Joffrey’s at this point.

Okay, now I need you to stretch your mind back to season two of this show, which was the last time we really talked about Theon Greyjoy’s family and the last time we saw Pyke, his home. His father, Baleon Grayjoy sent a bunch of his men out to gain strong holds in the north after Rob died, but they’ve all fallen. Yara, his daughter, is sick of his shitty leadership and is ready to rule. Baleon ignores her, and goes out on a bridge alone where his brother Euron who is believed to be dead appears, and kills him. At Baleon’s funeral Yara tries to make some commands and the men remind her that she must go through a Kingsmoot to become leader. A bit of book history, ‘Kingsmoot’ is tradition in the Iron Islands as a way to choose new rulers via longship captains. These events happen in the A Feast For Crows book, so the show writers seem to be making up for a lot of lost time in ignoring Pyke. I was fairly convinced that they would skip over this entirely, but it makes sense to tie up Theon’s redemption and give Sansa some ally’s in the north when she starts to take over *fingers crossed*.

Brienne, Pod, and Sansa will head for the wall, and a dead Jon Snow, while Theon goes back to Pyke to….I’m not entirely sure. The best part of this scene is Brienne telling Sansa that Arya is still alive. Some good news for her, finally.

And that is basically the episode.


OKAY FINE. I guess I will go back and watch the last ten minutes, because MAYBE I missed something and – HOLY SHIT IT’S HAPPENING.

Back in season five when Jon Snow was stabbed to death we all thought, “No, that can’t possibly be!” “I REFUSE to believe it.”  “But he IS the ICE, in the ‘song of ICE and FIRE’.” Fear not my friends.

The red woman has not given up yet in her power it seems, as Davos throws all caution and common sense to the wind and ask that she TRY to bring Jon Snow back.

I have ALWAYS believed that this would happen, but knowing how the show runners NEVER let us win anything, I was still not entirely convinced they’d do it. But then there she is, she’s wiping his wounds, cutting his hair and throwing it in the fire, she’s chanting with her hands on his wounds. She chants….she chants….nothing happens. Tormund gives up first, then Melisandre walks away, and his last loyal night watch brethren leave the room. Davos takes one last look at a sleeping Ghost, and gives up as well. I almost do too.

I ALMOST FUCKING DO, AND THEN GHOST, HE WAKES. He looks over at his number one boo, and we wait. We wait for what feels like an eternity as we stare at Jon’s dead cold face….and then his eyes open and he gasps in a deep breath from his goddamn LIVING, BREATHING lungs.

After years of our favorite characters dying in what seemed like an endless circle of losses, we finally get one back. I run around the house, I scream “fuck yeah” a thousand times, I punch the air in victory. It was the best feeling I’ve had all week. I don’t know what that says about me as a person, but I will never forget this moment in cinematic history. Thank you Game of Thrones. Here is to a fucking magnificent remainder of the season.

Best quotes this week:

  • “I’ve never been much of a fighter. Apologies for what you’re about to see.” – Davos
  • “That’s what I do. I drink, and I know things.” –Tyrion
  • *GASP*  – Jon Snow

Kids in the Hall: Brain Candy


Kids in the Hall: Brain Candy (1996) – Comedy | Absolute Insanity

Directed by: Kelly Makin

Starring: The Kids in the Hall

How I Watched: Laserdisc

Best Line: “Sorry we’re a few hours late, there, Ma, but you know how the kids…uh…hate old people.”

It’s not too often that a movie comes along and makes you feel like you got hit by a bus full of certifiably insane people. Brain Candy from the Lorne Michaels-produced Canadian comedy troupe, The Kids in the Hall does just that. This movie has enough craziness in it to make you question reality, and that’s not even taking the film’s plot into account. The five men in The Kids in the Hall play possibly more women in this film than men, and very often convincingly. This may be cliche, but this movie really has to be seen to be believed.

If you’ve ever seen The Kids in the Hall’s sketch show, you may know what to expect when you watch Brain Candy. It’s crass, ridiculous, out of control and so strange at times, that you may have to pause just to process what happened. The plot concerns a pharmaceutical company that has developed a drug that cures depression by clutching on to your happiest memory and replaying it over and over again. The doctor that developed this drug called ‘GLeeMONEX’ is pressured into releasing it to the general public before properly testing it and chaos ensues. The plot though, really plays second fiddle to the random shit that happens in the movie.

Just some of the characters that The Kids play in the movie include a clinically depressed grandmother, a gay father in homophobic denial, Mark McKinney doing a spot-on impression of Lorne Michaels himself, a character modeled exactly after Glenn Danzig, Brendan Fraser (what?!), a good number of characters that were developed in the show itself, and of course, the infamous Cancer Boy. The film actually met a lot of protest due to this character, a young boy with terminal cancer that just recites incredibly depressing facts. He actually only has a tiny bit of screen time, but I honestly find it to be one of Bruce McCulloch’s best characters, even if it is horribly insensitive.

Now, there is no way I would consider this a great film, or even include it in the list of the best comedies that I’ve ever seen. What Brain Candy is however, is a refreshing hour and a half of a very funny group of people unleashed in the world of R-rated comedy. The laugh-tracked show was first broadcast on the Canadian CBC and later picked up in the US by HBO. It ran for five seasons in the late 80’s and early 90’s and in my opinion, is the pinnacle of sketch comedy. It defied many of the rules laid down by SNL and others, and it almost seems as if it was Lorne Michaels’ outlet for weirdness that he could not broadcast on NBC.

Brain Candy does have its share of problems, though. I’ve read before that they wanted to include more to make the film substantially longer, but I think that would have made it even more chaotic than it is. Even the trailer is packed full of scenes that didn’t make the cut (including an appearance by Janeane Garofalo). Like their sketch show, a lot of the storylines in the film have nothing to do with each other, except for when the characters are affected by GLeeMONEX. The movie just feels a bit too out of control, but I hope someday there is some kind of “Ultimate Edition” that The Kids originally wanted us to see.

You can’t let these minor problems get in the way though. Brain Candy is absolutely strange and stands on its own as a great feat in the world of Cult Classics. It is unfortunately hard to find these days and as you can see above, the only copy I own is on Laserdisc. You can get the DVD online pretty easily, but it’s not exactly cheap if you want a new version. If you do find yourself lucky enough to happen upon it though, do yourself a favor and pick it up. I guarantee you won’t regret it.

Final Score: 3/4


Similar Films: Monty Python’s The Meaning of Life, Tim and Eric’s Billion Dollar Movie, Strange Brew